Academia Collection

University College London CC73_02943
University College, Gower Street, London. The quadrangle with male and female students, showing the pedimented portico and observatories. Photographed around 1915 for Campbells Press Studio

Oxford Travel Art
Taudalpoi

Vice Chancellor, Esquire Beadle, Yeoman Beadle, Verger, engraved by J
778193 Vice Chancellor, Esquire Beadle, Yeoman Beadle, Verger, engraved by J. Agar, published in R. Ackermanns History of Oxford, 1813 (hand-coloured engraving) by Uwins

Distribution of prizes in the theatre at King's College by the Archbishop of Canterbury
FLO4669340 Distribution of prizes in the theatre at King's College by the Archbishop of Canterbury. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London

; A Columbia (Pensylvanie) le 10 mai: la harangue a nos... 1917. Creator: Unknown
; A Columbia (Pensylvanie) le 10 mai: la harangue a nos representants du Dr Nicholas Murray Butler, president de l'Universite, 1917

Johan Henrik Lidén, 1741-1793, 1792. Creator: Pehr Hörberg
Johan Henrik Liden, 1741-1793, 1792

An Oxford Adventure
Taudalpoi

Massachusetts, Cambridge, Harvard University, The Memorial Church

St Johns College Library DP347271
St Johns College Library, St Johns College, St Johns Street, Cambridge, Cambridgeshire. General view of exterior to library shot at twilight. Architect Edward Cullinan and completed in 1993

The monastery church of Eternal Adoration, the bell tower of the university of music and in the background the Hungerburgbahn. Innsbruck, Tyrol, Austria

Europe, Scotland, Lothian, Edinburgh, McEwan Hall Interior

Venice, sunrise from the Academia bridge
Tomaz Klemensak

Battle of Arbelas or Battle of Gaugamela - Jose del Castillo
Battle of Arbelas or Battle of Gaugamela (331 BC). Combat between Alexander the Great and the Persian King Darius III. Painting by Jose del Castillo (1737-1793). Detail

Enrique Fernandez Arbos (1863-1939), 1934, by Mezquita
Enrique Fernandez Arbos (1863-1939). Spanish composer and violinist. Portrait by Jose Maria Lopez Mezquita (1883-1954), 1934. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Barbara of Portugal (1711-1758) by Louis Michel Van Loo
Barbara of Portugal (1711-1758). Queen of Spain, spouse of Ferdinand VI. Portrait by Louis Michel Van Loo (1707-1771). San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Battle of Arbelas or Battle of Gaugamela (331 BC). Combat between Alexander the Great and the Persian King Darius III. Painting by Jose del Castillo (1737-1793)

Anonymous portrait of Napoleon Bonaparte (1769-1815)
Napoleon Bonaparte (1769-1815). Emperor of France (1804-1815). Anonymous portrait, copy of a painting by Francois Gerard. 19th century. San Fernando Royal Academy of Fine Arts. Madrid. Spain

Three young princes, children of Ferdinand, duke of Parma
Giuseppe Baldrighi (1723-1803). Italian painter. Three young princes, the children of Ferdinand, duke of Parma, ca.1775-1776. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Manuel Roda y Arrieta (1706/1707-1782), 1765, by Batoni
Manuel Roda y Arrieta (1706/1707-1782). Spanish politician. Founder of the History Academy. Portrait by Pompeo Batoni (1708-1787), 1765. San Fernando Royal Academy of Fine Arts. Madrid. Spain

The Last Supper, by Velazquez (copy of Tintoretto)
Diego Rodriguez de Silva y Velazquez (1599-1660). Spanish baroque painter. The Last Supper, 1629-1631. Copy of a painting by Tintoretto. San Fernando Royal Academy of Fine Arts. Madrid. Spain

Ferdinand VI (1713-1759), 1750-1758 by Louis Michel Van Loo
Ferdinand VI (1713-1759). King of Spain (1746-1759). Portrait by Louis Michel Van Loo (1707-1771), 1750-1758. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Louis de Silvestre (1675-1760), 1745-1746, by Mengs
Louis de Silvestre (1675-1760). French painter. Portrait by Anton Raphael Mengs (1728-1779), 1745-1746. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Battle of Clavijo, 1753-1762, by Andres Gines de Aguirre
Battle of Clavijo (844). According to tradition, the King of Asturias Ramiro I, with the help of the Apostle Santiago, who appeared to him riding a white horse

Christ on the Cross, ca. 1640, by Alonso Cano (1601-1667)
Alonso Cano (1601-1667). Spanish painter. Christ on the Cross, ca.1640. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Inquisition Scene, 1808-1812, by Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Inquisition Scene, 1808-1812. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Burial of the Sardine (El Entierro de la Sardina)
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Burial of the Sardine (El Entierro de la Sardina), 1812-1819. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Penitent Magdalene, 1654, by Juan Carreno de Miranda
Juan Carreno de Miranda (1614-1685). Spanish painter. Penitent Magdalene, 1654. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Christ collecting his vestments, ca. 1646, by Alonso Cano
Alonso Cano (1601-1667). Spanish painter. Christ collecting his vestments, ca.1646. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Lady of Montserrat by Alonso Cano (1601-1667)
Alonso Cano (1601-1667) and Workshop. The Lady of Montserrat. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Saint Anthony of Padua (1195-1231) by Juseppe de Ribera
Saint Anthony of Padua (1195-1231). Portuguese friar of Franciscan Order. Painting by Juseppe de Ribera (1591-1652). Spanish painter. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Magdalene, ca. 1650, by Bartolome Esteban Murillo
Bartolome Esteban Murillo (1617-1682). The Magdalene, ca.1650. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Head of Saint John the Baptist, 1644, by Juseppe de Ribera
Juseppe de Ribera (1591-1652). Spanish painter. Head of Saint John the Baptist, 1644. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Taking of Christ. Painting ascribed to Gerard Seghers
Painting ascribed to Gerard Seghers (1591-1651). Flemish baroque painter. The Taking of Christ. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Mariana of Austria (1634-1696) by Juan Carreno de Miranda
Mariana of Austria (1634-1696). Queen of Spain. spouse of Philiph IV. Portrait by Juan Carreno de Miranda (1614-1685). Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Dream of Saint Joseph by Francisco Pacheco (1564-1644)
Francisco Pacheco (1564-1644). Spanish painter. The Dream of Saint Joseph. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Plate with lemons, ca. 1640, by Juan de Zurbaran (1620-1659)
Juan de Zurbaran (1620-1659). Spanish painter. Plate with lemons, ca.1640. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Duchess of Hijar, by Juan Bautista Martinez del Mazo
Juan Bautista Martinez del Mazo (ca.1611-1667). Spanish painter. Portrait of the Duchess of Hijar. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Crucifixion, 1539, by Hans Muelich or Mielich (1516-1573)
Hans Muelich or Mielich (1516-1573). German painter. Crucifixion, 1539. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Saviour by Giovanni Bellini(1432-1516)
Giovanni Bellini, called Il Giambellino (1432-1516). Italian painter. The Saviour. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Pieta, ca. 1570, by Luis de Morales (1515-1586). Detail
Luis de Morales (1515-1586). Spanish painter. Pieta, ca.1570. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The so-called El Greco Family ascribed to Theotocopuli
Ascribed to Jorge Manuel Theotocopuli (1578-1631). Spanish painter. Son of El Greco. The so-called El Greco Family. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Head of St John the Baptist, ca. 1630, by Domenico Zampieri
Domenico Zampieri (or Domenichino) (1581-1641). Italian baroque painter. Head of St John the Baptist, ca.1630. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Allegory of Spring, ca. 1563, by Giuseppe Arcimboldo
Giuseppe Arcimboldo (1527-1593). Italian painter. Allegory of Spring, ca.1563. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Christ embracing the Cross, 1610-1620, by Guido Reni
Guido Reni (1575-1642). Italian painter. Christ embracing the Cross, 1610-1620. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Sacrifice of Noah after the flood, by Leandro Bassano
Leandro Bassano (1557-1622). Italian painter. The Sacrifice of Noah after the flood. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Cardinal Infante Ferdinand of Austria (1609-1641). Archbishop of Toledo. Brother of Philip IV. 17th century copy after a painting of Anton van Dyck (1599-1641)

Saint Augustine between Christ and Mary by Rubens
Peter Paul Rubens (1577-1640). Flemish painter. Saint Augustine between Christ and Mary, ca.1615. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Hercules and Omphale by Peter Paul Rubens (1577-1640)
Peter Paul Rubens (1577-1640). Flemish painter. Hercules and Omphale. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

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"Academia: A Tapestry of Knowledge and Legacy" Step into the hallowed halls of academia, where history intertwines with intellect and enlightenment. From the grandeur of University College London to the serene sunrise over Venice's Academia bridge, this captivating journey through time unravels before our eyes. In this mosaic of academia, we encounter esteemed figures like Vice Chancellor Esquire Beadle and Yeoman Beadle, who have dedicated their lives to nurturing young minds. Their unwavering commitment shines through as they guide students towards a brighter future. As we delve deeper into the annals of knowledge, we stumble upon masterpieces that transcend time. The Battle of Arbelas or Gaugamela comes alive in Jose del Castillo's brushstrokes, reminding us of ancient triumphs etched in history books. Enrique Fernandez Arbos' portrait transports us to a bygone era when music echoed through concert halls. But academia is not just about battles won or symphonies composed; it also celebrates individuals who shaped nations. Barbara of Portugal gazes at us from Louis Michel Van Loo's canvas, her regal presence capturing hearts across generations. Anonymous portraits immortalize Napoleon Bonaparte's enigmatic persona while three young princes embody hope for Ferdinand, duke of Parma. Within these walls steeped in wisdom, Manuel Roda y Arrieta stands tall against the backdrop painted by Batoni—a testament to his intellectual prowess and indomitable spirit. Even Tintoretto finds homage in Velazquez's copy of "The Last Supper, " reminding us that art transcends boundaries within academia. And amidst all these tales lies Ferdinand VI—his reign marked by progress and enlightenment—an embodiment of how education can shape an entire nation’s destiny. Academia beckons with open arms—a sanctuary where knowledge thrives and legacies are born anew every day, and is here that dreams take flight on the wings of curiosity, and where the pursuit of truth becomes a lifelong endeavor.