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1652 Collection (page 7)

"1652: A Glimpse into the Rich Tapestry of History" Step back in time to 1652

Background image1652 Collection: Old Woman Praying late 1630s early 1640s Oil

Old Woman Praying late 1630s early 1640s Oil
Artokoloro

Background image1652 Collection: Abraham Dismissing Hagar Ishmael 1653 Oil canvas

Abraham Dismissing Hagar Ishmael 1653 Oil canvas
Artokoloro

Background image1652 Collection: Landscape Haybarn Flock Sheep 1652 Etching drypoint

Landscape Haybarn Flock Sheep 1652 Etching drypoint
Artokoloro

Background image1652 Collection: Various figures horse ballet 1652 Etching Sheet

Various figures horse ballet 1652 Etching Sheet
Artokoloro

Background image1652 Collection: Twenty-four Cavaliers Two Columns 1652 Etching

Twenty-four Cavaliers Two Columns 1652 Etching
Artokoloro

Background image1652 Collection: Landscape Hay Barn Flock Sheep 1652 Etching drypoint

Landscape Hay Barn Flock Sheep 1652 Etching drypoint
Artokoloro

Background image1652 Collection: Twenty-four Cavaliers Fighting Two Columns 1652

Twenty-four Cavaliers Fighting Two Columns 1652
Artokoloro

Background image1652 Collection: Torchlight Procession Modena Carrousel 1652 Etching

Torchlight Procession Modena Carrousel 1652 Etching
Artokoloro

Background image1652 Collection: Twenty-four Cavaliers Form Doubles 1652 Etching

Twenty-four Cavaliers Form Doubles 1652 Etching
Artokoloro

Background image1652 Collection: 1652, Sanson Map of India, topography, cartography, geography, land, illustration

1652, Sanson Map of India, topography, cartography, geography, land, illustration
1652, Sanson Map of India

Background image1652 Collection: 1652, Merian Panoramic View or Map of Rome, Italy, topography, cartography, geography

1652, Merian Panoramic View or Map of Rome, Italy, topography, cartography, geography
1652, Merian Panoramic View or Map of Rome, Italy

Background image1652 Collection: 1652, Gomboust Map of Paris, France, c. 1900 Taride reissue, topography, cartography

1652, Gomboust Map of Paris, France, c. 1900 Taride reissue, topography, cartography
1652, Gomboust Map of Paris, France, c. 1900 Taride reissue

Background image1652 Collection: Interior of a Renaissance Church

Interior of a Renaissance Church (1652). Delen, Dirck van 1605-1671. Date: 1652

Background image1652 Collection: Jusepe de Ribera (Spanish, 1591-1652), Drunken Silenus, 1628, etching and engraving

Jusepe de Ribera (Spanish, 1591-1652), Drunken Silenus, 1628, etching and engraving

Background image1652 Collection: Antoine Jacquard, French (died 1652), Time, engraving

Antoine Jacquard, French (died 1652), Time, engraving

Background image1652 Collection: John Smith after Sir Godfrey Kneller, English, (probably 1652-1742), Robert Cecil

John Smith after Sir Godfrey Kneller, English, (probably 1652-1742), Robert Cecil, 1697, mezzotint on laid paper

Background image1652 Collection: Attributed to Jan Asselijn, Dutch (c. 1610-1652), The Ruins of the Colosseum, pen

Attributed to Jan Asselijn, Dutch (c. 1610-1652), The Ruins of the Colosseum, pen and brown ink with brown wash

Background image1652 Collection: Gaspar van Wittel, Dutch (1652-1653-1736), A View of Rome from Santa Maria del Priorato

Gaspar van Wittel, Dutch (1652-1653-1736), A View of Rome from Santa Maria del Priorato, c. 1710, pen and brown ink and gray wash with red chalk on laid paper

Background image1652 Collection: Rembrandt Workshop (Probably Constantijn van Renesse), The Descent from the Cross

Rembrandt Workshop (Probably Constantijn van Renesse), The Descent from the Cross, 1650-1652, oil on canvas

Background image1652 Collection: Jusepe de Ribera, The Martyrdom of Saint Bartholomew, Spanish, 1591 - 1652, 1624

Jusepe de Ribera, The Martyrdom of Saint Bartholomew, Spanish, 1591 - 1652, 1624, etching and engraving

Background image1652 Collection: Jan Both (Dutch, 1615-1618 - 1652), Fishermen at the Tiber, near the Soracte, etching

Jan Both (Dutch, 1615-1618 - 1652), Fishermen at the Tiber, near the Soracte, etching

Background image1652 Collection: Jan Both (Dutch, 1615-1618 - 1652), The Two Hinnies, etching

Jan Both (Dutch, 1615-1618 - 1652), The Two Hinnies, etching

Background image1652 Collection: Jan Both (Dutch, 1615-1618 - 1652), The Ponte Molle, etching on wove paper, posthumous

Jan Both (Dutch, 1615-1618 - 1652), The Ponte Molle, etching on wove paper, posthumous impression

Background image1652 Collection: Jan Both (Dutch, 1615-1618 - 1652), The Woman on the Hinny, etching

Jan Both (Dutch, 1615-1618 - 1652), The Woman on the Hinny, etching

Background image1652 Collection: Jan Both (Dutch, 1615-1618 - 1652), The Large Tree, etching

Jan Both (Dutch, 1615-1618 - 1652), The Large Tree, etching

Background image1652 Collection: Rembrandt van Rijn (Dutch, 1606 - 1669), Faust, c. 1652, etching, drypoint and burin

Rembrandt van Rijn (Dutch, 1606 - 1669), Faust, c. 1652, etching, drypoint and burin

Background image1652 Collection: Claes Jansz Visscher after Lucas van Doetechum after Master of the Small Landscapes

Claes Jansz Visscher after Lucas van Doetechum after Master of the Small Landscapes after Johannes van Doetechum, the Elder (Dutch, 1586-1587 - 1652), Village Road, etching

Background image1652 Collection: Gabriel Ehinger after Johann Heinrich Schaonfeld (German, 1652 - 1736), The Virgin, c

Gabriel Ehinger after Johann Heinrich Schaonfeld (German, 1652 - 1736), The Virgin, c. 1680, etching on laid paper

Background image1652 Collection: Jusepe de Ribera (Spanish, 1591 - 1652), The Poet, c. 1620-1621, etching and engraving

Jusepe de Ribera (Spanish, 1591 - 1652), The Poet, c. 1620-1621, etching and engraving

Background image1652 Collection: Circle of Jusepe de Ribera (Spanish, 1591 - 1652), Battle between a Centaur and a Triton

Circle of Jusepe de Ribera (Spanish, 1591 - 1652), Battle between a Centaur and a Triton, etching on laid paper

Background image1652 Collection: Robert Nanteuil after Jean Daret, French (1623-1678), Jean de Mesgrigny, 1652, engraving

Robert Nanteuil after Jean Daret, French (1623-1678), Jean de Mesgrigny, 1652, engraving
Robert Nanteuil after Jean Daret (French, 1623 - 1678), Jean de Mesgrigny, 1652, engraving

Background image1652 Collection: Antoine Jacquard (French, died 1652), Seige of Troy, engraving

Antoine Jacquard (French, died 1652), Seige of Troy, engraving

Background image1652 Collection: Antoine Jacquard (French, died 1652), Lovers, engraving

Antoine Jacquard (French, died 1652), Lovers, engraving

Background image1652 Collection: Antoine Jacquard (French, died 1652), Landscape, engraving

Antoine Jacquard (French, died 1652), Landscape, engraving

Background image1652 Collection: Nicolaes Lauwers, after Sir Peter Paul Rubens (Flemish, 1600 - 1652), The Adoration

Nicolaes Lauwers, after Sir Peter Paul Rubens (Flemish, 1600 - 1652), The Adoration of the Magi with Torches, engraving on laid paper

Background image1652 Collection: John Smith after Jan van der Vaart (English, probably 1652 - 1742), Queen Mary, 1690

John Smith after Jan van der Vaart (English, probably 1652 - 1742), Queen Mary, 1690, mezzotint on laid paper

Background image1652 Collection: John Smith after Godfried Schalcken (English, probably 1652 - 1742), Godfried Schalcken

John Smith after Godfried Schalcken (English, probably 1652 - 1742), Godfried Schalcken, c. 1694, mezzotint on laid paper

Background image1652 Collection: Anton Domenico Gabbiani (Italian, 1652 - 1726), Satyr Leaning on a Column, black

Anton Domenico Gabbiani (Italian, 1652 - 1726), Satyr Leaning on a Column, black and white chalk

Background image1652 Collection: Michel Anguier (French, 1612 - 1686), Ceres Searching for Persephone, model 1652

Michel Anguier (French, 1612 - 1686), Ceres Searching for Persephone, model 1652, cast probably 1652-1670s, bronze

Background image1652 Collection: Georges de La Tour (French, 1593 - 1652), The Repentant Magdalen, c

Georges de La Tour (French, 1593 - 1652), The Repentant Magdalen, c. 1635-1640, oil on canvas

Background image1652 Collection: Giovanni Battista Foggini (Italian, 1652 - 1725), A Monstrance with Two Angels Supporting

Giovanni Battista Foggini (Italian, 1652 - 1725), A Monstrance with Two Angels Supporting a Chalice, black chalk and pen and brown ink, partially squared in black chalk, on laid paper

Background image1652 Collection: Interior with Five Women, attributed to Dirck van Delen, c. 1630 - c. 1652

Interior with Five Women, attributed to Dirck van Delen, c. 1630 - c. 1652

Background image1652 Collection: Portrait of Maria van Strijp, Johannes Cornelisz. Verspronck, 1652

Portrait of Maria van Strijp, Johannes Cornelisz. Verspronck, 1652

Background image1652 Collection: Portrait of Eduard Wallis, Johannes Cornelisz. Verspronck, 1652

Portrait of Eduard Wallis, Johannes Cornelisz. Verspronck, 1652

Background image1652 Collection: Ships in the Storm, attributed to Andries van Eertvelt, 1600 - 1652

Ships in the Storm, attributed to Andries van Eertvelt, 1600 - 1652

Background image1652 Collection: Italian Landscape with Soldiers, copy after Karel Dujardin, 1652 - 1700

Italian Landscape with Soldiers, copy after Karel Dujardin, 1652 - 1700

Background image1652 Collection: A Weavers Workshop, Johannes Dircksz. van Oudenrogge, 1652

A Weavers Workshop, Johannes Dircksz. van Oudenrogge, 1652

Background image1652 Collection: The Spinner, a Niddy-noddy Hanging on the Wall, Nicolaes Maes, 1652 - 1662

The Spinner, a Niddy-noddy Hanging on the Wall, Nicolaes Maes, 1652 - 1662



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"1652: A Glimpse into the Rich Tapestry of History" Step back in time to 1652, a pivotal year that witnessed remarkable events and individuals shaping the course of history. British Military Recruitment Poster beckons brave souls to join their ranks, ready to defend the empire's honor. Meanwhile, William Dampier sets sail on his daring voyages across uncharted waters, exploring unknown lands with an insatiable curiosity. In France, Jacques Duc De LA Force emerges as a prominent figure—a man of influence and power who leaves an indelible mark on his country's destiny. Across borders, Rembrandt captures his essence in a self-portrait that transcends time and speaks volumes about artistic brilliance. Amidst political turmoil, Ralph Lord Hopton stands tall as a symbol of resilience and unwavering loyalty. His name echoes through the annals of history as he leads with valor and conviction. McLaren Road Locomotive number 1652 Boadicea roars to life, revolutionizing transportation with its innovative design. The Cape Times Annual showcases Jan Van Riebeeck's captivating cover design—an artistic masterpiece that encapsulates the spirit of South Africa during this era. God's Providence House in Chester stands proudly since 1862—a testament to enduring faith amidst changing times. Rene Marie De Beisit emerges as a French churchman whose teachings inspire generations beyond his lifetime—his wisdom resonating even today. The facsimile du plan de Gomboust transports us back to Le bourg Saint-Germain in 1652—an enchanting glimpse into urban planning centuries ago. As we delve deeper into these fragments from 1652, we uncover stories woven together like threads in a grand tapestry—the triumphs and tribulations that have shaped our world today. Join us on this journey through time as we unravel the mysteries behind this extraordinary year.