1805 Collection (page 7)

Fontana di Trevi Stefano Lecchi Italian 1805
Fontana di Trevi; Stefano Lecchi (Italian, 1805 - about 1859, 1863); Rome, Italy; 1851; Salted paper print; 22.2 x 16.5 cm (8 3, 4 x 6 1, 2 in.)

Manoir de Nollent pre Caen dit Tour des gens-d armes
Manoir de Nollent, pres Caen dit Tour des gens-d armes, Normandie - 2me partie, Voyages pittoresques et romantiques dans l ancienne France, Bachelier, Charles Claude, fl

Female Nude Turban Christian Friedrich Gille
Female Nude with a Turban; Christian Friedrich Gille (German, 1805 - 1899); Germany, Europe; 1855; Graphite; 33 × 15.8 cm (13 × 6 1, 4 in.)

Maj Gen Samuel Peter Heintzelman 1805 1880 Edward
Maj. Gen. Samuel Peter Heintzelman (1805 - 1880); Edward and Henry T. Anthony & Co. (American, 1862 - 1902); 1862 - 1864; Albumen silver print

Mr Hiram Powers 1805 1873 L Powers American 1835
Mr. Hiram Powers (1805 - 1873); L. Powers (American, 1835 - 1904, active Florence, Italy); about 1870; Albumen silver print

Portrait Leonilla Princess Sayn-Wittgenstein-Sayn
Portrait of Leonilla, Princess of Sayn-Wittgenstein-Sayn; Franz Xaver Winterhalter (German, 1805 - 1873); 1843; Oil on canvas; 142.2 × 212.1 cm (56 × 83 1, 2 in.)

Laundress La Blanchisseuse Jean-Baptiste Greuze
The Laundress (La Blanchisseuse); Jean-Baptiste Greuze (French, 1725 - 1805); France; 1761; Oil on canvas; 40.6 × 33 cm (16 × 13 in.)

Sir Guyon Tempted Phaedria Samuel Palmer English
Sir Guyon Tempted by Phaedria; Samuel Palmer (English, 1805 - 1881); England; 1849; Watercolor and bodycolor, with some gum arabic, over black chalk underdrawing; 53.7 × 75.1 cm (21 1, 8 × 29 9)

Study Head Old Man Jean-Baptiste Greuze French
Study of the Head of an Old Man; Jean-Baptiste Greuze (French, 1725 - 1805); about 1755; Red chalk; 39.7 x 32.1 cm (15 5, 8 x 12 5, 8 in.)

Father Curse Ungrateful Son Jean-Baptiste Greuze
The Fathers Curse: The Ungrateful Son; Jean-Baptiste Greuze (French, 1725 - 1805); France; about 1778; Brush and gray wash, squared in pencil; 50.2 x 64 cm (19 3, 4 x 25 3, 16 in.)

Collection des fleurs et des fruits Branches de rousselet
Collection des fleurs et des fruits: Branches de rousselet, peche, prune et raisin, 1805. Jean Louis Prevost. Stipple engraving

Old Woman Arms Outstretched Study Neapolitan Gesture
Old Woman with Arms Outstretched (Study for The Neapolitan Gesture); Jean-Baptiste Greuze (French, 1725 - 1805); 1756; Black and white chalk, with stumping, on faded blue paper; 47 x 31.6 cm (18 1)

Artist Atelier Christiaan Andriessen Dutch 1775
The Artist in His Atelier; Christiaan Andriessen (Dutch, 1775 - 1846); about 1805 - 1808; Black chalk and watercolor; 24.1 × 20.3 cm (9 1, 2 × 8 in.)

Cimon Pero Roman Charity Jean-Baptiste Greuze
Cimon and Pero: Roman Charity; Jean-Baptiste Greuze (French, 1725 - 1805); France; about 1767; Oil on canvas; 65.4 × 81.4 cm (25 3, 4 × 32 1, 16 in.)

Mars & Venus Allegory Peace Louis Jean Francois
Mars & Venus, Allegory of Peace; Louis Jean Francois Lagrenee (French, 1725 - 1805); France; 1770; Oil on canvas; 64.8 × 53.8 cm (25 1, 2 × 21 3, 16 in.)

Portrait Napoleon I Emperor French 1805 Ferdinand Quaglia
Portrait of Napoleon I, Emperor of the French, 1805. Ferdinand Quaglia (Italian, 1780-1853). Watercolor on ivory in a gilt metal and enamel frame; framed

Collection Flowers Fruits Painted Nature Bouquet
Collection of Flowers and Fruits Painted after Nature: Bouquet of Foxglove, Clematis, Pansy, Peony, Poppy, and Yellow Day Lily, 1805

Holy Family Christ Lap Truth 1805 William Blake
The Holy Family (also known as Christ in the Lap of Truth), c. 1805. William Blake (British, 1757-1827). Black, gray, and brown ink applied with pen and point of brush; gray, pink, yellow

Portrait Young Man 1805 Andrew Plimer British
Portrait of a Young Man, c. 1805. Andrew Plimer (British, 1763-1837). Watercolor on ivory in original gold frame; framed: 8.3 x 7 cm (3 1/4 x 2 3/4 in.); unframed: 7.9 x 6.5 cm (3 1/8 x 2 9/16 in.)

Segawa Roko Hachizos Wife Ohatsu 1805 Utagawa Toyokuni
Segawa Roko as Hachizos Wife Ohatsu, c. 1805. Utagawa Toyokuni (Japanese, 1769-1825). Color woodblock print; sheet: 36.9 x 27.7 cm (14 1/2 x 10 7/8 in.)

Courtesan Katakoshigi Maruebiya Kamuro Ageha
The Courtesan Katakoshigi (?) of Maruebiya with her Kamuro Ageha and Midori, c. 1805. Utagawa Toyokuni (Japanese, 1769-1825). Color woodblock print; sheet: 26.8 x 37.8 cm (10 9/16 x 14 7/8 in.)

Pontic Rhododendron 1805 Jean Louis Prevost
Pontic Rhododendron, 1805. Jean Louis Prevost. Stipple and roulette

Bust Empress Josephine 1805 Joseph Chinard French
Bust of Empress Josephine, 1805. Joseph Chinard (French, 1756-1825). Terracotta; overall: 29.6 x 17 x 11 cm (11 5/8 x 6 11/16 x 4 5/16 in.)

Wilson Cary Nicholas 1805 Gilbert Stuart American
Wilson Cary Nicholas, c. 1805. Gilbert Stuart (American, 1755-1828). Oil on canvas; unframed: 72.8 x 59.8 cm (28 11/16 x 23 9/16 in.)

Battle of Trafalgar heroes
A document remembering the names of those who died fighting for the Spanish at the Battle of Trafalgar. Date: 1805

Royal coach and horses, ready for a special event. 1805

Schiller (Melcher)
JOHANN CHRISTOPH FRIEDRICH SCHILLER German writer Date: 1759 - 1805

Two women with children, c. 1805
Two women with a baby and another small child, c. 1805 Date: 1800s

Hyssop, Hyssopus officinalis.. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtiss Lectures on Botany

Plant roots: fibrous root of groundsel Senecio vulgaris and plantain Plantago major.. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtiss Lectures

LEOPOLD I of Belgium (1790-1865). King of Belgium (1831-1865). WINTERHALTER, Franz Xavier (1805-1873). Oil on canvas. FRANCE. Ό E-DE-FRANCE. YVELINES. Versailles. Palace of Versailles

Dominique Parrenin. Jesuit missionary
PARRENIN, Dominique (1665-1741). French Jesuit missionary to China. One of the authors of the general map of China. 1847 French original work. Spanish translation published in Barcelona

Schiller Silhouette
JOHANN CHRISTOPH FRIEDRICH SCHILLER German poet and playwright Date: 1759 - 1805

Robert Hills, British (1769-1844), Trees at Beddington, possibly c. 1805, graphite over watercolor on wove paper

CORONATION OF NAPOLEON I. The Consecration of the Emperor Napoleon and the Coronation of Empress Josephine on December 2, 1804. Detail on canvas, 1805-07, by Jacques Louis David

HOMER: THE ODYSSEY. The Sirens singing to Odysseus, strapped to the mast, while his sailors, their ears stopped up with wax, row past. Line drawing, c1805, after the drawing by John Flaxman

HOMER: THE ODYSSEY. The Harpies go to seize the terrified daughters of Pandarus. Line drawing, c1805 after the drawing by John Flaxman

View of London, by William Daniell RA (1769-1837). One of six plates -- this one shows the Tower and the Pool of London. Date: circa 1804

Francois Cacault
FRANCOIS CACAULT French diplomat Date: 1742 - 1805

Merryweather steam fire engine with crew
A Merryweather steam fire engine with crew at a coastal location. The plaque on the vehicle says: First Grand Prize, London Patent, and the words on the raised ladder: Victorys Anchor Oct 21st 1805

HOMER: THE ILIAD. Hectors body dragged behind the chariot of Achilles. Line engraving, 1805. after the drawing by John Flaxman

HOMER: THE ODYSSEY. Odysseus with his dog Argus. Takes a last look & having seen him dies. So closed for ever faithful Argus eyes. Line engraving, 1805, after the drawing by John Flaxman

HOMER: THE ILIAD. Minerva repressing the fury of Achilles. Line engraving, 1805, by William Blake after the drawing by John Flaxman

EXPL2A-00149
Route of Zebulon Pike across western territory to explore Colorado region 1805 - 1806. Hand-colored woodcut of a 19th-century illustration

EXPL2A-00167
William Clarks sketch of Flathead Indians in his diary of the Lewis and Clark expedition, 1804-1806 Hand-colored halftone reproduction of a 19th-century photograph of Clarks handwritten page

Lewis and Clark monument at Fort Benton, Montana
Statue of Sacagawea guiding Lewis and Clark at Fort Benton, Montana. Photograph

PEXP2D-00014
Explorers Meriwether Lewis and William Clark with their Native American guide Sacagawea. Digital photograph of a bronze statue in Charlottesville Virginia

PEXP2D-00011
Explorers Meriwether Lewis and William Clark with their Native American guide Sacagawea. Digital photograph of a bronze statue in Charlottesville, Virginia

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In the year 1805, amidst the tumultuous Napoleonic era, Admiral Nelson stood resolute on the deck of his flagship, H. M. S. Victory. With unwavering determination, he meticulously outlined his battle plans for Trafalgar, a momentous clash that would forever shape history. As the sun set on that fateful day in October, Nelson's signal fluttered high above the ship: "England Expects. " These two words encapsulated not only his unwavering faith in his men but also their indomitable spirit as they prepared to face Napoleon's formidable fleet. The Battle of Trafalgar unfolded with relentless intensity. The French uniforms during this time were vividly captured by 19th-century French engravings - symbols of both grandeur and impending danger. Yet it was Nelson's strategic brilliance that ultimately prevailed. Tragically, victory came at a great cost. The death of Nelson reverberated across nations and oceans alike. In West's poignant depiction, we witness the solemn farewell between Admiral Nelson and Captain Hardy during Trafalgar - an emotional testament to their unyielding bond forged through countless battles. Meanwhile, across borders and political landscapes, James Gillray's satirical etching titled "The Plumb-pudding in danger" offered a biting commentary on Napoleon's peace overture to British Prime Minister William Pitt. It depicted them carving up the world like epicurean statesmen indulging in an extravagant feast – highlighting both power struggles and diplomatic intricacies of those times. Amidst these historical events lies a glimpse into daily life aboard H. M. S Victory; we find ourselves transported into Nelson's cabin where he sought solace amidst chaos. Here he strategized while contemplating his next move – a testament to leadership under pressure. And so it was that 1805 became etched into history as a pivotal year when heroes clashed upon treacherous seas.