1823 1880 Collection

Sketchbook, page 39: Maine Landscape Vignittes, 1859. Creator: Sanford Robinson Gifford (American)
Sketchbook, page 39: Maine Landscape Vignittes, 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 40: Maine Landscape, 1859. Creator: Sanford Robinson Gifford (American
Sketchbook, page 40: Maine Landscape, 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 37: Maine Landscape Vignittes, 1859. Creator: Sanford Robinson Gifford (American)
Sketchbook, page 37: Maine Landscape Vignittes, 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 20: Peaks Island, ME, Sept
Sketchbook, page 20: " Peaks Island, ME, Sept. 7th, 59", 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 15: Landscapes, Berlin Falls ?, 1859. Creator: Sanford Robinson Gifford
Sketchbook, page 15: Landscapes, Berlin Falls ?, 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 02: Figure in a Landscape with Dog, 1859. Creator: Sanford Robinson Gifford
Sketchbook, page 02: Figure in a Landscape with Dog, 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 14: Berlin Falls September 2nd, 1859
Sketchbook, page 14: " Berlin Falls September 2nd", 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 12: White Mountians from foot of Randolph Hill, 1859
Sketchbook, page 12: " White Mountians from foot of Randolph Hill", 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 10: Carter Mountian (?), 1859. Creator: Sanford Robinson Gifford (American)
Sketchbook, page 10: Carter Mountian (?), 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 09: Mountians and Rocks, 1859. Creator: Sanford Robinson Gifford (American)
Sketchbook, page 09: Mountians and Rocks, 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 08: Carter Mountian (?), 1859. Creator: Sanford Robinson Gifford (American)
Sketchbook, page 08: Carter Mountian (?), 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 07: Carter Mt (?) Aug. 28th, 1859. Creator: Sanford Robinson Gifford
Sketchbook, page 07: " Carter Mt (?) Aug. 28th", 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 06: Gorham (Maine), 1859. Creator: Sanford Robinson Gifford (American
Sketchbook, page 06: " Gorham" (Maine), 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 05: Bethel ME Aug 19th, 1859. Creator: Sanford Robinson Gifford
Sketchbook, page 05: " Bethel ME Aug 19th", 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 04: Sea Scape with Color Notations, 1859. Creator: Sanford Robinson Gifford
Sketchbook, page 04: Sea Scape with Color Notations, 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, page 03: S. R. Gifford 15 10th Street New York, 1859. Creator
Sketchbook, page 03: " S.R. Gifford 15 10th Street New York", 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Sketchbook, 1859. Creator: Sanford Robinson Gifford (American, 1823-1880)
Sketchbook, 1859. Gifford was an American landscape painter belonging to the second generation of Hudson River school artists

Haverstraw Bay, 1868. Creator: Sanford Robinson Gifford (American, 1823-1880)
Haverstraw Bay, 1868

Autumn, a Wood Path, 1876. Creator: Sanford Robinson Gifford (American, 1823-1880)
Autumn, a Wood Path, 1876

A Home in the Wilderness, 1866. Creator: Sanford Robinson Gifford (American, 1823-1880)
A Home in the Wilderness, 1866. Giffords view of Mount Hayes in New Hampshire records human intrusion into a remote landscape

Diving Sponges Kunisada II Japanese 1823-1880
Diving for Sponges. Kunisada II (Japanese, 1823-1880). Color woodblock print; sheet: 24.2 x 36 cm (9 1/2 x 14 3/16 in.)

Preparing Bonita 1823-1880 Utagawa Kunisada Japanese
Preparing Bonita, 1823-1880. Utagawa Kunisada (Japanese, 1786-1865). Color woodblock print; sheet: 35.3 x 24.2 cm (13 7/8 x 9 1/2 in.)

Autumn Wood Path 1876 Sanford Robinson Gifford
Autumn, a Wood Path, 1876. Sanford Robinson Gifford (American, 1823-1880). Oil on canvas; unframed: 38 x 31.8 cm (14 15/16 x 12 1/2 in.)

Haverstraw Bay 1868 Sanford Robinson Gifford
Haverstraw Bay, 1868. Sanford Robinson Gifford (American, 1823-1880). Oil on canvas; unframed: 24.2 x 50.8 cm (9 1/2 x 20 in.)

Male Nude 19th century Red chalk sheet 11 1 / 4 x 16 3 / 4
Artokoloro

Hikyoku no biwa no hana matsunami kengyAc jitsuwa akushichibyAce, Secret song of the biwa (loquat) blossom: Matsunami Kengyo as Akushichi Byoe. Utagawa, Kunisada, 1823-1880, artist, 1863

Nagauta no keiko ni kayou musume, Young lady going to her Nagauta music lessons. Utagawa, Kunisada, 1823-1880, artist, [between 1830 and 1844], 1 print : woodcut, color; 36.3 x 24.4 cm (top print)

Maboroshi, Illusion. Utagawa, Kunisada, 1823-1880, artist, 1857. 1 print : woodcut, color; 33.1 x 23.1 cm. Print shows two men

SanjAc Kokaji no manebigoto zu, Remake of the Noh play about the swordmaker Sanjo Kokaji. Utagawa, Kunisada, 1823-1880, artist, [between 1848 and 1854], 1 print (3 sheets) : woodcut

Tsuki, Moon. Utagawa, Kunisada, 1823-1880, artist, [1843 or 1844], 1 print : woodcut, color; 37.0 x 24.9 cm. Print shows a woman and a young girl looking at a full moon

TenaraichAc o motsu musume, Young lady carrying a calendar. Utagawa, Kunisada, 1823-1880, artist, 1843. 1 print : woodcut, color; 36.1 x 24.5 cm (top print), 33.1 x 22.3 cm (bottom print)

Musume DAcjAcji, Young maiden of Dojoji (Musume Dojoji). Utagawa, Kunisada, 1823-1880, artist, [between 1830 and 1844], 1 print : woodcut, color; 34.8 x 22.9 cm (top), 33.8 x 22.4 cm (bottom)

Mushikago o motsu wakazamurai, Young man holding an insect carrier. Utagawa, Kunisada, 1823-1880, artist, [1843 or 1844], 1 print : woodcut, color; 34.0 x 22.6 cm (top print)

All Professionally Made to Order for Quick Shipping

"1823-1880: Exploring the Majestic Landscapes of Maine through Sanford Robinson Gifford's Sketchbooks" Step into the world of renowned American artist Sanford Robinson Gifford as we delve into his captivating sketchbooks from 1859. Born in 1823 and leaving an indelible mark until his passing in 1880, Gifford's artistic prowess shines through these pages. On page 39, we encounter "Maine Landscape Vignettes, " a collection of delicate sketches capturing the essence of Maine's natural beauty. The strokes transport us to serene landscapes, where rolling hills meet tranquil lakes under vast open skies. Flipping to page 40, we are greeted by another breathtaking scene titled "Maine Landscape. " Here, Gifford masterfully portrays the ruggedness and grandeur of Maine's terrain with intricate details that evoke a sense of awe and wonder. Page 37 unveils more enchanting "Maine Landscape Vignettes, " showcasing Gifford's ability to capture fleeting moments in nature. Each stroke tells a story as he immortalizes scenes that might otherwise be forgotten over time. As we turn to page 20, our eyes feast upon Peaks Island in all its glory. Through Gifford's skilled hand, this picturesque island comes alive on paper – its shores kissed by gentle waves while seagulls dance above. Dixville Notch takes center stage on page 18 as Gifford captures its majestic allure. The towering mountains and winding trails beckon adventurers to explore their hidden treasures within this scenic wonderland. Venturing further into his sketchbook on page 15, we stumble upon Berlin Falls – or perhaps it is? With subtle ambiguity, Gifford invites us to interpret this landscape ourselves while marveling at his mastery of light and shadow. Glimpses into everyday life unfold on page 02 with "Figure in a Landscape with Dog.