1634–89 Collection

Drawing Ceiling Decoration Consisting Three Panels
Artokoloro

Flying Putto 1634-89 Red chalk 6 7 / 8 x 9 1 / 2in
Artokoloro

Design Half Frame Decorated Angels Volutes Garlands
Artokoloro

Head Woman recto Child Study Children Forearms
Artokoloro

Virgin Immaculate Appearing Four Saints 1634-89
Artokoloro

Head Bearded Man Looking Upper Left 1634-89
Artokoloro

Circumcision 1634-89 Pen brown ink brush wash
Artokoloro

Circumcision Study Engraving 1634-89 Pen brown ink
Artokoloro

Head Bearded Man Looking Upper Right 1634-89
Artokoloro

Design Altar Kneeling Angels Supporting Crucifix
Artokoloro

Last Supper 1634-89 Brush brown wash highlighted
Artokoloro

Landscape Mountains Distance 1634-89 Brush
Artokoloro

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"1634–89: A Glimpse into the Artistic World of a Masterful Creator" Step into the captivating world of 1634–89, where artistry knows no bounds. This era unveils an array of breathtaking masterpieces that continue to mesmerize audiences even today. One such masterpiece is the Drawing Ceiling Decoration Consisting Three Panels. Its intricate design, adorned with celestial motifs and delicate brushstrokes, transports viewers to a realm beyond imagination. In Flying Putto 1634-89, we witness the ethereal beauty captured in red chalk. The putto's graceful pose and exquisite details showcase the artist's impeccable skill in capturing movement and emotion. Design Half Frame Decorated Angels Volutes Garlands presents a harmonious blend of heavenly elements. The meticulous craftsmanship behind this piece effortlessly combines angels, volutes, and garlands to create an enchanting visual symphony. Head Woman recto Child Study Children Forearms portrays tender moments frozen in time. Through this artwork, we glimpse into the innocence and purity of childhood while marveling at the artist's ability to capture their essence so vividly. Virgin Immaculate Appearing Four Saints 1634-89 takes us on a spiritual journey through its divine depiction. The immaculate presence of Mary surrounded by saints evokes feelings of reverence and awe as we witness their devotion come alive on canvas. The Head Bearded Man Looking Upper Left 1634-89 captivates with its enigmatic gaze. This portrait exudes wisdom and intrigue as it invites us to ponder upon life's mysteries through every stroke meticulously placed by the artist's hand. Circumcision 1634-89 showcases profound religious symbolism rendered in pen brown ink brush wash technique. It serves as a testament to both technical prowess and deep spiritual contemplation that resonates with viewers across centuries. In Circumcision Study Engraving 1634-89, we witness the artist's mastery of pen brown ink.