1697 Collection (page 7)

Title page for in Stratonice, P Quinault, Le Theatre, Volume I, 1697, Caspar Luyken, Antoine Schelte, 1697

Scholar writing in his study, Jan Luyken, Jan Claesz ten Hoorn, 1697

Title page for Agrippa ou le faux Tiberinus, in: P. Quinault, Le theater
Title page for " Agrippa ou le faux Tiberinus", in: P. Quinault, Le theater, Part II, 1697

Address Map of Jacob & George Roeters and Company in Amsterdam, The Netherlands, Caspar Luyken, 1697

Etienne Picart (aka Le Romain, French, 1632 - 1721) after Domenichino (aka Domenico Zampieri Domenichino, Italian, 1581-1641). St. Cecilia Singing Praise to God, ca. 1675-1695

Pierre-Imbert Drevet (French, 1697-1739) after Hyacinthe Rigaud (French, 1659 - 1743). Portrait of the Bishop Jacques-Benigne Bossuet (1627-1704), 1723. Engraving on laid paper

Canaletto (aka Antonio Canale) (Italian, 1697 - 1768). Portico with a Lantern (Le Portique a La Lanterne), 18th century. Third state

Warwick Castle: The East Front from the Courtyard; Canaletto (Giovanni Antonio Canal), Italian, 1697 - 1768; about 1748; Pen and brown ink, gray wash

View of the Arch of Constantine with the Colosseum; Canaletto (Giovanni Antonio Canal), Italian, 1697 - 1768; 1742 - 1745; Oil on canvas; Unframed: 83.2 x 122.9 cm (32 3/4 x 48 3/8 in.)

After; William Hogarth, English, 1697 - 1764; 1730 - 1731; Oil on canvas; Unframed: 38.7 x 33.7 cm (15 1/4 x 13 1/4 in.), Framed: 50.2 x 44.8 x 4.1 cm (19 3/4 x 17 5/8 x 1 5/8 in.)

Before; William Hogarth, English, 1697 - 1764; 1730 - 1731; Oil on canvas; Unframed: 38.7 x 33.7 cm (15 1/4 x 13 1/4 in.), Framed: 50.2 x 44.8 x 4.1 cm (19 3/4 x 17 5/8 x 1 5/8 in.)

Tapestry: La Collation, from L Histoire de l empereur de la Chine Series; After cartoons by Guy-Louis Vernansal, French, 1648 - 1729, and Jean-Baptiste Monnoyer, French, 1636 - 1699

Tapestry: Les Astronomes, from L Histoire de l empereur de la Chine Series; Beauvais Manufactory, French, founded 1664, Woven under the direction of Philippe Behagle, French, 1641 - 1705

Tapestry: Le The de l imperatrice, from L Histoire de l empereur de la Chine Series; Beauvais Manufactory, French, founded 1664, Woven under the direction of Philippe Behagle, French, 1641 - 1705

Tapestry: L Embarquement de l imperatrice, from L Histoire de l empereur de la Chine Series; After designs by Guy-Louis Vernansal, French, 1648 - 1729, and Jean-Baptiste Monnoyer, French

The Campo S. Basso: The North Side with the Church (recto), A Market Scene (verso); Canaletto (Giovanni Antonio Canal), Italian, 1697 - 1768; 1740s; Pen and brown ink

The Reverend Dr. John Lloyd, Curate of St. Mildreds Church, Broad Street John Lloyd, Curate of St. Mildreds Broad Street Dr. John Lloyd Inscribed in brown paint, lower left: " John Lloyd D. D

Restoration Procession of Charles II at Cheapside, London William Hogarth, 1697-1764, British

Miss Wood Miss Wood with her Dog, William Hogarth, 1697-1764, British

Sign for a paviour, William Hogarth, 1697-1764, British

Studies of Heads, Attributed to William Hogarth, 1697-1764, British

Study of a Girls Head, Attributed to William Hogarth, 1697-1764, British

A Midnight Modern Conversation Signed and dated, lower right: WM: Hogarth: recit
A Midnight Modern Conversation Signed and dated, lower right: " WM: Hogarth: recit: 1729", William Hogarth, 1697-1764, British

Girl in a Plumed Hat, Attributed to William Hogarth, 1697-1764, British

The Brothers Clarke with Other Gentlemen Taking Wine, Gawen Hamilton, ca. 1697-1737, British

Old Walton Bridge, Canaletto, 1697-1768, Italian

John and Elizabeth Jeffreys and Their Children, William Hogarth, 1697-1764, British

Mary Hogarth, William Hogarth, 1697-1764, British

Self-Portrait, William Hogarth, 1697-1764, British

William Cavendish, Marquess of Hartington, Later 4th Duke of Devonshire William Cavendish, Marquess of Hartington (later 4th Duke of Devonshire) Signed and dated

The Beggars Opera The Beggars Opera, III, xi signed and dated 1729, William Hogarth, 1697-1764, British

Warwick Castle, Canaletto, 1697-1768, Italian

London, Westminster Bridge, with the Lord Mayors Procession on the Thames Westminster Bridge from the North with the Lord Mayors Procession, 29 October 1746, Canaletto, 1697-1768, Italian

William Augustus, Duke of Cumberland Dated, lower left: 1732, William Hogarth
William Augustus, Duke of Cumberland Dated, lower left: " 1732", William Hogarth, 1697-1764, British

Portrait of a Family A Family Party, William Hogarth, 1697-1764, British

John Palmer, Barrister of the Inner Temple John Palmer Signed and dated in brown paint, lower left: " W Hogarth pinx+ 1749" [1749 is painted in a different hand], William Hogarth

St. Pauls Cathedral, London, UK, Canaletto, 1697-1768, Italian

The Thames from the Terrace of Somerset House, Looking toward Westminster London The City of Westminster from the Terrace of Somerset House View of the River Thames

The Thames from the Terrace of Somerset House, Looking toward St. Pauls The Thames from the Terrace of Somerset House, Looking toward Saint Pauls The City from the Terrace of Somerset House A View of

James Thomson (1700-1748) Signed and dated, lower left:s Slaughter | 1776"
James Thomson (1700-1748) Signed and dated, lower left: "s Slaughter | 1776", Stephen Slaughter, 1697-1765, British

Windham Quin of Adare, Co. Limerick, Ireland Windham Quin with Gun, Dog, and Game, Stephen Slaughter, 1697-1765, British

Canaletto (Italian, 1697-1768), The Porta Portello, Padua, c. 1741-1742, oil on canvas

Canaletto (Italian, 1697-1768), La Torre di Malghera, c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), Mestre, c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), Le Porte Del Dolo, c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), Landscape with Tower and Two Ruined Pillars [left], c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), View of a Town with a Bishops Tomb, c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), The Market at Dolo [lower left], c. 1735-1746, etching on laid paper

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"1697: A Year of Escapes, Enchantments, and Enlightenment" In 1697, amidst a backdrop of historical events and artistic masterpieces, the world witnessed tales of bravery, beauty, and transformation. One such story unfolded as Hannah Duston defied captivity by Native Americans. Her courageous escape became a testament to the indomitable human spirit. Meanwhile, on stage in France, the Sleeping Beauty ballet mesmerized audiences with its reawakening scene. The ethereal magic transported spectators into a realm where dreams come true. Another enchanting moment occurred during the christening scene in Sleeping Beauty. As fairies bestowed their gifts upon the newborn princess, hope and wonder filled the air. Across borders in England, artist William Hogarth captured society's dark underbelly through his etching "The Reward of Cruelty. " This thought-provoking masterpiece served as a reminder that compassion triumphs over cruelty. In another tale altogether - Puss in Boots donned fine clothes fit for royalty. With new boots from a cobbler's shop enhancing his charm and wit, he presented a rabbit to the King on behalf of his master - an act that showcased loyalty and cunning. Yet it was not just feline heroes who captivated hearts; Peter I (Czar of Russia) embarked on an unexpected journey from shipwright to ruler. Through contemporary Russian engravings capturing this transformative period in history emerged glimpses into Peter I's visionary leadership. Amidst these stories stood John Gill - a churchman whose teachings offered solace and guidance during uncertain times. His words resonated with those seeking spiritual enlightenment amid societal changes. And let us not forget Sieur d'Iberville - a French-Canadian soldier whose valor left an indelible mark on history. His courage exemplified how one person can shape destinies far beyond their own time. As we reflect upon 1697's tapestry of events, we are reminded that the human spirit is boundless.