1666 Collection (page 4)

Life Fruit precious crockery displayed table decorated
Still Life, Still Life. Fruit and precious crockery are displayed on a table decorated with a lion. On the table are half a melon, peaches, grapes and a pomegranate, a Wan Li bowl with grapes

Jan van Nes 1631-80 Vice Admiral Holland West Friesland
Jan van Nes (1631-80), Vice Admiral of Holland and West Friesland, Portrait of Jan van Nes, Vice Admiral of Holland and West Friesland. Standing, halfway, in front of a balustrade

A Piebald Horse colorful horse farm inn horse gets
A Piebald Horse, The colorful horse. For a farm or inn, a horse gets to drink from a bucket. To the right is a young woman standing by two sitting figures

Portrait woman Jacobmina de Grebber -1666 Half-length
Portrait of a woman, probably Jacobmina de Grebber (? -1666), probably Jacobmina de Grebber (? -1666) Half-length, sitting in a chair, with a pair of gloves on the right hand, Anthonie Palamedesz

Portrait Man young man Bust right face turned
Portrait of a Man, Portrait of a young man. Bust to the right, the face turned to the viewer. Jan van Assen, 1666, copper (metal), oil paint (paint)

Saint Anthony Padua book lily branch hands Franciscan monk Antony
Saint Anthony of Padua, Saint Anthony of Padua with a book and a lily branch in his hands, the Franciscan monk Antony of Padua, possible attributes: ass, book, crucifix, flowered cross

Young man coast fleeing sea monster monsters
Young man on the coast, fleeing from a sea monster, monsters, swimming mammals, flight, running away, pursuing, Lodewijk de Deyster, Zuid-Nederland, 1666 - 1711, paper, etching, h 110 mm × w 94 mm

Angel asks Hagar return line Latin text Gen 16
Angel asks Hagar to return, Angel asks Hagar to return. Below line Latin text from: Gen 16. an angel meets Hagar at the fountain on the way to Shur and persuades her to return

Shepherds mules cattle source mountain landscape Southern landscapes
Shepherds with mules and cattle at source in mountain landscape Southern landscapes (series title), rocks, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc

Italian landscape shepherd horseback cattle river Italian landscapes
Italian landscape with shepherd on horseback and cattle near river Italian landscapes (series title), Italian landscape with shepherd on horseback and cattle near river

Shepherds wade herd cows brook Southern landscapes
Shepherds wade with herd of cows through brook Southern landscapes (series title), crossing a river, rocks, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc

Shepherds cattle ruin mountain landscape Southern landscapes
Shepherds with cattle near ruin in mountain landscape Southern landscapes (series title), Herder sits on the back of a cow and plays the flute while shepherd dances

Italian mountain landscape mules shepherds cattle Landscapes
Italian mountain landscape with mules, shepherds and cattle Landscapes (series title), Dancker Danckerts (mentioned on object), Netherlands, 1643 - 1666, paper, etching, h 225 mm × w 307 mm

Italian landscape shepherds cows donkeys water Italian landscapes
Italian landscape with shepherds, cows and donkeys in the water Italian landscapes (series title), Italian landscape with shepherds and a herd of cows and sheep and donkeys in the shallow water

Deer hunting Deer hunted hunting dogs man blows
Deer hunting, Deer are hunted by hunting dogs while a man blows a hunting horn and watches a richly dressed couple on horseback

Portrait Bernard Ignatius Count Martinitz Illvstrissimo
Portrait of Bernard Ignatius, Count of Martinitz Illvstrissimo and Excellentissimo (...) in Regno Bohemiae (title on object), Count of Martinitz, bust, Bernardus Ignatius de Martinitz

Three men sing sheet paper candlelight open window
Three men sing from sheet of paper by candlelight in an open window The rederijkers, The three singers in an open window is a satire at the literary meetings of the rederijkers

Receiving mail sea Postcard series title mail boat sails towards
Receiving mail at sea Postcard (series title), A mail boat sails towards a ship in the North Sea to receive mail. The print has a Dutch caption with explanation, sea

God calling Cain account killing Abel Cain margin line Latin text
God is calling Cain to account after killing Abel, God appears to Cain after killing Abel. In the margin line Latin text from Gen 4: 9, the Lord calls on Cain to do his account

Campania Caserta Santa Maria Capua Vetere Cathedral, this is my Italy, the italian country of visual history, Medieval Architectural sculpture capitals. Post-medieval Built c

Triumph Constantine detail left side Audran Gerard
Triumph of Constantine: detail left side, Audran, Gerard, 1640-1703, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, 1666, Audran fec.--in pencil, lower left. C. Le Brun ex

Triumph Constantine detail right side Audran
Triumph of Constantine: detail right side, Audran, Gerard, 1640-1703, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, 1666, Audran fec.--in pencil, lower left. C. Le Brun ex

Warrior Roman fasces Cooghen Leendert van der
Warrior with Roman fasces, Cooghen, Leendert van der, Dutch, 1632-1681, Etching, black-and-white, 1666

Battle Milvian Bridge Audran Gerard 1640-1703
Battle at the Milvian Bridge, Audran, Gerard, 1640-1703, after Le Brun, Charles, 1619-1690, Etching and engraving, 1666, This print is comprised of three separate sheets

Battle Milvian Bridge detail left side Audran
Battle at the Milvian Bridge: detail left side, Audran, Gerard, 1640-1703, after Le Brun, Charles, 1619-1690, Etching and engraving, 1666

Battle Milvian Bridge detail right side Audran
Battle at the Milvian Bridge: detail right side, Audran, Gerard, 1640-1703, after Le Brun, Charles, 1619-1690, Etching and engraving, 1666

Egyptian statue front view Ad Alexandrum VII
Egyptian statue, front view, Ad Alexandrum VII. Pont. Max. Obelisci Aegyptiaci: nuper inter Isaei Romani rudera effossi interpretatio hieroglyphica, Kircher, Athanasius, 1602-1680, Etching, 1666

Egtypon Isaei Ichonographia Septi Isiaci Ad Alexandrum
Egtypon Isaei. Ichonographia Septi Isiaci, Ad Alexandrum VII. Pont. Max. Obelisci Aegyptiaci: nuper inter Isaei Romani rudera effossi interpretatio hieroglyphica, Kircher, Athanasius, 1602-1680

Egyptian statue rear view Ad Alexandrum VII Pont
Egyptian statue, rear view, Ad Alexandrum VII. Pont. Max. Obelisci Aegyptiaci: nuper inter Isaei Romani rudera effossi interpretatio hieroglyphica, Kircher, Athanasius, 1602-1680, Etching, 1666

Interior view Galleria Settala Museo o Galeria
Interior view of the Galleria Settala, Museo, o Galeria, adunata dal sapere e dallo studio del sig. canonico Manfredo Settala nobile milanese, Fiori, Cesare, 1636-1702, Terzago, Paolo Maria, d

Iris Appearing Turnus Study Helmet recto Alternative design
Iris Appearing to Turnus; Study of a Helmet (recto); Alternative design for the recto composition (verso); Pier Francesco Mola (Italian)

Coffer Stand Attributed Andre-Charles Boulle
Coffer on a Stand; Attributed to Andre-Charles Boulle (French, 1642 - 1732, master before 1666); Paris, France; about 1684 - 1689; Oak, cypress, and walnut veneered with tortoise shell

Vision Saint Bruno Pier Francesco Mola Italian
The Vision of Saint Bruno; Pier Francesco Mola (Italian, 1612 - 1666); Italy; about 1660; Oil on canvas; 194 × 136.8 cm (76 3, 8 × 53 7, 8 in.)

Pope Gregory XV Guercino Giovanni Francesco Barbieri
Pope Gregory XV; Guercino (Giovanni Francesco Barbieri) (Italian, 1591 - 1666); about 1622 - 1623; Oil on canvas; 133.7 × 98.4 cm (52 5, 8 × 38 3, 4 in.)

Penitent Magdalene Michele Rocca Italian Emilian
Penitent Magdalene; Michele Rocca (Italian (Emilian), 1666 - in or after 1751); about 1698; Oil on canvas; 48.3 x 36.8 cm (19 x 14 1, 2 in.)

Caricature Two Men Profile Guercino Giovanni Francesco
Caricature of Two Men Seen in Profile; Guercino (Giovanni Francesco Barbieri) (Italian (Bolognese), 1591 - 1666); about 1635; Pen and brown ink, brush with light brown wash; 20.4 x 17.3 cm (8 1)

Study Seated Young Man Guercino Giovanni Francesco
Study of a Seated Young Man; Guercino (Giovanni Francesco Barbieri) (Italian (Bolognese), 1591 - 1666); Italy; about 1619; Black chalk dipped in gum

Apple Harvest Claude Simpol French 1666 1716
An Apple Harvest; Claude Simpol (French, 1666 - 1716); France; about 1700; Brush and gray wash and black chalk, incised for transfer throughout (recto); Covered with red chalk for transfer

Landscape View Fortified Port Guercino Giovanni Francesco
Landscape with a View of a Fortified Port; Guercino (Giovanni Francesco Barbieri) (Italian (Bolognese), 1591 - 1666); Italy; about 1635; Pen and brown ink; 29 x 43.2 cm (11 7, 16 x 17 in.)

Christ Preaching Temple Guercino Giovanni Francesco
Christ Preaching in the Temple; Guercino (Giovanni Francesco Barbieri) (Italian (Bolognese), 1591 - 1666); Italy; about 1625 - 1627; Pen and brown ink, brush with brown wash; 26.8 x 42.4 cm (10 9)

Calm Sea Willem van de Velde Younger Dutch 1633
Calm Sea; Willem van de Velde the Younger (Dutch, 1633 - 1707); about 1665 - 1666; Black chalk and gray wash; 16.5 x 40.2 cm (6 1, 2 x 15 13, 16 in.)

Saint John Evangelist Frans Hals Dutch 1582 1583
Saint John the Evangelist; Frans Hals (Dutch, 1582, 1583 - 1666); about 1625 - 1628; Oil on canvas; 70.5 x 55.2 cm (27 3, 4 x 21 3, 4 in.)

Vue de l Etang de Fontainebleau 1666 Israel Silvestre
Vue de l Etang de Fontainebleau, 1666. Israel Silvestre (French, 1621-1691). Engraving

St. Angelo Prospectus Locurum Urbis Romae Insignium
St. Angelo from " Prospectus Locurum Urbis Romae Insign[ium], 1666. Lievin Cruyl (Flemish, c. 1640-c. 1720). Etching

Scene from Molieres play, Le Misanthrope, first performed in 1666. 17th century

The Battle of Terheide, 1653-1666, by Jan Abrahamsz Beerstra
Jan Abrahamsz Beerstraten (1622-1666). Dutch painter. The Battle of Terheide, 1653-1666. Rijksmuseum. Amsterdam. Holland

Moliere / Misanthrope
LE MISANTHROPE Date: first performed 1666

PAUDISS, Cristopher (1630-1666). Still Life. 1660. Baroque art. Oil. RUSSIA. SAINT PETERSBURG. Saint Petersburg. State Hermitage Museum

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"1666: The Year of Destruction and Resilience" In 1666, the Great Fire of London ravaged the city, leaving a trail of destruction in its wake. This catastrophic event engulfed England's capital, forever changing its landscape and history. Amidst the chaos, two influential figures emerged - Guru Nanek and Govind Singh. Their teachings provided solace to those affected by the fire, offering spiritual guidance during this time of despair. Samuel Pepys, an English diarist, chronicled the events with meticulous detail. His diary entries became a valuable historical account that shed light on the devastating impact of this inferno. The Great Fire of London was no ordinary blaze; it consumed entire neighborhoods and landmarks like St. Paul's Cathedral. The once majestic cathedral stood as a volcano spewing molten lead into the sky—a haunting image etched into people's memories. As flames raged through London's streets, brave firefighters battled relentlessly to contain them. The fire engine stands as a testament to their courage and determination in combating this unprecedented disaster. Montague Earl Lindsey played a crucial role in rebuilding London after the devastation caused by the fire. His efforts ensured that hope rose from ashes as new structures began to emerge from what was left behind. Meanwhile, across the Atlantic Ocean, Frederik created "Nova Totius Americae Descriptio, " a map depicting America during this tumultuous period—an intriguing glimpse into how distant lands were perceived amidst such chaos at home. One iconic symbol rising above London's skyline is The Monument—a towering structure built to commemorate both the Great Fire itself and those who perished in its wake. It serves as a reminder not only of past tragedies but also resilience and unity that followed. Despite enduring immense loss and hardship throughout 1666, Londoners displayed remarkable strength in facing adversity head-on—rebuilding their beloved city brick by brick while preserving its rich history.