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1768 1821 Collection

"1768-1821: A Glimpse into the Artistic Spirit of John Crome" Step back in time and immerse yourself in the captivating world of British artist John Crome

Background image1768 1821 Collection: The Spirit of the Book or, Anticipation of the Year 1813, 1813 (coloured engraving)

The Spirit of the Book or, Anticipation of the Year 1813, 1813 (coloured engraving)
LMG162284 The Spirit of the Book or, Anticipation of the Year 1813, 1813 (coloured engraving) by Cruikshank, George (1792-1878); Leeds Museums and Art Galleries (Temple Newsam House)

Background image1768 1821 Collection: Returning Justice Lifts Aloft Her Scale, published by G

Returning Justice Lifts Aloft Her Scale, published by G
GHL124692 Returning Justice Lifts Aloft Her Scale, published by G. Humphrey, London, 1821 (engraving on paper) by Lane, Theodore (1800-28); London Metropolitan Archives

Background image1768 1821 Collection: Mousehold Heath, c. 1810-13. Creator: John Crome (British, 1768-1821)

Mousehold Heath, c. 1810-13. Creator: John Crome (British, 1768-1821)
Mousehold Heath, c. 1810-13. As with most of Cromes landscapes, the scenery depicted is located close to his Norwich home

Background image1768 1821 Collection: Back of the Mills, c. 1812-1813. Creator: John Crome (British, 1768-1821)

Back of the Mills, c. 1812-1813. Creator: John Crome (British, 1768-1821)
Back of the Mills, c. 1812-1813

Background image1768 1821 Collection: Front of the New Mills, 1813. Creator: John Crome (British, 1768-1821)

Front of the New Mills, 1813. Creator: John Crome (British, 1768-1821)
Front of the New Mills, 1813. Cromes work epitomizes the essence of British landscape art at the beginning of the 19th century, the moment of its greatest flowering

Background image1768 1821 Collection: At Bawburgh, 1813. Creator: John Crome (British, 1768-1821)

At Bawburgh, 1813. Creator: John Crome (British, 1768-1821)
At Bawburgh, 1813

Background image1768 1821 Collection: At Colney. Creator: John Crome (British, 1768-1821)

At Colney. Creator: John Crome (British, 1768-1821)
At Colney

Background image1768 1821 Collection: Bawburgh 1813 John Crome British 1768-1821 Etching

Bawburgh 1813 John Crome British 1768-1821 Etching
At Bawburgh, 1813. John Crome (British, 1768-1821). Etching

Background image1768 1821 Collection: Colney John Crome British 1768-1821 Etching

Colney John Crome British 1768-1821 Etching
At Colney. John Crome (British, 1768-1821). Etching

Background image1768 1821 Collection: Front New Mills 1813 John Crome British 1768-1821

Front New Mills 1813 John Crome British 1768-1821
Front of the New Mills, 1813. John Crome (British, 1768-1821). Etching; sheet: 38.5 x 55.7 cm (15 3/16 x 21 15/16 in.); platemark: 22.5 x 30.2 cm (8 7/8 x 11 7/8 in.)

Background image1768 1821 Collection: Study Tree Trunks Lane ca 1812 Graphite soft ground etching

Study Tree Trunks Lane ca 1812 Graphite soft ground etching
Artokoloro

Background image1768 1821 Collection: Study Three Trees January 12 1812 Graphite soft ground etching

Study Three Trees January 12 1812 Graphite soft ground etching
Artokoloro

Background image1768 1821 Collection: The Secret Insult or Bribery and Corruption Rejected, published by Benbow, 1820

The Secret Insult or Bribery and Corruption Rejected, published by Benbow, 1820
BAL99033 The Secret Insult or Bribery and Corruption Rejected, published by Benbow, 1820 (engraving) by Cruikshank, George (1792-1878); Victoria & Albert Museum, London

Background image1768 1821 Collection: Caroline of Brunswick-Wolfenbuttel (1768-1821) wife of George IV of Great Britain

Caroline of Brunswick-Wolfenbuttel (1768-1821) wife of George IV of Great Britain. Trial of Queen Caroline in House of Lords 1820


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"1768-1821: A Glimpse into the Artistic Spirit of John Crome" Step back in time and immerse yourself in the captivating world of British artist John Crome, whose works from 1768 to 1821 continue to inspire and intrigue. "The Spirit of the Book or, Anticipation of the Year 1813, " a beautifully coloured engraving from that era, transports us to an era filled with anticipation. In "Returning Justice Lifts Aloft Her Scale, " published by G, we witness justice prevailing as it is lifted high for all to see. The artwork's symbolism resonates even today, reminding us of the timeless pursuit for fairness and equality. Crome's landscapes capture nature's essence like no other. Take a stroll through Mousehold Heath, created between 1810-13; you can almost feel the crisp air on your skin as you wander through its serene beauty. Similarly, "Back of the Mills" offers a glimpse into daily life during this period - an intimate portrayal that invites contemplation. As we move forward in time to 1813, Crome presents us with "Front of the New Mills. " This piece showcases industrial progress while maintaining his signature attention to detail and atmosphere. Meanwhile, at Bawburgh and Colney villages captured by Crome in etchings from that same year transport us directly into their charming streetscapes. Delving deeper into Crome's artistic repertoire reveals his mastery over various mediums. In his soft ground etching titled "Study Tree Trunks Lane ca 1812, " he skillfully captures intricate details amidst nature's splendor. Likewise, "Study Three Trees January 12th, 1812" evokes a sense of tranquility through delicate graphite strokes. John Crome (British, 1768-1821) left behind an indelible mark on art history with his diverse body of work.