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1650 Collection (page 2)

Step back in time to the year 1650, a period of artistic brilliance and historical significance. Jan Davidsz

Background image1650 Collection: Cabinet. Antwerp (?). circa 1650. Detail

Cabinet. Antwerp (?). circa 1650. Detail. The paintings that decore the cabinet offers a Calvinist vision of concept of Love and Beauty, through a moralizing interpretation of Metamorphosis of Ovid

Background image1650 Collection: The Magdalene, ca. 1650, by Bartolome Esteban Murillo

The Magdalene, ca. 1650, by Bartolome Esteban Murillo
Bartolome Esteban Murillo (1617-1682). The Magdalene, ca.1650. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Background image1650 Collection: Saint Luke Painting the Crucifixion, by Zurbaran

Saint Luke Painting the Crucifixion, by Zurbaran
Francisco de Zurbaran (1598-1664). Spanish painter. Saint Luke Painting the Crucifixion. Prado Museum. Madrid. Spain. Date: circa 1650

Background image1650 Collection: John Churchill, 1st Duke of Marlborough (1650-1722)

John Churchill, 1st Duke of Marlborough (1650-1722), Captain-General of the English forces and Master-General of the Ordnance, 1702 (c)

Background image1650 Collection: The Great House at Olney, Buckinghamshire, erected about 1650

The Great House at Olney, Buckinghamshire, erected about 1650 : among those associated with it are the poet Cowper Date: 1857

Background image1650 Collection: STUART/ELIZABETH/COPE

STUART/ELIZABETH/COPE
PRINCESS ELIZABETH Death of the second daughter of Charles I, at Carisbrooke Castle on 8 September 1650 Date: 1635 - 1650

Background image1650 Collection: CORNELIS BEUDIN

CORNELIS BEUDIN (1615? - 1650), (also known as Godinez) French Jesuit missionary in Mexico, who was privileged to die for his faith though he failed to make sainthood

Background image1650 Collection: Dassault Falcon 20 1650

Dassault Falcon 20 1650
Fuerza Aerea Venezolana - Dassault Falcon 20 1650 (msn 476) Date: circa 1998

Background image1650 Collection: Too much Matrimony, 1650 (engraving)

Too much Matrimony, 1650 (engraving)
2788254 Too much Matrimony, 1650 (engraving) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: Too much Matrimony, 1650)

Background image1650 Collection: Brahma seated with Saraswati Brahma holding the Four Vedas and Saraswai Clutching a Lotus Petal

Brahma seated with Saraswati Brahma holding the Four Vedas and Saraswai Clutching a Lotus Petal, c. 1650 (gouache)
1766436 Brahma seated with Saraswati Brahma holding the Four Vedas and Saraswai Clutching a Lotus Petal, c.1650 (gouache) by Bundi School (17th century); 11.1x22.5 cm; Private Collection; (add.info)

Background image1650 Collection: Portrait of a Young Gentleman, thought to be the Duke of Richmond, Bust Length

Portrait of a Young Gentleman, thought to be the Duke of Richmond, Bust Length
652151 Portrait of a Young Gentleman, thought to be the Duke of Richmond, Bust Length, Wearing Armour, c.1650 (oil on canvas laid down on board) by Lely

Background image1650 Collection: Renaissance Architecture of the Fifteenth, Sixteenth and Seventeenth Centuries (engraving)

Renaissance Architecture of the Fifteenth, Sixteenth and Seventeenth Centuries (engraving)
3650037 Renaissance Architecture of the Fifteenth, Sixteenth and Seventeenth Centuries (engraving) by English School, (19th century); Private Collection; (add.info)

Background image1650 Collection: Liverpool 1650 (engraving)

Liverpool 1650 (engraving)
5235942 Liverpool 1650 (engraving) by English School, (19th century); Private Collection; (add.info.: Liverpool 1650. Illustration for Old Liverpool written in manuscript by Rev R Postance with)

Background image1650 Collection: The Queens Visit to the Savoy, Sketches in the Savoy (engraving)

The Queens Visit to the Savoy, Sketches in the Savoy (engraving)
1623235 The Queens Visit to the Savoy, Sketches in the Savoy (engraving) by Quinton, Alfred Robert (1853-1934); Private Collection; (add.info.: The Queens Visit to the Savoy, Sketches in the Savoy)

Background image1650 Collection: Sketch to illustrate the Battle of Dunbar, 1650 (engraving)

Sketch to illustrate the Battle of Dunbar, 1650 (engraving)
669968 Sketch to illustrate the Battle of Dunbar, 1650 (engraving) by English School, (19th century); Private Collection; (add.info.: Sketch to illustrate the Battle of Dunbar, 1650)

Background image1650 Collection: Ancien hotel des comtes de Saint-Paul, rue du Roi-de-Sicile, en 1650; d apres I Sylvestre

Ancien hotel des comtes de Saint-Paul, rue du Roi-de-Sicile, en 1650; d apres I Sylvestre (engraving)
963497 Ancien hotel des comtes de Saint-Paul, rue du Roi-de-Sicile, en 1650; d apres I Sylvestre (engraving) by French School

Background image1650 Collection: Facade du Palais-Royal du cote du jardin en 1650 (engraving)

Facade du Palais-Royal du cote du jardin en 1650 (engraving)
963314 Facade du Palais-Royal du cote du jardin en 1650 (engraving) by French School, (19th century); Private Collection; (add.info.: Facade du Palais-Royal du cote du jardin en 1650)

Background image1650 Collection: Quai des Tuileries en 1650 (engraving)

Quai des Tuileries en 1650 (engraving)
963272 Quai des Tuileries en 1650 (engraving) by French School, (19th century); Private Collection; (add.info.: Quai des Tuileries en 1650)

Background image1650 Collection: Le quai des Tuileries en 1650 (engraving)

Le quai des Tuileries en 1650 (engraving)
963267 Le quai des Tuileries en 1650 (engraving) by French School, (19th century); Private Collection; (add.info.: Le quai des Tuileries en 1650)

Background image1650 Collection: Quai des Orfevres et pont Saint-Michel en 1650, d apres I Sylvestre (engraving)

Quai des Orfevres et pont Saint-Michel en 1650, d apres I Sylvestre (engraving)
963184 Quai des Orfevres et pont Saint-Michel en 1650, d apres I Sylvestre (engraving) by French School, (19th century); Private Collection; (add.info)

Background image1650 Collection: Attack on the port of Leith, Scotland, July 1650, by Cromwells English New Model Army

Attack on the port of Leith, Scotland, July 1650, by Cromwells English New Model Army against Scottish forces (under David Leslie, 1st Lord Newark) during the English Civil War (1642-1651)

Background image1650 Collection: Dorchester House, Highgate

Dorchester House, Highgate
View of Dorchester House, Highgate, erected by Henry Pierrepont, first Marquess of Dorchester, is mentioned as early as the year 1650. Date: 1875

Background image1650 Collection: The Savoy Hospital in 1650 and in ruins in 1792

The Savoy Hospital in 1650 and in ruins in 1792
The Savoy Hospital in 1650 from a print by Wenceslaus Hollar and in ruins in 1792. On the site of the Savoy Palace built by Peter, Count of Savoy, in the 13th century

Background image1650 Collection: Savoy Prison, part of the ancient Palace of the Savoy

Savoy Prison, part of the ancient Palace of the Savoy, used as a military prison in the 18th century. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of

Background image1650 Collection: Villa Selvatico - Sartori - Battaglia Terme, Italy

Villa Selvatico - Sartori - Battaglia Terme, Italy
Villa Selvatico - Sartori - completed in 1650, a Baroque-style villa surrounded by a park designed by the famous landscape gardner Giuseppe Jappeli in Battaglia Terme

Background image1650 Collection: Sufis Visiting their Pir, c. 1650 (w / c & gilt on paper)

Sufis Visiting their Pir, c. 1650 (w / c & gilt on paper)
1196761 Sufis Visiting their Pir, c.1650 (w/c & gilt on paper) by Indian School, (17th century); 19x13.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background image1650 Collection: Saint John the Baptist preaching in the Wilderness, c. 1633-50 (oil on canvas)

Saint John the Baptist preaching in the Wilderness, c. 1633-50 (oil on canvas)
827767 Saint John the Baptist preaching in the Wilderness, c.1633-50 (oil on canvas) by Brueghel, Pieter the Younger (c.1564-1638); 106x165.5 cm; Private Collection; (add.info)

Background image1650 Collection: Portrait of Muhammad Adil Shah II, c. 1650 (w / c & gold paint on paper)

Portrait of Muhammad Adil Shah II, c. 1650 (w / c & gold paint on paper)
1196995 Portrait of Muhammad Adil Shah II, c.1650 (w/c & gold paint on paper) by Indian School, (17th century); 34.2x19.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background image1650 Collection: The Death of Ananias, c. 1650-1680 (drawing on paper)

The Death of Ananias, c. 1650-1680 (drawing on paper)
1196751 The Death of Ananias, c.1650-1680 (drawing on paper) by Mughal School, (17th century); 19.6x32 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background image1650 Collection: Saint Sebastian, c. 1640-50 (oil on canvas)

Saint Sebastian, c. 1640-50 (oil on canvas)
990097 Saint Sebastian, c.1640-50 (oil on canvas) by Zurbaran, Francisco de (1598-1664); 190.7x105.4 cm; Private Collection; (add.info.: Saint Sebastian. Francisco de Zurbaran (1598-1664)

Background image1650 Collection: Eusebius Church parachutists, Arnhem, Holland

Eusebius Church parachutists, Arnhem, Holland
The original church was built between 1452 and 1650. During German occupation most of the church bells were, as with many Dutch churches, taken away to be melted down for the German war effort

Background image1650 Collection: Holyrood Palace as it was before the Fire of 1650 (engraving)

Holyrood Palace as it was before the Fire of 1650 (engraving)
5203045 Holyrood Palace as it was before the Fire of 1650 (engraving) by English School, (19th century); Private Collection; (add.info.: Holyrood Palace as it was before the Fire of 1650)

Background image1650 Collection: The Savoy in 1650, from a very scarce etching by Hollar (engraving)

The Savoy in 1650, from a very scarce etching by Hollar (engraving)
3636484 The Savoy in 1650, from a very scarce etching by Hollar (engraving) by English School, (19th century); Private Collection; (add.info.: The Savoy in 1650, from a very scarce etching by Hollar)

Background image1650 Collection: Two Swiss women and a man in costume

Two Swiss women and a man in costume - young middle class man and woman, with a bride in the middle. Date: circa 1650

Background image1650 Collection: Royal Naval Exhibition, Ancient and Modern Guns, Crank-Shaft and Boiler-Shell (engraving)

Royal Naval Exhibition, Ancient and Modern Guns, Crank-Shaft and Boiler-Shell (engraving)
1591775 Royal Naval Exhibition, Ancient and Modern Guns, Crank-Shaft and Boiler-Shell (engraving) by Watkins, Frank (fl.1859-94); Private Collection; (add.info.: Royal Naval Exhibition)

Background image1650 Collection: Eglise et charnier du Temple, en 1650; d apres I Sylvestre (engraving)

Eglise et charnier du Temple, en 1650; d apres I Sylvestre (engraving)
963471 Eglise et charnier du Temple, en 1650; d apres I Sylvestre (engraving) by French School, (19th century); Private Collection; (add.info.: Eglise et charnier du Temple)

Background image1650 Collection: Le Pont-Rouge, en 1650; fac-simile d une gravure d I Sylvestre (engraving)

Le Pont-Rouge, en 1650; fac-simile d une gravure d I Sylvestre (engraving)
963461 Le Pont-Rouge, en 1650; fac-simile d une gravure d I Sylvestre (engraving) by French School, (19th century); Private Collection; (add.info.: Le Pont-Rouge)

Background image1650 Collection: Couvent des Bernardins en 1650 (engraving)

Couvent des Bernardins en 1650 (engraving)
963398 Couvent des Bernardins en 1650 (engraving) by French School, (19th century); Private Collection; (add.info.: Couvent des Bernardins en 1650)

Background image1650 Collection: Facade du chateau du cote du jardin en 1650, d apres I Sylvestre (engraving)

Facade du chateau du cote du jardin en 1650, d apres I Sylvestre (engraving)
963266 Facade du chateau du cote du jardin en 1650, d apres I Sylvestre (engraving) by French School, (19th century); Private Collection; (add.info.: Facade du chateau du cote du jardin en 1650)

Background image1650 Collection: Facade occidentale du Louvre vers 1650, d apres une gravure de I Sylvestre (engraving)

Facade occidentale du Louvre vers 1650, d apres une gravure de I Sylvestre (engraving)
963009 Facade occidentale du Louvre vers 1650, d apres une gravure de I Sylvestre (engraving) by French School, (19th century); Private Collection; (add.info.: Facade occidentale du Louvre vers 1650)

Background image1650 Collection: Whitehall about 1650, from a copy by Smith of a rare print by Israel Silvestre (engraving)

Whitehall about 1650, from a copy by Smith of a rare print by Israel Silvestre (engraving)
3636567 Whitehall about 1650, from a copy by Smith of a rare print by Israel Silvestre (engraving) by English School, (19th century); Private Collection; (add.info.: Whitehall about 1650)

Background image1650 Collection: View of Leith, in 1650 (engraving)

View of Leith, in 1650 (engraving)
725593 View of Leith, in 1650 (engraving) by English School, (19th century); Private Collection; (add.info.: View of Leith, in 1650. Illustration for The Scots Worthies (Blackie, 1879)

Background image1650 Collection: William and Mary, William was born in 1650, and Mary in 1661; crowned in 1689, William died in 1702

William and Mary, William was born in 1650, and Mary in 1661; crowned in 1689, William died in 1702
6020290 William and Mary, William was born in 1650, and Mary in 1661; crowned in 1689, William died in 1702, and Mary in 1694 (engraving) by English School

Background image1650 Collection: The Savoy Hospital in 1650 from a print by Wenceslaus Hollar and in ruins in 1792

The Savoy Hospital in 1650 from a print by Wenceslaus Hollar and in ruins in 1792
6340381 The Savoy Hospital in 1650 from a print by Wenceslaus Hollar and in ruins in 1792 by Smith, John Thomas (1766-1833); (add.info)

Background image1650 Collection: A Hare and Snipe Hanging from a Game-Ring, Fruit in a Wanli Kraak Porselein Bowl, Figs

A Hare and Snipe Hanging from a Game-Ring, Fruit in a Wanli Kraak Porselein Bowl, Figs
827955 A Hare and Snipe Hanging from a Game-Ring, Fruit in a Wanli Kraak Porselein Bowl, Figs, Dead Partridges and Finches, Asparagus, Cabbage

Background image1650 Collection: The Town of Dundee, in 1650 (engraving)

The Town of Dundee, in 1650 (engraving)
725582 The Town of Dundee, in 1650 (engraving) by English School, (19th century); Private Collection; (add.info.: The Town of Dundee, in 1650. Illustration for The Scots Worthies (Blackie, 1879)

Background image1650 Collection: Somerset Palace, 1650 (engraving)

Somerset Palace, 1650 (engraving)
585296 Somerset Palace, 1650 (engraving) by English School, (19th century); Private Collection; (add.info.: Illustration titled Somerset Palace, 1650, a view of Somerset House on the River Thames)



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Step back in time to the year 1650, a period of artistic brilliance and historical significance. Jan Davidsz. De Heem's masterpiece "Still Life with Flowers in a Glass Vase" captivates viewers with its exquisite detail and vibrant colors, transporting them to a world of beauty and elegance. Meanwhile, Cromwell at Dunbar stands as a testament to the tumultuous political landscape of the era. This iconic painting depicts Oliver Cromwell leading his troops during the Battle of Dunbar, showcasing both his military prowess and determination. Intriguing folklore tales come alive through depictions of mythical creatures like Gryphons. These majestic beings symbolize strength and wisdom, captivating imaginations for centuries. A Persian Manuscript from 1650 offers us a glimpse into the opulent court life of the Safavid dynasty. Its intricate illustrations transport us to an era filled with grandeur and cultural richness. Rembrandt's masterpiece "The Shell (Conus marmoreus)" showcases his mastery over light and shadow while capturing nature's delicate beauty. It serves as a reminder that even in turbulent times, art can provide solace and inspiration. Nell Gwynn, one of history's most beloved actresses, takes center stage alongside her homes in this captivating snapshot from 1650. Her charisma shines through as we catch glimpses into her fascinating life. Rene Descartes is seen deep in thought at his desk—a visual representation of his groundbreaking philosophical ideas that shaped modern thinking during this period. Birds take flight amidst folklore legends featuring Phoenixes—an emblematic symbol representing rebirth and resilience—reminding us that hope always emerges from adversity. The Duke of Marlborough commands attention on canvas—a powerful figure who played an instrumental role in shaping European politics during this pivotal moment in history. Old Houses in Banbury's High Street offer architectural nostalgia—a window into everyday life during these bygone years when simplicity and charm reigned supreme.