1696–1756 Collection
In the year 1696, a grand catafalque was designed to honor the esteemed Maximilian Elector
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In the year 1696, a grand catafalque was designed to honor the esteemed Maximilian Elector. The half elevation plan showcased its intricate details, while the boxes and royal box were carefully constituted in the overall design. Moving forward, a ground plan was created for another catafalque dedicated to Louis I, King of Spain during his reign. Antonio Farnese's catafalque was also meticulously planned with a half elevation ground plan. It stood tall and proud, surmounted by an awe-inspiring structure that left spectators in awe. Similarly, Cosimo III dei Medici's catafalque boasted a unique half-ground plan elevation that added depth and dimension to its appearance. Margarita Louisa's catafalque followed suit with its own distinct design elements captured in a detailed half-plan elevation. Meanwhile, the ground plan for the electress of Bavaria from 1696-1756 featured prominently as it paid homage to her legacy. The stage set within the palace hall became an integral part of this era's aesthetics. With columns and statues adorning every corner, it transformed into a majestic space fit for royalty. An elevated proscenium provided viewers with a lateral view ca 1750 pen sketch showcasing its grandeur. Frederick Augustus I reigned as king during this period, and his catafalque had its own intricately planned ground plan capturing every detail flawlessly. Lastly, perspectival sketches offered glimpses into palace interiors throughout these years – each one more breathtaking than the last.