1723 Collection (page 6)

Sarah Campbell Miss Sarah Campbell, later Mrs. Woodhouse, Sir Joshua Reynolds, 1723-1792, British

A Lugger and a Smack in Light Airs Signed, lower left: C
A Lugger and a Smack in Light Airs Signed, lower left: " C. B.", Charles Brooking, 1723-1759, British

Self-Portrait Self-portrait, looking over his right shoulder, Sir Joshua Reynolds, 1723-1792, British

Miss Mary Hickey Miss Hickey Mary Hickey, Sir Joshua Reynolds, 1723-1792, British

Mrs. Abington as Miss Prue in Love for Love by William Congreve Mrs
Mrs. Abington as Miss Prue in " Love for Love" by William Congreve Mrs. Abington as Miss Prue in William Congreves " Love for Love", Sir Joshua Reynolds, 1723-1792, British

Charles Stanhope, 3rd Earl of Harrington Inscribed, lower left: Charles Earl
Charles Stanhope, 3rd Earl of Harrington Inscribed, lower left: " Charles Earl of Harrington" Signed lower right: " S. J. Reynolds. Pinx.", Sir Joshua Reynolds, 1723-1792, British

Elizabeth Gunning, Duchess of Hamilton and Argyll, Sir Joshua Reynolds, 1723-1792, British

A Woman Called Lady Mary Wortley Montagu Inscribed in red ocher paint, lower right: " Lady M. Wortley Montagu. | Vanderbank.", Sir Godfrey Kneller, 1646-1723, German

A Two-Decker on Fire at Night off a Fort Inscribed, lower left: Aged 17 Years"
A Two-Decker on Fire at Night off a Fort Inscribed, lower left: " Aged 17 Years" Signed, lower left: " C Brooking [P??]", Charles Brooking, 1723-1759, British

Fishing Boats in a Calm Sea Signed, lower center: C Brooking, Charles
Fishing Boats in a Calm Sea Signed, lower center: " C Brooking", Charles Brooking, 1723-1759, British

Ariadne Signed by chisel at head of figure: L. DELVAUX. F, Laurent Delvaux
Ariadne Signed by chisel at head of figure: " L. DELVAUX. F", Laurent Delvaux, 1696-1778, Belgian

Cleopatra Signed by chisel at head of figure: P
Cleopatra Signed by chisel at head of figure: " P. SCHEEMAKERS. F", Peter Gaspar Scheemakers, 1691-1781, Flemish

Anne Seymour Damer Hon. Mrs. Seymour Damer, Sir Joshua Reynolds, 1723-1792, British

Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss Miss Voss as St. Agnes, Sir Godfrey Kneller, 1646-1723, German

Sir Theodore Colladon Inscribed top right: Sr Theodore Colladon Signed
Sir Theodore Colladon Inscribed top right: " Sr Theodore Colladon" Signed, lower left: " Monogram g", Sir Godfrey Kneller, 1646-1723, German

Lucretia, Sir Godfrey Kneller, 1646-1723, German

Alexander Pope Profile, Crowned with Ivy, Studio of Sir Godfrey Kneller, 1646-1723, German

An Unknown Man, Sir Joshua Reynolds, 1723-1792, British

Mrs. Robinson Unfinished Study of Mrs. Robinson, Sir Joshua Reynolds, 1723-1792, British

Sir Jeffrey Amherst, Sir Joshua Reynolds, 1723-1792, British

Charles Carroll of Carrollton, Sir Joshua Reynolds, 1723-1792, British

Giuseppe Pozzi after Giuseppe Palazzi (designer) and Paolo Posi (architect) (Italian, 1723-1765), The School of Athens Arcades, for the " Chinea" Festival, 1757, etching on laid paper

Francesco Londonio (Italian, 1723-1783), Peasant Woman Seated on a Donkey and a Peasant Man, etching heightened with white gouache on blue laid paper

ANTONIO VIVALDI (1678-1741). Italian composer. Drawing, 1723, by Pier Leone Ghezzi

WILLIAM AND MARY COLLEGE at Williamsburg, Virginia, as it appeared in 1725. Drawing, 19th century

NEW YORK: NATIVE AMERICAN, 1723. A German depiction of an Eastern Native American, the Newyorkaner. Woodcut from Amphi-Theatrum, Neueroffnetes, printed at Erfurth, Germany, 1723

Old Bank Of England
circa 1900: The old Bank of England, the central bank of England and Wales, in the City of London. (Photo by Hulton Archive/Getty Images)

Copper engraving, German, 1723
CELESTIAL SPHERE, 1723. Copper engraving, German, 1723

Assembly in the Great Chamber of the Paris Parlement : the Seat of Justice, to be addressed by Louis XV (King of France 1715-1774) 22 February 1723, who took control of government on this

The House in which Sir Joshua Reynolds was Born, at Plympton, Devon, Uk, 1869

The Cabinet of the Grand Dauphin at the Versailles Palace
The Regent, Philippe II (1674-1723), Duke of Orleans, in the Study of the Grand Dauphin at Versailles with the young Louis XV (1710-74), c.1720. Oil on wood. French School (18th century). Date: 1720

REYNOLDS, Sir Joshua (1723-1792). Studio portrait of a young woman. Neoclassicism. Oil

SMITH, Adam (1723-1790). Title page from Adam Smiths work An inquiry into the nature and causes of the wealth of

Jean De Campistron
JEAN GALBERT de CAMPISTRON French soldier and writer. Date: 1656 - 1723

SERPENT, 1723. Copper engraving, 1723, by Arnold van Westerhout

GUITAR, 1723. The Spanish guitar. Copper engraving, 1723, by Arnold van Westerhout

CYMBALS, 1723. A woman playing cup-shaped cymbals from the ancient Near East. Copper engraving, 1723, by Arnold van Westerhout

NATIVE AMERICAN COURTSHIP. Courtship rituals of Native Americans. Copper engravings by Bernard Picart, from Jean Fr

GUITAR, 1723. The Italian guitar. Copper engraving, 1723, by Arnold van Westerhout

GUITAR: CITTERN, 1723. A large cittern, with ten pairs of strings. Copper engraving, 1723, by Arnold van Westerhout

CLAVICYTHERIUM, 1723. Copper engraving, 1723, by Arnold van Westerhout

GUITAR, 1723. A small guitar (but not a mandolin). Copper engraving, 1723, by Arnold van Westerhout

GUITAR, 1723. The large guitar. Copper engraving, 1723, by Arnold van Westerhout

JEWs HARP, 1723. Copper engraving, 1723, by Arnold van Westerhout

ARCHLUTE, 1723. Copper engraving, 1723, by Arnold van Westerhout

SISTRUM. A woman playing a sistrum, a percussion instrument used in ancient times by peoples of the Mediterranean. Copper engraving, 1723, by Arnold van Westerhout

HURDY GURDY, 1723. Copper engraving, 1723, by Arnold van Westerhout

CARILLON, 1723. Copper engraving, 1723, by Arnold van Westerhout

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"1723: A Year of Art, Music, and Enlightenment" Step into the year 1723 and immerse yourself in a world of creativity, knowledge, and innovation. This captivating era witnessed remarkable achievements across various fields that continue to inspire us today. In the realm of music, the resounding notes of the double-bass viol filled concert halls as talented musicians showcased their skills. An exquisite copper engraving from that very year by Arnold van Westerhout immortalizes this majestic instrument's beauty for generations to come. Meanwhile, at Blackheath's Pages House, intellectuals gathered to exchange ideas and engage in intellectual discourse. Among them was Sir William Blackstone, whose profound legal insights would shape future legal systems around the world. The spirit of enlightenment also found its voice through influential thinkers like Adam Smith. His groundbreaking theories on economics revolutionized our understanding of wealth distribution and market dynamics. Artistic expression thrived during this period as well. Jean Ranc captured Charles III as a child in an enchanting portrait that showcases both his innocence and potential for greatness. But it wasn't just portraits; imagination took flight with Arnold van Westerhout's copper engraving depicting an imaginary voice amplifier inspired by Athanasius Kircher's ideas. This whimsical creation reminds us how human ingenuity knows no bounds. Speaking of boundless possibilities, Hannah Snell/Maddocks defied societal norms by disguising herself as a man to serve in the British Army—an act that challenged gender roles long before its time. Nature too played a role in shaping history during 1723. The Avebury Landscape stood tall—a testament to ancient civilizations' ability to harmonize with their surroundings while leaving behind awe-inspiring monuments for future generations to marvel at. Scientific advancements were not left behind either; Leeuwenhoek & Microbe unveiled hidden worlds through pioneering discoveries using microscopes—opening up new frontiers within biology and medicine.