1801 1854 Collection

Ten Thousand Bamboos in the Mist and Rain, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Ten Thousand Bamboos in the Mist and Rain, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Strawberry Spinach and Nightingale. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Strawberry Spinach and Nightingale

Pine Tree and Fungus, 19th century. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Pine Tree and Fungus, 19th century. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Hut Amidst the Trees, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Hut Amidst the Trees, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Copy of Zhai Dakuns (c. 1770-1804) Landscapes in the Styles of Old Masters, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private

Folded Hills and Layered Peaks, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Folded Hills and Layered Peaks, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Willow and Waterfall, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Willow and Waterfall, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Willow Branches in Spring, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Willow Branches in Spring, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Waterfall and Rocks, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Waterfall and Rocks, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Chrysanthemums and Leaves of a Mulberry Tree. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Chrysanthemums and Leaves of a Mulberry Tree

Dwellings beneath Folded Hills, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Dwellings beneath Folded Hills, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Lotus Root and Adders Tongue. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Lotus Root and Adders Tongue

Loquat Tree of Japan. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Loquat Tree of Japan

Dwelling by the Shore, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Dwelling by the Shore, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Drifting in a Boat, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Drifting in a Boat, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Banana Plant and Chrysanthemum (?), 19th century. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Banana Plant and Chrysanthemum (?), 19th century

Frosted Branches and Dwarf Bamboo, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Frosted Branches and Dwarf Bamboo, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Strawberry Spinach Nightingale Tsubaki Chinzan
Strawberry Spinach and Nightingale. Tsubaki Chinzan (Japanese, 1801-1854). Watercolor on paper; sheet: 28 x 34.4 cm (11 x 13 9/16 in.)

Loquat Tree Japan Tsubaki Chinzan Japanese 1801-1854
Loquat Tree of Japan. Tsubaki Chinzan (Japanese, 1801-1854). Watercolor on paper; sheet: 28 x 34.4 cm (11 x 13 9/16 in.)

Chrysanthemums Leaves Mulberry Tree Tsubaki Chinzan
Chrysanthemums and Leaves of a Mulberry Tree. Tsubaki Chinzan (Japanese, 1801-1854). Ink and color on paper; sheet: 28 x 34.3 cm (11 x 13 1/2 in.)

Dwelling Shore 1847 Tsubaki Chinzan Japanese
Dwelling by the Shore, 1847. Tsubaki Chinzan (Japanese, 1801-1854). Album leaf; ink and color on silk; each leaf: 41 x 31.5 cm (16 1/8 x 12 3/8 in.)

Dwellings beneath Folded Hills 1847 Tsubaki Chinzan
Dwellings beneath Folded Hills, 1847. Tsubaki Chinzan (Japanese, 1801-1854). Album leaf; ink and color on silk; each leaf: 41 x 31.5 cm (16 1/8 x 12 3/8 in.)

Waterfall Rocks 1847 Tsubaki Chinzan Japanese
Waterfall and Rocks, 1847. Tsubaki Chinzan (Japanese, 1801-1854). Album leaf; ink and color on silk; each leaf: 41 x 31.5 cm (16 1/8 x 12 3/8 in.)

Willow Waterfall 1847 Tsubaki Chinzan Japanese
Willow and Waterfall, 1847. Tsubaki Chinzan (Japanese, 1801-1854). Album leaf; ink and color on silk; each leaf: 41 x 31.5 cm (16 1/8 x 12 3/8 in.)

Frosted Branches Dwarf Bamboo 1847 Tsubaki Chinzan
Frosted Branches and Dwarf Bamboo, 1847. Tsubaki Chinzan (Japanese, 1801-1854). Album leaf; ink and color on silk; each leaf: 41 x 31.5 cm (16 1/8 x 12 3/8 in.)

Ten Thousand Bamboos Mist Rain 1847 Tsubaki Chinzan
Ten Thousand Bamboos in the Mist and Rain, 1847. Tsubaki Chinzan (Japanese, 1801-1854). Album leaf; ink and color on silk; each leaf: 41 x 31.5 cm (16 1/8 x 12 3/8 in.)

Drifting Boat 1847 Tsubaki Chinzan Japanese 1801-1854
Drifting in a Boat, 1847. Tsubaki Chinzan (Japanese, 1801-1854). Album leaf; ink and color on silk; each leaf: 41 x 31.5 cm (16 1/8 x 12 3/8 in.)

Willow Branches Spring 1847 Tsubaki Chinzan Japanese
Willow Branches in Spring, 1847. Tsubaki Chinzan (Japanese, 1801-1854). Album leaf; ink and color on silk; each leaf: 41 x 31.5 cm (16 1/8 x 12 3/8 in.)

Hut Amidst Trees 1847 Tsubaki Chinzan Japanese
Hut Amidst the Trees, 1847. Tsubaki Chinzan (Japanese, 1801-1854). Album leaf; ink and color on silk; each leaf: 41 x 31.5 cm (16 1/8 x 12 3/8 in.)

Folded Hills Layered Peaks 1847 Tsubaki Chinzan
Folded Hills and Layered Peaks, 1847. Tsubaki Chinzan (Japanese, 1801-1854). Album leaf; ink and color on silk; each leaf: 41 x 31.5 cm (16 1/8 x 12 3/8 in.)

Pine Tree Fungus 19th century Tsubaki Chinzan
Pine Tree and Fungus, 19th century. Tsubaki Chinzan (Japanese, 1801-1854). Album leaf; ink and light color on ivory silk; sheet: 25.3 x 17.7 cm (9 15/16 x 6 15/16 in.)

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"Exploring the Artistry of Tsubaki Chinzan (1801-1854): A Journey through Nature's Beauty" Step into the enchanting world of Tsubaki Chinzan, a renowned Japanese artist whose masterpieces continue to captivate audiences even centuries later. Born in 1801 and leaving an indelible mark until his passing in 1854, Chinzan's artistic prowess is evident in his diverse collection. In "Ten Thousand Bamboos in the Mist and Rain" (1847), Chinzan skillfully depicts the ethereal beauty of nature, with delicate strokes that transport us to a serene bamboo forest shrouded by misty raindrops. Similarly, "Strawberry Spinach and Nightingale" transports us to a whimsical realm where vibrant colors merge seamlessly with graceful melodies. Chinzan's love for landscapes shines through pieces like "Pine Tree and Fungus" (19th century) and "Folded Hills and Layered Peaks" (1847). These works showcase his ability to capture both grandeur and tranquility simultaneously. The viewer can almost feel the cool breeze rustling through pine needles or imagine themselves wandering amidst rolling hills. The artist also delves into architectural wonders with "Hut Amidst the Trees" (1847) and "Dwellings beneath Folded Hills. " These compositions invite contemplation on our connection with nature as we witness humble dwellings harmoniously nestled within their surroundings. Chinzan pays homage to Zhai Dakun's legacy in his masterpiece from 1847 titled "Copy of Zhai Dakun’s Landscapes in the Styles of Old Masters, " showcasing his versatility as he emulates ancient techniques while adding a touch of personal flair. Water elements take center stage too; be it cascading waterfalls depicted beautifully in “Willow and Waterfall” or tranquil ponds adorned by blooming chrysanthemums in “Waterfall and Rocks” (1847).