1659 Collection (page 6)

POTTER, 1659. Woodcut from a 1659 English edition of Comenius Orbis sensualium pictus

BOOKBINDER, 1659. Woodcut from the 1659 English edition of Comenius Orbis sensualium
BOOKBINDER, 1659. Woodcut from the 1659 English edition of Comenius " Orbis sensualium pictus"

Francesco Galli Bibiena, Italian (1659-1739), Magnificent Catafalque for a Deceased Noble, pen and brown ink with brown and gray washes over graphite on laid paper

Rembrandt van Rijn, Peter and John Healing the Cripple at the Gate of the Temple, Dutch, 1606-1669, 1659, etching, drypoint and burin

Schelte Adams Bolswert after Jacob Jordaens (Flemish, 1586 - 1659), The Family Concert (As the old sing, so the young twitter), engraving

Schelte Adams Bolswert after Sir Anthony van Dyck (Flemish, 1586 - 1659), Marten Pepyn, probably 1626-1641, engraving

Jacques Lubin (French, c. 1659 - 1703 or after), Rena Descartes, engraving on laid paper
Jacques Lubin (French, c. 1659 - 1703 or after), Rena© Descartes, engraving on laid paper

Claude Mellan, French (1598-1688), Abel Servien, in or after 1659, engraving on laid
Claude Mellan (French, 1598 - 1688), Abel Servien, in or after 1659, engraving on laid paper

Sebastiano Ricci (Italian, 1659 - 1734), The Angel Appearing to Hagar and Ishmael, 1726-1727, pen and brown ink and brown wash over black and red chalk on laid paper

Map, Saint-Domingue was a French colony on the Caribbean island of Hispaniola from 1659 to 1809, 19th century engraving

Temple Salominis, Hendrik Udemans, Henrick Smidt, Henrick Smidt, 1659

Family Portrait, Jacob Fransz. van der Merck, 1650 - 1659

Flower Wreath Surrounding a Niche, A Flower Piece, Karel Batist, 1659 - 1663

Karel Stuart, 1630-85, Prince of Wales. The later King Charles II of England, Nathaniel Thach, 1650 - 1659, Portrait miniature

Portrait of a young Man, Dirk Druyf, 1659

Judith and Holofernes, Jan de Bray, 1659

Portrait of Franciscus de le Boe Sylvius, Cornelis van Dalen II, print maker: Anonymous, 1659 and or 1659 - 1709

Landscape with four mountains, Karel Dujardin, 1659

Hill landscape with man and dog, Karel Dujardin, 1659

Two doves near a gate, Albert Flamen, Jacques van Merlen, Louis XIV King of France, 1659

Portrait of Pierre Monnerot, Nicolas de Plattemontagne, 1659

Pierre Drevet (French, 1663-1738) after Hyacinthe Rigaud (French, 1659 - 1743). Portrait of the Painter, Hyacinthe Rigaud, 1714. Engraving on laid paper. Plate: 469 mm x 335 mm (18.46 in)

Jean Audran (French, 1667-1756) after Pierre Gaubert (French, 1659 - 1741). Louis XV as a Boy, ca. 1716-1718. Etching and engraving on laid paper. Plate: 500 mm x 346 mm (19.69 in. x 13.62 in.)

Pierre-Imbert Drevet (French, 1697-1739) after Hyacinthe Rigaud (French, 1659 - 1743). Portrait of the Bishop Jacques-Benigne Bossuet (1627-1704), 1723. Engraving on laid paper

The Death of Seneca (recto), Study of a Man (verso); Sebastiano Ricci, Italian, 1659 - 1734; about 1705; Pen and brown ink, brown wash

Tarquin the Elder Consulting Attius Navius; Sebastiano Ricci, Italian, 1659 - 1734; about 1690; Oil on canvas; Unframed: 162.6 x 138.4 cm (64 x 54 1/2 in.)

Portrait of Louis XIV; After Hyacinthe Rigaud, French, 1659 - 1743; 18th century; Oil on canvas; Unframed: 289.6 x 159.1 cm (114 x 62 5/8 in.)

Landscape with Classical Ruins and Figures; Marco Ricci, Italian, 1676 - 1730, and Sebastiano Ricci, Italian, 1659 - 1734; about 1725 - 1730; Oil on canvas; Unframed

Triumph of the Marine Venus; Sebastiano Ricci, Italian, 1659 - 1734; about 1713; Oil on canvas; Unframed: 160 x 210.8 cm (63 x 83 in.), Framed: 64.8 x 237.2 x 9.5 cm (25 1/2 x 93 3/8 x 3 3/4 in.)

Diana and Her Dog; Sebastiano Ricci, Italian, 1659 - 1734; 1717 - 1720; Oil on canvas; Unframed: 74 x 55.6 cm (29 1/8 x 21 7/8 in.)

Sebastiano Ricci, The Last Supper, Italian, 1659-1734, 1713-1714, oil on canvas

Sebastiano Ricci, The Exaltation of the True Cross, Italian, 1659-1734, 1733, oil on canvas

Sebastiano Ricci, A Miracle of Saint Francis of Paola, Italian, 1659-1734, 1733, oil on canvas

Adriaen van de Velde (Dutch, 1636-1672), Fighting Dogs, c. 1657-1659, etching

TENNIS, 1659. A game of court tennis. English woodcut, 1659

SPECTACLE MAKER, 1659. A spectacle maker. Woodcut from the 1659 English edition of Jan Amos Comenius, Orbis sensualium pictus

ROPER & CORDWAINER, 1659. A roper and cordwainer. Woodcut from the 1659 English edition of Jan Amos Comenius, Orbis sensualium pictus

SHOEMAKER, 1659. A shoemaker. Woodcut from the 1659 English edition of Comenius Orbis sensualium pictus

ATLAS. The Greek Titan Atlas supporting the whole universe. Woodcut from Basile Valentins L Azoth de Philosophes, Paris, France, 1659

PAPERMAKERS, 1659. Papermakers at work. Woodcut from the 1659 English edition of Jan Amos Comenius, Orbis sensualium pictus

BOOKBINDER, 1659. Woodcut from the 1659 English edition of John Amos Comenius, Orbis sensualium pictus

GONGORA: TITLE PAGE, 1659. Title page of the Works of Luis de Gongora y Argote, printed in Brussels, 1659

POTTER, 1659. Woodcut from the 1659 English edition of Jan Amos Comenius Orbis sensualium pictus

BLACKSMITH, 1659. Woodcut from the 1659 English edition of Comenius Orbis sensualium pictus

TAILOR, 1659. Woodcut from the 1659 English edition of Jan Amos Comenius Orbis sensualium pictus

Handley Page
circa 1918: A Handley Page bomber, which was later modified for civil aviation. (Photo by Hulton Archive/Getty Images)

The Consultation
A doctor listens to the chest of a young female patient, watched by two nuns, circa 1870. The Consultation by Danton. The doctor is practising auscultation

William Bentinck, 1st Earl of Portland (1648-1709) by Hyacinthe Rigaud (1659 - 1743) French baroque painter of Catalan origin

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In the year 1659, a tapestry of history unfolded, weaving together various events and individuals that shaped the world. Purcell Sonatas Frontis set the melodic backdrop for this transformative era. Meanwhile, John Churchill, later known as the illustrious 1st Duke of Marlborough, was born during this time - a man destined to leave an indelible mark on military strategy. Amidst the chaos of war, two battles captured attention: The Battle of Dunkirk and The Battle of Livorno. Willem van de Velde I immortalized these clashes through his masterful brushstrokes. These vivid depictions transport us back to witness the bravery and sacrifice displayed by soldiers on both sides. The actions of Grand Condé during the siege of Dunkirk further exemplify valor in times of conflict. His strategic maneuvers showcased his prowess as a military leader and left an enduring legacy. However, not all struggles were fought with swords and cannons; some took shape within political realms. The Rebellion of the Earls Northumberland and Westmoreland serves as a stark reminder that power struggles can manifest in unexpected ways. Artistic expression flourished amidst tumultuous times as well. A Safavid dynasty lacquer bookcover adorned with vibrant colors depicted a parrot perched gracefully upon an apple blossom branch - a testament to beauty amid chaos. A historic meeting between Kings Philip IV and Louis XIV took place on Pheasant Island - an encounter laden with diplomatic significance that would shape future alliances and rivalries across Europe. Tragedy struck when Dara Shukoh's head was presented to Aurangzeb in 1659 - marking not only personal loss but also highlighting religious tensions prevalent during this period. Portraits from this era provide glimpses into lives lived centuries ago; one such portrait captures Lord Hebdon's enigmatic presence while leaving much untold about his story. Finally, peace emerged from the ashes of conflict with the signing of the Peace of Pyrenees.