1686 Collection (page 4)

1686, Mallet Map of Ceylon or Sri Lanka, Taprobane, topography, cartography, geography
1686, Mallet Map of Ceylon or Sri Lanka, Taprobane

Nicolas Cochin after Balthasar Moncornet, French (1610-1686), Flower Print no. 4, 1645
Nicolas Cochin after Balthasar Moncornet, French (1610-1686), Flower Print no.4, 1645, etching

Jean-Baptiste Oudry, French (1686-1755), L Arrivee de l Operateur dans l hotellerie, 1727, black chalk heightened with white chalk on blue laid paper

Jonas Suyderhoff after Frans Hals (Dutch, c. 1613 - 1686), Conrad Vietor van Aken, engraving

Jonas Suyderhoff after Gerrit van Honthorst (Dutch, c. 1613 - 1686), Jacob van Wassenaer van Obdam, engraving

Jonas Suyderhoff (Dutch, c. 1613 - 1686), Hendrik Goltzius, etching and engraving

Jonas Suyderhoff after Sir Peter Paul Rubens (Dutch, c. 1613 - 1686), Drunkenness of Bacchus, engraving

Jonas Suyderhoff after Jan de Vos (Dutch, c. 1613 - 1686), Johannes Cocceius, engraving

Jonas Suyderhoff after Pieter Claesz Soutman (Dutch, c. 1613 - 1686), John the Fearless, Duke of Burgundy, etching and engraving

Carlo Innocenzo Carlone (Italian, 1686 - 1775), San Carlo Borromeo Giving Last Communion to Victims of the Plague, etching on laid paper

Henri Mauperche (French, c. 1602 - 1686), The Flaying of Marsyas, etching

Nicolas Cochin (French, 1610 - 1686), Frontispiece, 1650s, etching with engraving on laid paper

Nicolas Cochin after Balthasar Moncornet (French, 1610 - 1686), Flower Print no. 8
Nicolas Cochin after Balthasar Moncornet (French, 1610 - 1686), Flower Print no.8, 1645, etching

Pierre Aubry (French, 1610 - 1686), Anne of Austria, engraving on laid paper

Attributed to Fra da ric de Moucheron (Netherlandish, 1633 - 1686), Classical Landscape
Attributed to Fra© da© ric de Moucheron (Netherlandish, 1633 - 1686), Classical Landscape with a Tempietto, pen and black ink on vellum

Michel Anguier (French, 1612 - 1686), Ceres Searching for Persephone, model 1652, cast probably 1652-1670s, bronze

Cosmas Damian Asam (German, 1686 - 1739), Saint George Kneeling, 1720-1721, red chalk
Cosmas Damian Asam, German (1686-1739), Saint George Kneeling (recto), 1720-1721, red chalk with gray-brown wash with traces of black chalk on laid paper (verso red chalk)

Jean-Baptiste Oudry, The Partridge Saves Her Young, French, 1686 - 1755, 1732, brush and black ink, white gouache, and gray wash

Jean-Baptiste Oudry, The Partridge and the Cocks, French, 1686 - 1755, 1732, brush and black ink, gray wash, and white gouache on blue laid paper; royal blue wash border

Jean-Baptiste Oudry, The Scene with the Tall Baguenodiašre, French, 1686 - 1755, 1726-1727, black chalk heightened with white chalk on blue laid paper, partially faded to brown

Cosmas Damian Asam, The Head of Saint George and Architectural Plans, German, 1686 - 1739, 1720-1721, red chalk on laid paper

Jean-Baptiste Oudry, On trouve le corps mort de l hote que l on avait cache, French, 1686 - 1755, 1727, black chalk heightened with white chalk on blue laid paper

Man with Wench, Gerrit Lundens, 1660 - 1686

Italian landscape with hunters, Frederik de Moucheron, 1660 - 1686

Birds in a Park, Melchior d Hondecoeter, 1686

Still Life with Hunting Tackle, Johannes Leemans, 1670 - 1686

Left half with twelve portraits of a total of twenty-four ministers of Amsterdam, active between 1681-1686, print maker: Anonymous, P. van Opoeteren, 1686

Pieter van der Hulst at half length to the left, sitting in front of a painting, in his hand he holds a palette, brushes and paint stick, right by the window overlooking the city of Rome Italy

Portrait of Isaac Aboab da Fonseca, print maker: Aernout Nagtegaal, 1686

Siege of Esztergom in 1686, Justus van den Nijpoort, 1694

Map of Buda, 1686, Harmanus van Loon, Lodewijk XIV (koning van Frankrijk), 1693 - 1696

Roman soldiers around a bonfire where an eagle rises from the flames, Jan Luyken, 1686

Park Scene; Jean-Baptiste Oudry, French, 1686 - 1755; 1744; Black and white chalk on tan paper; 35.1 x 51.4 cm (13 13/16 x 20 1/4 in.)

Tapestry: Bacchus et Arainne, Bacchus change en raisin, from The Loves of the Gods Series; Woven after cartoons by Francois Boucher, French, 1703 - 1770, under the direction of Jean-Baptiste Oudry

Tapestry: Psyche at the Basketmakers; After design by Francois Boucher, French, 1703 - 1770, woven under the direction of Nicolas Besnier, French, 1714 - 1754, and Jean-Baptiste Oudry, French

Tapestry: The Abandonment of Psyche; After design by Francois Boucher, French, 1703 - 1770, and woven under the direction of Nicolas Besnier, French, 1714 - 1754, and Jean-Baptiste Oudry, French

The Toilette of Psyche from The Story of Psyche tapestry series; After design by Francois Boucher, French, 1703 - 1770, woven under the direction of Nicolas Besnier, French, 1714 - 1754

Tapestry: Psyche at Cupids Palace; After cartoon by Francois Boucher, French, 1703 - 1770, and woven under the direction of Nicolas Besnier, French, 1714 - 1754, and Jean-Baptiste Oudry, French

Wall Clock; Case maker Jacques Caffieri, French, 1678 - 1755, master 1714, Movement maker Julien Le Roy, French, 1686 - 1759, master 1713, Dial enamelled by Antoine-Nicolas Martiniere, French

Mantel Clock; Movement by Julien Le Roy, French, 1686 - 1759, master 1713, and dial enameled by Antoine-Nicolas Martiniere, French, 1706 - 1784, master 1720, Case by Unknown; Paris, France

Wine Bottle Cooler (seau a bouteille ordinaire); Painted decoration attributed to Charles-Eloi Asselin, French, 1742 - 1803, active 1765 - 1803, Model originally by Jean-Claude Duplessis pere

Bed (Lit a la turque); Attributed to Jean-Baptiste Tilliard, French, 1686 - 1766; Paris, France, Europe; about 1750 - 1760; Gessoed and gilded beech and walnut; modern silk upholstery; Object: H

Landscape with a Staircase and a Balustrade; Jean-Baptiste Oudry, French, 1686 - 1755; France, Europe; about 1744 - 1747; Black and white chalk on faded blue paper; 32.1 x 52.4 cm

The Wolf and the Fox; Jean-Baptiste Oudry, French, 1686 - 1755; 1733; Brush and black ink and brush and gray wash, heightened with white gouache, on blue paper; 31.1 x 26 cm (12 1/4 x 10 1/4 in.)

Belphagore; Jean-Baptiste Oudry, French, 1686 - 1755; 1734; Brush and black ink, gray wash, heightened with white gouache, on blue paper; 31.1 x 26 cm (12 1/4 x 10 1/4 in.)

The Eagle and the Magpie; Jean-Baptiste Oudry, French, 1686 - 1755; 1733; Brush and black ink, gray wash, heightened with white gouache, on blue paper; 30.6 x 25.6 cm (12 1/16 x 10 1/16 in.)

Jonas Suyderhoff after Pieter Dubordieu (Dutch, c. 1613-1686), Frederick Spanheim, engraving

Jonas Suyderhoff after Sir Anthony van Dyck (Dutch, c. 1613-1686), Charles I, King of England, 1650?, etching and engraving

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In the year 1686, amidst a backdrop of historical events and cultural milestones, acupuncture was making waves in the 17th century. Soho, London became a hub for this ancient practice, with St Anne's Church on Wardour Street W1 serving as a center for healing. One notable figure during this time was Thomas Watson, an esteemed practitioner who dedicated his life to refining the art of acupuncture. His expertise attracted attention from influential individuals such as Sir William Dugdale and Arthur Earl Anglesey. Meanwhile, across Europe in France's Ardennes region, Albert Schultens explored the therapeutic potential of acupuncture along the picturesque River Meuse in Givet. This scenic location provided inspiration for his groundbreaking research. In Prague, Czech Republic, Hieronymus Kohl unveiled his masterpiece: The Fountain of Kohl. This magnificent structure stood as a testament to both artistic brilliance and holistic healing practices. The world of art also flourished in 1686 when Carlo Dolci captivated audiences with his masterful paintings that depicted scenes infused with spiritual significance and emotional depth. Amidst these cultural achievements, political figures like Sir William Coventry played pivotal roles in shaping history. Their actions reverberated far beyond their time and left lasting legacies that we still feel today. Music enthusiasts were enthralled by LULLY's opera "Armide, " which enraptured audiences with its enchanting melodies and captivating storyline. Its impact on music composition cannot be underestimated. Lastly, let us not forget about the Grand Condé Siege of Dunkirk—a significant military event that unfolded during this period. It showcased strategic brilliance and marked yet another chapter in European history. As we reflect upon all these remarkable moments from 1686—where acupuncture thrived alongside artistic endeavors and historic feats—we are reminded of how interconnected our past is to our present-day lives.