1673 Collection (page 5)

Claude Gillot (French, 1673 - 1722), Feste de Diane, Troublee par des Satyres (Feast of Diana Disrupted by Satyrs), etching and engraving

Sa bastien Le Clerc I (French, 1637 - 1714), Landscape with Church and Town in Distance
Sa© bastien Le Clerc I (French, 1637 - 1714), Landscape with Church and Town in Distance, 1673, etching

Salvator Rosa (Italian, 1615 - 1673), Landscape, mid 1660s, pen and brown ink with gray wash on laid paper

Salvator Rosa, The Crucifixion of Polycrates, Italian, 1615 - 1673, c. 1662, etching and drypoint on laid paper

Claude Gillot, A Performance by the Commedia dell Arte, French, 1673 - 1722, c. 1710, pen and brown ink with gray wash on laid paper

Claude Gillot, Scene from The Tomb of Master Andra, French, 1673 - 1722, c
Claude Gillot, Scene from " The Tomb of Master Andra© ", French, 1673-1722, c. 1705-1708, red chalk with light mauve, sanguine, and brown wash with pen and black ink

Title page for Alexander ab Alexandro, Genialium dierum Part 1 1673, print maker: Gonsales Appelmans attributed to, Zacharias Webber II, 1673

View of the court of Brussels, 1673, Kemnitz, 1711

A waterfall, Adam Pijnacker, 1649 - 1673

Portrait of an officer of the Leiden civic guard in front of the gate of the headquarters of the St. George guards, Domenicus van Tol, 1673

Gallery overlooking a park, attributed to Barent Fabritius, 1660 - 1673

Italian landscape with ancient tempietto, Italy, Adam Pijnacker, c. 1649 - c. 1673

Still Life with Fruit, Michiel Simons (II), 1648 - 1673

Still Life with Fruit, Pieter Gallis, 1673

Fire in the admiralty line jobs, 1673, attributed to Romeyn de Hooghe, 1673

Sleeping shepherdesses, print maker: unknown, Adriaen van der Kabel, 1673

Siege of Mstricht by Louis XIV, 1673, Gaspar Bouttats, 1673

Bernard Picart (French, 1673 - 1733). Putti. Etching. Plate: 53 mm x 130 mm (2. 09 in
Bernard Picart (French, 1673 - 1733). Putti. Etching. Plate: 53 mm x 130 mm (2.09 in. x 5.12 in.)

Bernard Picart (French, 1673 - 1733). Cernes Quae Surgere Regna / Coniugio Tali!, 1732. Etching and engraving on laid paper. Plate: 143 mm x 186 mm (5.63 in. x 7.32 in.)

The Dream of Aeneas; Salvator Rosa, Italian, 1615 - 1673; Italy, Europe; about 1663; Black and white chalk; 30 x 22.4 cm (11 13/16 x 8 13/16 in.)

St. Francis (?) Interceding with the Virgin on behalf of a Female Saint; Attributed to Juan Martin Cabezalero, Spanish, about 1633 - 1673; about 1665 - 1670; Pen and brown ink

Interior of the Laurenskerk at Rotterdam; Anthonie De Lorme, Dutch, 1610 - 1673, with figures attributed to Ludolf de Jongh, Dutch

Bust of Winter; Paul Heermann, German, 1673 - 1732; first third of 18th century; Marble; Object [includes socle]: H: 65.09 x W: 63.5 x H: 33.66cm (H: 25 5/8 x W: 25 x D: 13 1/4 in.)

Plaque Representing the Virgin of the Immaculate Conception; Francesco Natale Juvara, Italian, 1673 - 1759; Messina, Italy, Sicily, Europe; 1730 - 1740; Silver

Pair of Lidded Tureens, Liners, and Stands; Thomas Germain, French, 1673 - 1748, master 1720; Paris, France, Europe; 1744 - 1750; Silver; Various, see extensions

Pair of Tureens, Liners, and Stands; Thomas Germain, French, 1673 - 1748, master 1720, arms added by Francois-Thomas Germain, French, 1726 - 1791; Paris, France, Europe; 1726 - 1729; Silver; Various

A Muse; Rosalba Carriera, Italian, 1673 - 1757; mid-1720s; Pastel on laid blue paper; 31 x 26 cm (12 3/16 x 10 1/4 in.), Framed: 47.6 x 41.3 cm (18 3/4 x 16 1/4 in.)

Sir James Gray, 2nd Bt.; Rosalba Carriera, Italian, 1673 - 1757; Italy, Europe; about 1744 - 1745; Pastel on paper; Unframed: 56 x 45.8 cm (22 1/16 x 18 1/16 in.)

Plymouth Signed and dated, lower center: H Danckerts 1673, Hendrik Danckerts
Plymouth Signed and dated, lower center: " H Danckerts 1673", Hendrik Danckerts, ca. 1625-1680, Dutch

Jean-Baptiste Tuby I, Cherubs Playing with a Swan, French, 1635-1700, 1672-1673, lead, traces of gilding

Johann Balthasar Probst after Johann Jacob Schubler (German, 1673-1750), The Captain Regains His Freedom, 1729, etching and engraving on laid paper

VIEW OF ST. AUGUSTINE, FLA. Earlier known as Pagus Hispanorum. Copper engraving, 1673

ANTHONY ASHLEY-COOPER (1621-1683). First Earl of Shaftsbury. English politician. Oil on canvas after a painting, c1672-73, by John Greenhill

LOUIS JOLLIET (1645-1700). French explorer. Descending the Mississippi River with Father Marquette. Drawing by C.W. Jefferys

FATHER JACQUES MARQUETTE. Father Jacques Marquette and Louis Jolliet descending the Mississippi River: drawing by Charles W. Jefferys

Bornou Bodyguard
1829: A mounted bodyguard from the entourage of the Sheikh of Bornou. The Kanem-Bornu Empire was founded in the 9th century by peoples living near Lake Chad

(1632-1723). Dutch naturalist. Live and dead spermatozoon of a dog as observed by Leeuwenhoek, c1673
ANTON VAN LEEUWENHOEK (1632-1723). Dutch naturalist. Live and dead spermatozoon of a dog as observed by Leeuwenhoek, c1673, in his single-lens microscope which had a magnification factor of about 200

Two horizontal water wheels, the left with highly curved blades more efficient than flat blades on right. Early form of turbine. From Andreas Bockler Theatrum Machinarum Novum, Nuremberg, 1673

Johannes Hevelius (1611-1687) German astronomer. Known now by the latinized form of Jan Hewel or Hewelcke, he spent as much time as he could spare from his brewing business observing from the roof of

Perpetual motion: Grindstone driven, via work and spur, by an overshot water wheel. An Archimedean screw raises the used water to the reservoir, and the whole is supposed to work by perpetual motion

Francisco Pizzaro (c1478-1542) Spanish conquistador (Peru). Woodcut from German translation of Arias Montanus, Amsterdam 1673

Design for a pendulum clock. From Christiaan Huyghens Horologium Oscillatorium Paris 1673. Cycloidal pendulum with cheeks (fig.II) Woodcut

Observing a solar eclipse, 1673. Johannes Hevelius (1611-1687), a wealthy Polish brewer and councillor of Danzig devoted much time and money to astronomy

Forge with bellows driven by an undershot water wheel through cranks. From Georg Andreas Bockler Theatrum Machinarum Novum Nuremberg 1673. Copperplate engraving

Forge showing bellows and hammer powered by an undershot water wheel through drive shaft, B, with cam, C working hammer, and crank, G, operating bellows

Bathusa Makin (active 1673) considered to be the most learned Englishwoman of her day, she was tutor to the daughters of Charles I. She probably kept a school at Putney, London, c1649

Corn mill powered by a horizontal water wheel through the gears in central section.The pipe, the wheel, the shafts, and the gearing all constructed from wood

Perpetual motion: Grinding mill driven by horizontal water wheel, which is itself driven by water from a cistern. The wheel is supposed also to raise water to the cistern by an Archimedean screw

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"Exploring the Rich Tapestry of 1673: From Japan's Inland Sea to America's Oldest Tavern" Step into the world of 1673, where history unfolds across continents and centuries. Journey through Japan's picturesque Inland Sea, adorned with the majestic Kintai Bridge and its ornate decorative border. Marvel at the intricate details of Atlas Novus, a 17th-century map showcasing the Caribbean's vibrant landscapes. Immerse yourself in Stationers Hall interior, a hub of creativity and knowledge during this era. Delve into Moliere's comedic masterpiece "Malade Imagin, " transporting you to an era filled with laughter and wit. Witness Europe through Tartarians' eyes in another stunning edition of Atlas Novus. Discover the heraldry of Fenwick and Alleyn, captured in their coat of arms from the 17th century. Traverse Mexico as depicted on an enchanting map from Atlas Novus, unveiling hidden treasures within its borders. Venture further east to Huquang and Quantung in China, where ancient cultures thrive amidst breathtaking landscapes. Cross oceans to Rhode Island's Newport, home to White Horse Tavern since 1673 – America’s oldest tavern that has stood witness to countless stories throughout time. Finally, behold St. Ambrose Denying Emperor Theodosius Entrance into Church; a powerful oil painting capturing a momentous event that occurred around 1673. In this captivating journey through time and space, let your imagination soar as you unravel tales woven by diverse cultures spanning centuries - all encapsulated within the enigmatic year known as 1673.