Absolon Collection

John Absolon, 1815-1895
5614450 John Absolon, 1815-1895; (add.info.: John Absolon, 1815-1895. British watercolourist. From The Strand Magazine, published January to June, 1894.); Photo © Hilary Morgan.

Allegorical Picture, by Absolon and Fenton, painted for the Inauguration Dinner of the Lord Mayor, in the Guildhall
1607852 Allegorical Picture, by Absolon and Fenton, painted for the Inauguration Dinner of the Lord Mayor, in the Guildhall, 9 November 1854 (engraving) by English School

Coast Scene, Normandy, c1860, (1934). Creator: John Absolon
Coast Scene, Normandy, c1860, (1934). People walking on the beach in northern France. Drawing in the Victoria & Albert Museum, London. From " The Connoisseur", Vol 93, No 389, January 1934

Fields at the back of Holloway Prison, Islington, London, 1859. Artist: John Absolon
Fields at the back of Holloway Prison, Islington, London, 1859. View of figures and a dog with the Church of St Michael, Highgate in the distance

Portrait of a Lady, c1855. Artist: John Absolon
Portrait of a Lady, c1855. From The Connoisseur Vol LIX, [Otto Limited, London, 1921]

John Absolon, 1894
John Absolon..Painter Artist.Pictorial Illustration From The Strand Magazine January-June 1894

Haddon Hall, Derbyshire, 1856. Artist: John Absolon
Haddon Hall, Derbyshire, 1856. Beauties of England and Wales. A print from The Illustrated London News, 26th July 1856

Three views of a wolf bone excavated at Vestonice
Proof that the mammoth-hunters of 30, 000 years ago knew how to count: three views of a wolf bone (the radius) marked with numerical notches

John Absolon, 1815 - 1895. British watercolourist. From The Strand Magazine, published January to June, 1894

Landscape with Distant River. Absolon, John 1815-1895

Allegorical Picture, by Absolon and Fenton, Painted for the Inauguration Dinner Of
Allegorical Picture, by Absolon and Fenton, Painted for the Inauguration Dinner of the Lord Mayor, in the Guildhall, London, 1854

Evangeline Painted by John Absolon, from the Exhibition of the New Society of Painters in Water-Colours, 1854

Source Size = 3674 x 2604
Exhibition of the New Society of Painters in Water Colours, " joan of Arc." Painted by John Absolon

The Mermaidens Well. Painted by J. Absolon

The Mermaidens Well. Painted by J. Absolon

ABSOLON: FISHERMEN. Landing the Grayling. Line engraving after a painting by John Absolon, mid 19th century

THE MILK MAIDs SONG. Engraving by J. T. Willmore after the painting by John Absolon (1815-1895)

The Squires Daughter by J. Absolon
The Squires Daughter, Staffordshire, by J. Absolon, from the Beauties of England and Wales

A reaper by J. Absolon
A Worcestershire reaper, by J. Absolon, from the beauties of England and Wales

The Oldest Living Cricketer
Mr C. A. Absolon, still taking an active part in the game of cricket at the age of 85

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"Exploring the Artistic World of John Absolon: A Glimpse into his Allegorical Masterpieces, Coastal Landscapes, and Portraits" Step into the enchanting world of John Absolon, a British watercolourist whose talent knew no bounds. His allegorical picture, created in collaboration with Fenton for the Inauguration Dinner of the Lord Mayor in 1854 at Guildhall, transports viewers to a realm where symbolism reigns supreme. Absolon's brushstrokes capture the serene beauty of Normandy's coast scene circa 1860. With meticulous attention to detail, he brings forth a sense of tranquility that can almost be felt through this captivating artwork from 1934. Intriguingly, it also ventured beyond landscapes and allegories. His portrayal of fields behind Holloway Prison in London during 1859 offers a glimpse into society's darker corners. Through his artistry, he sheds light on hidden narratives often overlooked by others. A testament to his versatility as an artist is seen in his portrait work. The c1855 painting "Portrait of a Lady" showcases Absolon's ability to capture not just physical features but also inner emotions and personality traits. Each stroke tells a story waiting to be unraveled. Delving deeper into history reveals John Absolon himself captured within time through self-portraits like the one from 1894. These introspective pieces offer insight into both his artistic journey and personal evolution throughout life. Haddon Hall stands tall as another masterpiece by Absolon dating back to 1856 - an architectural marvel brought alive through vivid colors and intricate details meticulously crafted by this talented watercolourist. Beyond traditional subjects lies unexpected intrigue; three views of a wolf bone excavated at Vestonice showcase Absolon's curiosity about prehistoric artifacts and their significance within our collective human story.