1691 Collection (page 4)

Giovanni Paolo Panini, Italian (1691-1765), Interior of the Pantheon, Rome, c. 1734, oil on canvas

Agostino Masucci, Italian (1691-1758), Studies of Saint Joseph and the Adoration (four sketches mounted on one sheet), album page with four drawings in various media

Emanuel de Witte, Dutch (c. 1617-1691-1692), The Interior of the Oude Kerk, Amsterdam, c. 1660, oil on canvas

Adriaen Haelwegh (Dutch, 1637 - after 1696), Ferdinando II, Grand Duke of Tuscany, before 1691, engraving on laid paper

Adriaen Haelwegh (Dutch, 1637 - after 1696), Cosimo II, Grand Duke of Tuscany, before 1691, engraving on laid paper

Antoine Aveline after Jean Mondon (French, 1691 - 1743), Troisieme livre de formes Cartels et Rocailles (Title Page), 1736, etching with engraving on laid paper

Israa'l Silvestre (French, 1621 - 1691), Veue de Larcenal, 1655, etching

Aelbert Cuyp (Dutch, 1620 - 1691), Horsemen and Herdsmen with Cattle, 1655-1660, oil on canvas

Medal of Pope Alexander Viii, Whose Pontificate Lasted from 1689 to 1691, 1851 Engraving

Flight of James after his defeat at the Boyne, 1690, Hugo Allard, Carel Allard, States of Holland and West Friesland, 1691

Portrait of Willem van Outhoorn, Governor General of the Dutch East Indies, David van der Plas, 1691 - 1704

Portrait of a man, Jean Petitot, le vieux, 1620 - 1691, Portrait miniature

John Tillotson (1630-94) (engraving)
KW211587 John Tillotson (1630-94) (engraving) by English School, (19th century); Private Collection; Ken Welsh; English, out of copyright

Saint Francis at the Foot of the Cross, manner of Anthony van Dyck, 1606 - 1691

Still Life at a Fountain, Pieter Gijsels, 1680 - 1691

A Village in Flanders, Belgium, Pieter Gijsels, 1650 - 1691

Siege of Mons in Hainaut, Belgium, 1691, Jan Luyken, Jan Claesz ten Hoorn, 1699

Battle of the Boyne, 1690, Jan Luyken, Barent Beeck, 1691

Portrait of Pastor Josias van der Kapelle, Thomas van der Wilt, L. van Beke, 1691

Neptune and Amphitrite on a shell pulled by seahorses, Jan Luyken, Barent Beeck, 1691

Europe and the bull, Jan Luyken, Barent Beeck, 1691

Christ praying in the Garden of Gethsemane, Jan Luyken, Paulus Strobach, 1691

Two women retrieve a book undamaged from the fire, print maker: Jan Luyken, Dating 1691

Landscape with figures suffering from the plague, Jan Luyken, Paulus Strobach, 1691

Female holding a burning heart, beholds the crucified Christ, Jan Luyken, Gijsbert de Groot, 1691

Woman listening with outstretched arms to the choir of angels in the clouds above her, Jan Luyken, Gijsbert de Groot, 1691

Battle of Nieuwpoort, 1600, Jan Luyken, Barent Beeck, 1691

Amazon amid weapons, Jan Luyken, Barent Beeck, 1691

King and his entourage in a rowboat, Jan Luyken, Jan Claesz ten Hoorn, 1691

Obelisk with the statue of King William III, Jan Luyken, Barent Beeck, 1691

Obelisk with the statue of Mary II Stuart, Jan Luyken, Barent Beeck, 1691

Patients in an infirmary, print maker: Jan Luyken, Jan Claesz ten Hoorn, 1691

Entry of King William III, The Hague, The Netherlands, 1691, Jan Luyken, Carel Allard, 1691

Display of different contexts AN, Jan Luyken, Jan Claesz ten Hoorn, 1691

Water, Caspar Luyken, 1691

Fire, Caspar Luyken, 1691

Announcement of a new type of water mill, ca. 1691, print maker: Caspar Luyken, 1691

Two allegorical female figures surrounded by angels in front of a memorial, Caspar Luyken, 1691

Nicolas Francois Bocquet (French, active 1691a'1703, died 1716). Venus, ca. 1691-1703. Etching intended for the interior of a snuff box lid

A View of the Ms at Dordrecht; Aelbert Cuyp, Dutch, 1620 - 1691; about 1645 - 1646; Oil on panel; Unframed: 50.2 x 107.3 cm (19 3/4 x 42 1/4 in.)

Covered Goblet; Friedrich Winter, Polish (Silesian), died about 1711 or 1712; about 1691 - 1694; Colorless glass with wheel-engraved, high-relief deocration; Object: H: 31 cm (H: 12 3/16 in.)

Portrait medallion of Pope Alexander VIII (1610 - 1691, reigned 1689 - 1691); Lorenzo Ottoni, Italian, 1648 - 1726; Italy

The Penitent St. Peter; Christoph Daniel Schenck, German, 1633 - 1691; 1685; Limewood; Object: 36.6 x 26.2 cm (14 7/16 x 10 5/16 in.)

The Conversion of St. Paul; Christoph Daniel Schenck, German, 1633 - 1691; 1685; Limewood; Object: 36.6 x 26.2 cm (14 7/16 x 10 5/16 in.)

Corner Cupboard (Encoignure); Carcass and mounts attributed to Jean-Pierre Latz, French, about 1691 - 1754, Marquetry panels attributed to the Workshop of Jean-Francois Oeben, French, born Germany

Planisphere Clock (Pendule a planisphere); Movement by Alexandre Fortier, French, about 1700 - 1770, and case attributed to Jean-Pierre Latz, French, about 1691 - 1754; Paris, France

An Unknown Man Signed and dated, lower right: Ph. Mercier [Pn?] | anu 1746"
An Unknown Man Signed and dated, lower right: " Ph. Mercier [Pn?] | an 1746", Philippe Mercier, 1689 or 1691-1760, Franco-German

The Sense of Hearing The Sense of Sound Signed, lower right: Ph. Mercier fecit
The Sense of Hearing The Sense of Sound Signed, lower right: " Ph. Mercier fecit.", Philippe Mercier, 1689 or 1691-1760, Franco-German

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"1691: A Year of Trials, Treaties, and Triumphs" Step back in time to the year 1691, where significant events unfolded across different corners of the world. In Limerick, Republic of Ireland, stands The Treaty Stone - a symbol of hope and reconciliation after years of conflict. Meanwhile, in Japan during this era lived Murasaki Shikibu, a renowned Japanese writer whose literary works continue to captivate readers even today. Closer to home, Baxter sought solace within the walls of his church as he faced personal challenges. Richard Baxter and Rogers were embroiled in a trial that would test their faith and resilience. John Flavel found refuge at Williams Lib amidst turbulent times. In ancient Rome, Vespasian reigned as emperor while Marquis De Louvois played an influential role behind the scenes. Richard Baxter himself faced trials that tested his convictions. Across the English Channel, George Fox emerged as a prominent figure among English Dissenters - founding the Quakers movement that still thrives today. William Faithorne's artistry immortalized Sir Robert Henley through his skilled engravings. Meanwhile, Albert Jacobsz Cuyp painted Mercury with masterful baroque flair before bidding farewell to this world in 1691. As we delve into history's pages and explore watercolor plans depicting Limerick from around 1750; let us reflect on these diverse stories from 1691 – tales filled with triumphs over adversity or moments frozen in time by artists' brushes or writers' pens.