1890 1891 Collection

In the Omnibus, 1890-1891. Found in the Collection of Bibliothe que Nationale de France

A Woman bathing, 1890-1891. Private Collection

Fitting 1890-1891 Mary Cassatt American 1844-1926
The Fitting, 1890-1891. Mary Cassatt (American, 1844-1926). Drypoint and aquatint; sheet: 42.7 x 31.4 cm (16 13/16 x 12 3/8 in.); platemark: 37.6 x 25.5 cm (14 13/16 x 10 1/16 in.)

Omnibus 1890-1891 Mary Cassatt American 1844-1926
In the Omnibus, 1890-1891. Mary Cassatt (American, 1844-1926). Color drypoint and aquatint; platemark: 36.6 x 26.8 cm (14 7/16 x 10 9/16 in.)

Letter recto 1890-1891 Mary Cassatt American
The Letter (recto), 1890-1891. Mary Cassatt (American, 1844-1926). Black crayon and graphite; sheet: 34.6 x 23 cm (13 5/8 x 9 1/16 in.)

Letter verso 1890-1891 Mary Cassatt American
The Letter (verso), 1890-1891. Mary Cassatt (American, 1844-1926). Soft ground lines transferred from etching plate

Coiffure 1890-1891 Mary Cassatt American 1844-1926
The Coiffure, 1890-1891. Mary Cassatt (American, 1844-1926). Drypoint and aquatint; platemark: 36.8 x 26.7 cm (14 1/2 x 10 1/2 in.)

Lamp 1890-1891 Mary Cassatt American 1844-1926
The Lamp, 1890-1891. Mary Cassatt (American, 1844-1926). Drypoint, softground etching, and aquatint; sheet: 44 x 27.8 cm (17 5/16 x 10 15/16 in.); platemark: 32.1 x 25 cm (12 5/8 x 9 13/16 in.)

Mary Cassatt (American, 1844 - 1926), The Bath, 1890-1891, color drypoint, aquatint and soft-ground etching on Japanese vellum

Mary Cassatt, Woman Bathing, American, 1844 - 1926, 1890-1891, drypoint and aquatint on laid paper

Mary Cassatt, The Coiffure, American, 1844 - 1926, 1890-1891, drypoint and aquatint on laid paper

Mary Cassatt (American, 1844 - 1926), In the Omnibus, 1890-1891, drypoint and aquatint on laid paper

Mary Cassatt, The Fitting [recto], American, 1844 - 1926, 1890-1891, graphite over black chalk on wove paper

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"Exploring Life in 1890-1891: A Glimpse into the Past" Step back in time with us as we delve into the fascinating world of 1890-1891. In the Omnibus, a popular mode of transportation during this era, people would gather to embark on their daily journeys, experiencing the bustling streets and vibrant atmosphere of the city. Meanwhile, artist Mary Cassatt captured moments from everyday life through her exquisite artwork. Her painting "A Woman Bathing" depicts a serene scene where one can almost feel the tranquility and privacy of that intimate moment. In Pilchowitz, an unknown architect designed a seminar building for teachers around 1890/1891. The site plan showcases meticulous planning and attention to detail at a scale of 1:500. This architectural marvel served as an educational hub where knowledge was shared and minds were nurtured. Cassatt's artistic brilliance continued to shine through her works such as "Fitting, " which portrays women engrossed in selecting garments with utmost care and precision. Another masterpiece titled "Omnibus" captures passengers engaged in conversation or lost in their own thoughts while traveling together towards their destinations. Through letters written by Cassatt herself during this period, we gain insight into her thoughts and experiences. These precious artifacts provide glimpses into her personal life and creative process. Not only did Cassatt excel in capturing human emotions on canvas but also showcased her talent for still-life paintings like "Coiffure" and "Lamp. " These pieces demonstrate her ability to infuse ordinary objects with beauty and grace. Returning to Pilchowitz once again, our exploration reveals residential buildings designed by an unknown architect around 1890/1891. With floor plans meticulously crafted for both lower levels (Keller) and upper floors, these structures provided comfortable living spaces for educators seeking solace after long days spent imparting knowledge.