1647 Collection (page 7)

Conrad Meyer (Swiss, 1618 - 1689), Summer, 1647, etching and engraving on laid paper

Roelant Roghman (Dutch, 1627 - 1692), Culemborg Castle, 1647, black chalk with gray wash over graphite on laid paper

Claude Mellan, Adam and Eve at the Foot of the Cross, French, 1598 - 1688, c. 1647, engraving on laid paper

Rembrandt van Rijn, Ephraim Bonus, Dutch, 1606 - 1669, 1647, etching, drypoint and burin

Jacob van Hulsdonck (Flemish, 1582 - 1647), Wild Strawberries and a Carnation in a Wan-Li Bowl, c. 1620, oil on copper

Drinking man next to a barrel, Herman Saftleven, 1647

Market Day in a Flemish Town, Sebastiaan Vrancx, 1600 - 1647

Amalia van Solms, 1602-75, Widow of prins Frederik Hendrik, Anonymous, c. 1647 - c. 1650, Portrait miniature

Karel Stuart, 1600-49, Prince of Wales. The later King Charles I of England, attributed to Peter Oliver, 1615 - 1647, Portrait miniature

Frederik V, 1596-1632, Elector Palatine, King of Bohemia, Peter Oliver, 1615 - 1647, Portrait miniature

Henry Frederick, 1594-1612, Prince of Wales. Eldest son of James I, attributed to Peter Oliver, 1604 - 1647, Portrait miniature

Portrait of a man, thought to be Dr. Ephraim Bueno, Rembrandt Harmensz. van Rijn, 1645 - 1647

Soldiers in a guardroom, Anthonie Palamedesz. 1647

Winter Landscape near a Town, Nicolaes Pietersz. Berchem, 1647

The Carriage Path, attributed to Sebastiaan Vrancx, 1600 - 1647

Ramparts of Haarlem in Winter, The Netherlands, Nicolaes Pietersz. Berchem, 1647

An officer in billeted quarters, Maerten Stoop, 1640 - 1647

Still Life with Stoneware Jug and Pipes, Jan Jansz. Treck, 1647

Still Life with a Fish, Pieter Claesz. 1647

The foot operation, Pieter Jansz. Quast, 1630 - 1647

The Punished Robber, Sebastiaan Vrancx, 1600 - 1647

Portrait of Adriaen Pauw, Theodor Matham, 1647

Portrait of Sir Anthony Denny, Wenceslaus Hollar, 1647

Winch Turner, print maker: Adriaen van Ostade, Adriaen van Ostade, weduwe van Jean Pierre Francois Basan, 1647 and or 1797 - 1820

Interior of a barn, Adriaen van Ostade, 1647

Two fishermen on a bridge, Adriaen van Ostade, 1647

Penitent Mary Magdalene, Jan Gerritsz. van Bronchorst, 1647

Portrait of Edmund Fortescue at the age of 38 in oval, Hendrick Danckerts, 1647

Essex House, Hollars View London, 1647, London, England, engraving 19th century, Britain, UK

The Liberation of Saint Peter; Laurent de La Hyre, French, 1606 - 1656; about 1647; Black chalk and brown wash; 23.8 x 19.7 cm (9 3/8 x 7 3/4 in.)

Moses and the Messengers from Canaan; Giovanni Lanfranco, Italian, 1582 - 1647; 1621 - 1624; Oil on canvas; Unframed: 217.8 x 246.4 cm (85 3/4 x 97 in.)

Landscape with a Nymph and a Satyr; Nicolaes Berchem, Dutch, 1620 - 1683; 1647?; Oil on panel; Unframed: 68.6 x 58.4 cm (27 x 23 in.), Framed: 89.5 x 79.4 x 6.4 cm (35 1/4 x 31 1/4 x 2 1/2 in.)

Madonna and Child with the Infant Saint John the Baptist; Giovanni Lanfranco, Italian, 1582 - 1647; about 1630 - 1632; Oil on canvas; Unframed: 96.7 x 75.6 cm (38 1/16 x 29 3/4 in.)

Elijah Receiving Bread from the Widow of Zarephath; Giovanni Lanfranco, Italian, 1582 - 1647; 1621 - 1624; Oil on canvas; Unframed: 203.2 x 243.8 cm (80 x 96 in.)

The Martyrdom of St. Andrew; Charles Le Brun, French, 1619 - 1690; 1646 - 1647; Oil on canvas; Unframed: 98.4 x 80 cm (38 3/4 x 31 1/2 in.), Framed: 126.7 x 107 x 7.9 cm (49 7/8 x 42 1/8 x 3 1/8 in.)

Bifrons Park, Kent Hunting Scene with Brifons Park in the Background, Perhaps Jan van der Vaardt, 1647-1721, Dutch

Orazio Gentileschi and Giovanni Lanfranco, Saint Cecilia and an Angel, Italian, 1582-1647, c. 1617-1618 and c. 1621-1627, oil on canvas

Jan van Huchtenburgh (Dutch, 1647-1733), Mother with Two Children and a Horse in Front of an Inn, mezzotint

CALIFORNIA: NEW ALBION MAP. Map of the California coastline near the port of New Albion, based on the explorations of Sir Francis Drake in 1579

LONDON: WESTMINSTER, 1647. Part of Westminster, with Parliament House, Westminster Hall, and the Abbey. Etching, 1647, by Wenceslaus Hollar (1607-1677)

MOSCOW, 17th CENTURY. Arrival of ambassadors from Cherkasy, Ukraine in Moscow, Russia. Drawing by from Travels in Moscow, 1647

ENGLISH TRADESMEN, 1647. These Tradesmen are Preachers in the City of London. Anti-Leveller broadside, English, 1647

ENGLISH NEWS-LETTER, 1647. Title page of The London Post, an English newsletter of 1647

Copernican (heliocentric) system of the universe, showing the firmament of the fixed stars. From Johannes Hevelius Selenographia, Gdansk (Danzig) 1647. Engraving

Hevelius observing through refracting telescope on stand fitted with quadrant and plumb-bob so altitude of object observed could be noted

These Tradesmen are Preachers in the City of London, broadside published in London, 1647. Congregationalists, a nonconformist dissenting Protestant sect who, according to the Anglican church

Westminster, London, UK
Westminster, London viewed across the river from the south bank of the Thames, showing Westminster Abbey, Parliament and Westminster Hall. After engraving of 1647 by Wenceslaus Hollar

Lambeth Palace, London, UK
Lambeth Palace, London, the residence of the Archbishop of Canterbury, viewed across the River Thames. After and engraving of 1647 by Wenceslaus Hollar

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"Exploring London in 1647: Unveiling the Past" Step back in time to the year 1647 and immerse yourself in the vibrant city of London. Wenceslaus Hollars' intricate artwork, "Long View of London, England from the Bankside, " offers a fascinating glimpse into this historical era. As you study this detailed panorama, your eyes are immediately drawn to iconic landmarks such as the Globe Theatre and Bear Garden. Interestingly, Hollars has reversed their labels, adding an intriguing twist to his masterpiece. Intrigue continues as we delve into the lives of notable figures from that period. Sir Thomas Fairfax and his military council take center stage - strong leaders navigating through turbulent times. The Remington Family also captures our attention; their story intertwines with political events shaping London's destiny. But it wasn't just politics that defined life in 1647. Matthew Hopkins emerges as a controversial figure - an English witch-finder who sent shivers down people's spines. His line engraving showcases him alongside two witches and their familiar spirits, offering a chilling insight into beliefs surrounding witchcraft during that era. Isobel Gowdie's name also surfaces amidst whispers of sorcery and dark arts. Her presence adds another layer of mystique to this captivating time period when superstition held sway over many minds. Beyond individuals, architecture plays a significant role in understanding London's past. Nicholas Stone & Son leave their mark on history with stunning structures that still stand today, testaments to craftsmanship passed down through generations. Even everyday life finds its place within these pages of history; broadsides advertising tailors remind us that fashion trends existed even then. So come along on this journey through time as we explore London in 1647 – where artistry meets politics, where legends intertwine with reality – revealing secrets long forgotten but forever etched upon Hollars' panoramic canvas.