Fraud Blocker Skip to main content

1741 Collection (page 3)

"Exploring the Vibrant Tapestry of 1741: A Journey through Colonial Savannah, Georgia and Beyond" Step back in time to the enchanting world of Colonial Savannah

Background image1741 Collection: Dido Excoriates Aeneas Book IV Aeneid Jean-Michel Moreau

Dido Excoriates Aeneas Book IV Aeneid Jean-Michel Moreau
Dido Excoriates Aeneas, from Book IV of the Aeneid; Jean-Michel Moreau le jeune (French, 1741 - 1814); 1803; Pen and brown ink and brown wash; 22.2 x 15.6 cm (8 3, 4 x 6 1, 8 in.)

Background image1741 Collection: Views Venice Basin St. Mark 1741 Michele Marieschi

Views Venice Basin St. Mark 1741 Michele Marieschi
Views of Venice: The Basin of St. Mark s, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Gates Arsenal 1741 Michele Marieschi

Views Venice Gates Arsenal 1741 Michele Marieschi
Views of Venice: The Gates of the Arsenal, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Regatta 1741 Michele Marieschi Italian

Views Venice Regatta 1741 Michele Marieschi Italian
Views of Venice: The Regatta, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Campo dei Frari 1741 Michele Marieschi

Views Venice Campo dei Frari 1741 Michele Marieschi
Views of Venice: Campo dei Frari, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Palazzo Pesaro 1741 Michele Marieschi

Views Venice Palazzo Pesaro 1741 Michele Marieschi
Views of Venice: Palazzo Pesaro, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Santa Chiara 1741 Michele Marieschi

Views Venice Santa Chiara 1741 Michele Marieschi
Views of Venice: Santa Chiara, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Bridge Market Rialto 1741 Michele Marieschi

Views Venice Bridge Market Rialto 1741 Michele Marieschi
Views of Venice: The Bridge and Market of Rialto, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venices Maria Formosa 1741 Michele Marieschi

Views Venices Maria Formosa 1741 Michele Marieschi
Views of Venice: S. Maria Formosa, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Piazzetta Ducal Palace 1741 Michele Marieschi

Views Venice Piazzetta Ducal Palace 1741 Michele Marieschi
Views of Venice: The Piazzetta and Ducal Palace, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Frontispiece - Title Page 1741 Michele Marieschi

Views Venice Frontispiece - Title Page 1741 Michele Marieschi
Views of Venice: Frontispiece - Title Page, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Grand Canal 1741 Michele Marieschi

Views Venice Grand Canal 1741 Michele Marieschi
Views of Venice: Grand Canal, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Cannaregio 1741 Michele Marieschi

Views Venice Cannaregio 1741 Michele Marieschi
Views of Venice: Cannaregio, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Piazzettas Basso 1741 Michele Marieschi

Views Venice Piazzettas Basso 1741 Michele Marieschi
Views of Venice: Piazzetta S. Basso, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Courtyard Ducal Palace 1741 Michele Marieschi

Views Venice Courtyard Ducal Palace 1741 Michele Marieschi
Views of Venice: The Courtyard of the Ducal Palace, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Camposs Giovanni e Paolo 1741

Views Venice Camposs Giovanni e Paolo 1741
Views of Venice: Campo S. S. Giovanni e Paolo, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venices M Della Salute 1741 Michele Marieschi

Views Venices M Della Salute 1741 Michele Marieschi
Views of Venice: S. M. Della Salute, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Piazzetta 1741 Michele Marieschi

Views Venice Piazzetta 1741 Michele Marieschi
Views of Venice: The Piazzetta, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Piazza Piazzetta 1741 Michele Marieschi

Views Venice Piazza Piazzetta 1741 Michele Marieschi
Views of Venice: Piazza and Piazzetta, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Molos M Della Salute 1741 Michele Marieschi

Views Venice Molos M Della Salute 1741 Michele Marieschi
Views of Venice: The Molo and S. M. Della Salute, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Rialto 1741 Michele Marieschi Italian

Views Venice Rialto 1741 Michele Marieschi Italian
Views of Venice: Rialto, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Views Venice Campos Rocco 1741 Michele Marieschi

Views Venice Campos Rocco 1741 Michele Marieschi
Views of Venice: Campo S. Rocco, 1741. Michele Marieschi (Italian, 1710-1743). Etching

Background image1741 Collection: Enraged Musician 1741 William Hogarth British

Enraged Musician 1741 William Hogarth British
The Enraged Musician, 1741. William Hogarth (British, 1697-1764). Etching

Background image1741 Collection: Basilica of Santa Maria Maggiore. Main facade, 1743, by Ferd

Basilica of Santa Maria Maggiore. Main facade, 1743, by Ferd
Basilica of Santa Maria Maggiore. Initiated in the 5th century, was enlarged and reformed until the 18th century. Main facade, 1741-1743, by Ferdinando Fuga (1699-1781). Rome. Italy

Background image1741 Collection: Johann Jakob Engel

Johann Jakob Engel
JOHANN JAKOB ENGEL German philosophical writer Date: 1741 - 1802

Background image1741 Collection: Matthias Elias

Matthias Elias
MATTHIAS ELIAS German artist, flanked by samples of his artistry. Date: 1658 - 1741

Background image1741 Collection: Christoph Ebeling

Christoph Ebeling
CHRISTOPH DANIEL EBELING German geographer and musician, from Hamburg. Date: 1741 - 1817

Background image1741 Collection: Dominique Parrenin. Jesuit missionary

Dominique Parrenin. Jesuit missionary
PARRENIN, Dominique (1665-1741). French Jesuit missionary to China. One of the authors of the general map of China. 1847 French original work. Spanish translation published in Barcelona



All Professionally Made to Order for Quick Shipping

"Exploring the Vibrant Tapestry of 1741: A Journey through Colonial Savannah, Georgia and Beyond" Step back in time to the enchanting world of Colonial Savannah, Georgia in the 1700s. As you wander through its cobblestone streets, immerse yourself in the rich history and cultural tapestry that defined this era. Intriguingly, amidst this backdrop emerges an "Enraged Musician, " a satirical painting by Hogarth capturing the essence of society's obsession with music during this period. The melodies composed by Antonio Vivaldi or perhaps an anonymous artist would have filled the air as they echoed from grand halls to intimate gatherings. Meanwhile, across distant lands at Foundling Hospital Schools in Berkhamsted, young minds were nurtured under watchful eyes. Here, children found solace and education within these walls while their portraits adorned hallways - much like Tupac Amaru II's captivating painting symbolizing resistance against oppression. But it wasn't just art that captivated hearts; feats of strength amazed audiences as Thomas Topham showcased his extraordinary abilities as a strongman. His incredible prowess left onlookers awestruck and inspired generations to push their physical limits. However, not all sounds brought joy during this time; noise pollution became a growing concern for individuals like Robert Blair who sought tranquility amid bustling cities. John Dormer too longed for peaceful moments amidst chaos while Benedict Arnold navigated treacherous paths towards infamy. Yet beyond these human stories lay tales of exploration etched into history forever. Vitus Jonassen Bering embarked on a daring expedition only to face tragedy when his shipwreck marooned him off Kamchatka peninsula in 1741. This line engraving from the 19th century immortalizes his courageous spirit and unwavering determination. And finally, we encounter Ang Kauffmann's allegorical works which encapsulate the essence of this era.