1730 Collection (page 9)

Landscape with a horse and a sleeping woman, Dirk Koedijck, 1730

Man with a beer jug, print maker: Dirk Koedijck, Isaac van Ostade, 1730

Pierre-Alexandre Aveline (French, 1702-1760) after Francois Boucher (French, 1703-1770). Venus and Amor, ca. 1730-1740. Etching and engraving on laid paper. Plate: 310 mm x 238 mm (12.2 in)

Setsubun mamemaki, Mamemaki: expelling demons with beans. [between 1730 and 1790], 1 print : woodcut; 22.7 x 27.3 cm. Print shows family members eating beans in a room and a man, with a box of beans

Hanauri, Flower vendor. Nishimura, Shigenaga, 1697-1756, artist, [between 1725 and 1730], 1 print : woodcut, color; 29.2 x 14.6 cm

Laying out Baltimore. Town, January 12, 1730
LAYING OUT BALTIMORE. TOWN, JANUARY 12, 1730.a'DRAWN BY F. B. MAYER, 1880, 19th century engraving, USA, America

Study of a Seated Woman; Jean-Baptiste Pater, French, 1695 - 1736; about 1730; Red chalk on tan paper; 15.2 x 16.7 cm (6 x 6 9/16 in.)

Fishing Boats in a Storm; Marco Ricci, Italian, 1676 - 1730; about 1715; Gouache on leather; 31.4 x 45.2 cm (12 3/8 x 17 13/16 in.)

Landscape with Travellers, Two Riding in a Carriage Driven by a Postilion and a Third on Horseback behind; Marco Ricci, Italian, 1676 - 1730; about 1720; Pen and brown ink with brown wash

Portrait of James Christie (1730 - 1803); Thomas Gainsborough, English, 1727 - 1788; 1778; Oil on canvas; Unframed: 126 x 101.9 cm (49 5/8 x 40 1/8 in.)

Landscape with Classical Ruins and Figures; Marco Ricci, Italian, 1676 - 1730, and Sebastiano Ricci, Italian, 1659 - 1734; about 1725 - 1730; Oil on canvas; Unframed

Immaculate Conception; Placido Costanzi, Italian (Roman), 1702 - 1759; Rome, Italy, Lazio, Europe; about 1730; Oil on canvas; Unframed: 67 x 84.5 cm (26 3/8 x 33 1/4 in.)

The Triumph of Venus; Alessandro Magnasco, Italian (Genoese), 1667 - 1749; about 1720 - 1730; Oil on canvas; Unframed: 118.1 x 148.6 cm (46 1/2 x 58 1/2 in.)

Bacchanale; Alessandro Magnasco, Italian (Genoese), 1667 - 1749; about 1720 - 1730; Oil on canvas; Unframed: 118.1 x 148.6 cm (46 1/2 x 58 1/2 in.)

After; William Hogarth, English, 1697 - 1764; 1730 - 1731; Oil on canvas; Unframed: 38.7 x 33.7 cm (15 1/4 x 13 1/4 in.), Framed: 50.2 x 44.8 x 4.1 cm (19 3/4 x 17 5/8 x 1 5/8 in.)

Before; William Hogarth, English, 1697 - 1764; 1730 - 1731; Oil on canvas; Unframed: 38.7 x 33.7 cm (15 1/4 x 13 1/4 in.), Framed: 50.2 x 44.8 x 4.1 cm (19 3/4 x 17 5/8 x 1 5/8 in.)

The Bucintoro Departing from the Bacino di San Marco; Luca Carlevarijs, Italian, 1663 - 1730; 1710; Oil on canvas; Unframed: 134.8 x 259.4 cm (53 1/16 x 102 1/8 in.)

Regatta on the Grand Canal in Honor of Frederick IV, King of Denmark; Luca Carlevarijs, Italian, 1663 - 1730; 1711; Oil on canvas; Unframed: 135.3 x 259.7 cm (53 1/4 x 102 1/4 in.)

Plaque Representing the Virgin of the Immaculate Conception; Francesco Natale Juvara, Italian, 1673 - 1759; Messina, Italy, Sicily, Europe; 1730 - 1740; Silver

Ideal Female Heads; Augustin Pajou, French, 1730 - 1809; n.d.; Terracotta; Various, see extensions

Architectural scene and frame; Wilhelm Fistulator, German, died 1669, active 1602, Frame maker Unknown; Germany, South Germany

Music Stand (Pupitre); Attributed to Martin Carlin, French, born Germany, about 1730 - 1785, master 1766; Paris, France, Europe; about 1770 - 1775; Oak veneered with tulipwood

Secretaire a abattant; By Martin Carlin, French, born Germany, about 1730 - 1785, master 1766, Circular plaque painted by Jean-Jacques Pierre le jeune, French, about 1745 - about 1800, active Sevres

Table; Martin Carlin, French, born Germany, about 1730 - 1785, master 1766, Circular plaque painted by Jacques-Francois Micaud, French, 1732/1735 - 1811, active 1757 - 1811, Sevres Manufactory

Rolltop Desk; Desk by Bernard Molitor, French, 1730 - after 1811, master 1787, reunts after designs by Francois Remond, French, 1747 - 1812, master 1774, some mounts cast by Gambier, French

Tray (plateau Courteille ou de chiffoniere); Carcass by an imitator of Bernard II van Risenburgh, French, after 1696 - about 1766, master before 1730, Porcelain painted by Charles-Nicolas Dodin

Double Desk; Bernard II van Risenburgh, French, after 1696 - about 1766, master before 1730; Paris, France, Europe; about 1750; Oak veneered with tulipwood

Pair of Girandoles; Unknown; about 1730; Gilt bronze; rock crystal; Various, see extensions

Pair of Sugar Castors; Paul de Lamerie, British, 1688 - 1751; 1730; Silver; Various, see extensions

Tapestry: La Poltronnerie de Sancho a la chasse, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present, under the direction of Michel Audran

Tapestry: Don Quichotte gueri de sa folie par la sagesse, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present

Tapestry: Le Repas de Sancho dans l Ile de Barataria, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present, under the direction of Michel Audran

Tapestry: L Entree de Sancho dans l Ile de Barataria, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present, under the direction of Michel Audran

Possibly a Model for a Ceramic Vessel; Unknown; Germany, Europe; about 1725 - 1730; Terracotta; Object: H: 32.4 x W: 29.8 x D: 29.8 cm (H: 1 ft. 3/4 x W: 11 3/4 x D: 11 3/4 in.)

Tea Service; Chantilly Porcelain Manufactory, French, active about 1725 - about 1792; Chantilly, France, Europe; about 1730 - 1735; Soft-paste porcelain, polychrome enamel decoration; Various

Assembled Set of Five Vases; Decoration attributed to Johann Gregor Horoldt, German, 1696 - 1775, active 1720 - 1756 and 1763 - 1765, Meissen Porcelain Manufactory, German

Cartonnier with Bout de Bureau and Clock; Bernard II van Risenburgh, French, after 1696 - about 1766, master before 1730, movement by Etienne Le Noir II, French, 1699 - 1778, master 1717

Writing Table (bureau plat); By Martin Carlin, French, born Germany, about 1730 - 1785, master 1766, At least seven plaques gilded by Jean-Baptiste-Emmanuel Vande, French, 1716 - 1779

Pair of Cabinets; Bernard II van Risenburgh, French, after 1696 - about 1766, master before 1730; Paris, France, Europe; about 1745 - 1750; Oak veneered with bloodwood

Tapestry: Portiere aux Armes de France; woven under the direction of Etienne-Claude Le Blond, French, about 1700 - 1751, active at Gobelins, 1727 - 1751, Gobelins Manufactory, French

Table Bell; Painting attributed to studio of Johann Gregor Horoldt, German, 1696 - 1775, active 1720 - 1756 and 1763 - 1765, Meissen Porcelain Manufactory, German, active 1710 - present; Meissen

Terrestrial Globe (Globe terrestre); Globe designed and assembled by Jean-Antoine Nollet, French, 1700 - 1770, Map engraved by Louis Borde, French, active 1730 - 1740

Pair of Globes; Globes designed and assembled by Jean-Antoine Nollet, French, 1700 - 1770, The terrestrial map engraved by Louis Borde, French, active 1730 - 1740

Tapestry: Le Cheval raye from Les Anciennes Indes Series; Woven at Gobelins Manufactory, French, active 1662 - present, after a cartoon painted by Albert Eckhout, Dutch, about 1610 - 1665

Two Seated Men; Nicolas Lancret, French, 1690 - 1743; about 1725 - 1730; Red, black and white chalk; 24.4 x 31.9 cm (9 5/8 x 12 9/16 in.)

The Camel; Beauvais Manufactory, French, founded 1664, after designs by Jean-Baptiste Monnoyer, French, 1636 - 1699, border design attributed to Jean-Baptiste Monnoyer, and Guy-Louis Vernansal

Fishmongers stall Signed and dated, lower left: B Nebot. [R?] 1737"
Fishmongers stall Signed and dated, lower left: " B Nebot. [R?] 1737", Balthazar Nebot, active 1730-1762, Spanish

Aysgarth Falls, Yorkshire, Balthazar Nebot, active 1730-1762, Spanish

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In the year 1730, a myriad of events and creations unfolded, painting a vivid picture of the era. Cockfighting, an ancient sport steeped in tradition and excitement, captivated audiences with its fierce battles. Meanwhile, the renowned artist William Hogarth continued to leave his mark on London's artistic scene with his thought-provoking works. London's Masonic Lodges buzzed with activity as secret societies flourished during this time. These enigmatic gatherings fostered camaraderie among members while guarding their esoteric knowledge from prying eyes. Curiosity about the celestial realm led to groundbreaking discoveries like the early map of the Moon in 1635. This intricate depiction unveiled our closest cosmic neighbor in unprecedented detail, sparking wonder and fueling humanity's fascination with space. April bloomed vibrantly through Twelve Months of Flowers in 1730—a color engraving that captured nature's delicate beauty. Laurent Bordelon skillfully brought forth this visual delight for all to enjoy and appreciate. Across the Atlantic Ocean, Newport, Rhode Island thrived amidst colonial America's bustling landscape. A lithograph from 1864 transported us back to this vibrant coastal town as it stood proudly in 1730—its rich history etched into every brick and cobblestone. Meanwhile, Mexico City pulsated with life as it embraced its role as a cultural hub in Mexico during this period. The cityscape bustled with activity—a testament to its significance within Latin American society at that time. Abraham Newland left an indelible mark on British currency by serving as Chief Cashier at The Bank of England—an influential figure shaping financial transactions throughout 1730s Britain. The Bradford Map or Lyne Survey showcased New York City's evolving landscape through a meticulous line engraving created just one year later—an invaluable historical artifact preserving urban development for generations to come.