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Afghan Collection (page 4)

"Discover the Rich Tapestry of Afghanistan: From Mazar-I-Sharif to the Shrine of Hazrat Ali" Step into a world steeped in history and culture

Background imageAfghan Collection: Male Head, 2nd / 3rd century. Creator: Unknown

Male Head, 2nd / 3rd century. Creator: Unknown
Male Head, 2nd/3rd century

Background imageAfghan Collection: Head of an Adorant, 4th / 5th century. Creator: Unknown

Head of an Adorant, 4th / 5th century. Creator: Unknown
Head of an Adorant, 4th/5th century

Background imageAfghan Collection: Head of a Female Deity, 4th / 5th century. Creator: Unknown

Head of a Female Deity, 4th / 5th century. Creator: Unknown
Head of a Female Deity, 4th/5th century

Background imageAfghan Collection: Head of a Female Adorant, 4th / 5th century. Creator: Unknown

Head of a Female Adorant, 4th / 5th century. Creator: Unknown
Head of a Female Adorant, 4th/5th century

Background imageAfghan Collection: Walking Buddha, Kushan period, 3rd / 4th century. Creator: Unknown

Walking Buddha, Kushan period, 3rd / 4th century. Creator: Unknown
Walking Buddha, Kushan period, 3rd/4th century

Background imageAfghan Collection: Head of a Bodhisattva, 3rd / 5th century. Creator: Unknown

Head of a Bodhisattva, 3rd / 5th century. Creator: Unknown
Head of a Bodhisattva, 3rd/5th century

Background imageAfghan Collection: Four-Armed Seated God Ganesha, Shahi period, 7th / 8th century. Creator: Unknown

Four-Armed Seated God Ganesha, Shahi period, 7th / 8th century. Creator: Unknown
Four-Armed Seated God Ganesha, Shahi period, 7th/8th century. Made in Afghanistan, or what is now Pakistan

Background imageAfghan Collection: Veneration of the Buddhas Relics, Kushan period, 2nd / 3rd century. Creator: Unknown

Veneration of the Buddhas Relics, Kushan period, 2nd / 3rd century. Creator: Unknown
Veneration of the Buddhas Relics, Kushan period, 2nd/3rd century. Ancient region of Gandhara (modern Afghanistan or Pakistan)

Background imageAfghan Collection: Afghan Throw, c. 1938. Creator: Erwin Stenzel

Afghan Throw, c. 1938. Creator: Erwin Stenzel
Afghan Throw, c. 1938

Background imageAfghan Collection: Oil Lamp (Cheragh), Ilkhanid dynasty (1256-1353), Early 13th century. Creator: Unknown

Oil Lamp (Cheragh), Ilkhanid dynasty (1256-1353), Early 13th century. Creator: Unknown
Oil Lamp (Cheragh), Ilkhanid dynasty (1256-1353), Early 13th century

Background imageAfghan Collection: Afghan refugees in Iran

Afghan refugees in Iran
Saeed Kouhkan

Background imageAfghan Collection: Afghan Carriage Robe, c. 1937. Creator: J. Howard Iams

Afghan Carriage Robe, c. 1937. Creator: J. Howard Iams
Afghan Carriage Robe, c. 1937

Background imageAfghan Collection: A Reception at the Royal Court of Kabul, from Firdawsis Shahnama (vellum)

A Reception at the Royal Court of Kabul, from Firdawsis Shahnama (vellum)
LRI615985 A Reception at the Royal Court of Kabul, from Firdawsis Shahnama (vellum) by Persian School; Musee Conde, Chantilly

Background imageAfghan Collection: The city and armourers of the city of Herat in Afghanistan and the tomb of the Shah Rukh

The city and armourers of the city of Herat in Afghanistan and the tomb of the Shah Rukh
XEE4415000 The city and armourers of the city of Herat in Afghanistan and the tomb of the Shah Rukh. Chromolithography of the 19th century

Background imageAfghan Collection: Bala-Hissar Gate in Afghanistan and soldiers of the Afghan army at the Khaiber crossing

Bala-Hissar Gate in Afghanistan and soldiers of the Afghan army at the Khaiber crossing
XEE4414993 Bala-Hissar Gate in Afghanistan and soldiers of the Afghan army at the Khaiber crossing. Advertising chromolithography of the 19th century

Background imageAfghan Collection: Afghan Montagnards near Sarwar. Engraving to illustrate the voyage to Pandjab and Kashmir

Afghan Montagnards near Sarwar. Engraving to illustrate the voyage to Pandjab and Kashmir
LSE4328384 Afghan Montagnards near Sarwar. Engraving to illustrate the voyage to Pandjab and Kashmir, story by Guillaume Lejean, in 1866, published in " Le tour du monde

Background imageAfghan Collection: Ways to sleep: Afghans stone layer. Liebig packaging chromolithography

Ways to sleep: Afghans stone layer. Liebig packaging chromolithography
LSE4112077 Ways to sleep: Afghans stone layer. Liebig packaging chromolithography. by French School, (19th century); Private Collection; (add.info.: Ways to sleep: Afghans stone layer)

Background imageAfghan Collection: Iraq and Afghanistan (engraving, 1596)

Iraq and Afghanistan (engraving, 1596)
LRI4718723 Iraq and Afghanistan (engraving, 1596) by Mercator, Gerardus (1512-94); Private Collection; (add.info.: Persici vel Sophorum Regni tipus)

Background imageAfghan Collection: Arts of the Far East: The 'Genie aux fleurs'

Arts of the Far East: The "Genie aux fleurs"
JLJ4666240 Arts of the Far East: The " Genie aux fleurs". Genie carrying a flower offering. 4th century stucco sculpture AP JC. From Afghanistan, Hadda, Tapa-Kalan monastery

Background imageAfghan Collection: Map of Sogdiane, a territory covering part of Uzbekistan, Tajikistan and Afghanistan, c

Map of Sogdiane, a territory covering part of Uzbekistan, Tajikistan and Afghanistan, c
LRI4595558 Map of Sogdiane, a territory covering part of Uzbekistan, Tajikistan and Afghanistan, c.1567. (mural painting) by Danti, Egnazio (1536-86); Palazzo Vecchio, Florence

Background imageAfghan Collection: The Jew and the Afghan were... put into a sack (engraving)

The Jew and the Afghan were... put into a sack (engraving)
3635168 The Jew and the Afghan were...put into a sack (engraving) by Millar, Harold Robert (1869-1940); Private Collection; (add.info.: The Jew and the Afghan were...put into a sack)

Background imageAfghan Collection: The game of Tatti (engraving)

The game of Tatti (engraving)
3643665 The game of Tatti (engraving) by English School, (19th century); Private Collection; (add.info.: The game of Tatti. Illustration for The Boys Own Annual (1882).); © Look and Learn

Background imageAfghan Collection: Cabul, 1842 (engraving)

Cabul, 1842 (engraving)
3744570 Cabul, 1842 (engraving) by English School, (19th century); Private Collection; (add.info.: The Illustrated London News, 14 May 1842. ); English, out of copyright

Background imageAfghan Collection: An airborne peri with a rosary, c. 1500 (opaque w / c & gold on paper)

An airborne peri with a rosary, c. 1500 (opaque w / c & gold on paper)
3514438 An airborne peri with a rosary, c.1500 (opaque w/c & gold on paper) by Afghan School, (16th century); 12.07x11.75 cm; San Diego Museum of Art

Background imageAfghan Collection: Major-General Sir Peter Stark Lumsden (colour litho)

Major-General Sir Peter Stark Lumsden (colour litho)
612186 Major-General Sir Peter Stark Lumsden (colour litho) by Ward, Leslie Matthew (Spy) (1851-1922); Private Collection; (add.info.: Major-General Sir Peter Stark Lumsden, Afghan frontier)

Background imageAfghan Collection: Afghan costumes, 19th Century (engraving)

Afghan costumes, 19th Century (engraving)
968753 Afghan costumes, 19th Century (engraving) by German School, (19th century); Private Collection; (add.info.: Afghan costumes, 19th Century)

Background imageAfghan Collection: A String of Blind Beggars, Cabul, 1843 (colour litho)

A String of Blind Beggars, Cabul, 1843 (colour litho)
468710 A String of Blind Beggars, Cabul, 1843 (colour litho) by Atkinson, James (1780-1852) (after); Private Collection; (add.info)

Background imageAfghan Collection: Povindah, Itinerant Afghan Merchant, Soonnee Mahomedan in Gundapoor, Kohat

Povindah, Itinerant Afghan Merchant, Soonnee Mahomedan in Gundapoor, Kohat
STC439718 Povindah, Itinerant Afghan Merchant, Soonnee Mahomedan in Gundapoor, Kohat, from The People of India, by J. Forbes Watson, published 1868 (albumen print) by English Photographer

Background imageAfghan Collection: Ko-i-Staun foot soldiery in summer costume, actively employed among the rocks

Ko-i-Staun foot soldiery in summer costume, actively employed among the rocks
3062282 Ko-i-Staun foot soldiery in summer costume, actively employed among the rocks (colour litho) by Carrick, Robert (c.1829-1904); National Army Museum, London; (add.info.: London)

Background imageAfghan Collection: The Wild Pass of Siri-Kajoor, 1842 (colour litho)

The Wild Pass of Siri-Kajoor, 1842 (colour litho)
3062280 The Wild Pass of Siri-Kajoor, 1842 (colour litho) by Atkinson, James (1780-1852) (after); National Army Museum, London; (add.info)

Background imageAfghan Collection: The Afghan War: negotiating peace with Yakoob Khan (Mohammad Yaqub Khan

The Afghan War: negotiating peace with Yakoob Khan (Mohammad Yaqub Khan) at Hashim Kheyl in Afghanistan. Date: 1879

Background imageAfghan Collection: The Editor of The Dog World Mrs Phyllis Robson, pictured with her eight-month-old

The Editor of The Dog World Mrs Phyllis Robson, pictured with her eight-month-old Afghan Hound puppy Asri-Havid of Ghazni. Date: 1927

Background imageAfghan Collection: Afghan Hound - Ch. Sirdar of Ghazni Date: 1926

Afghan Hound - Ch. Sirdar of Ghazni Date: 1926

Background imageAfghan Collection: The end of the Afghan War featured on the cover of The Graphic

The end of the Afghan War featured on the cover of The Graphic, 12th July 1879 - photographing the Ameer Yakoob Khan (Emir Mohammad Yaqub Khan) at Gandamak where the treaty of peace was signed

Background imageAfghan Collection: Major Cavagnari sealing the treaty of peace at Gandamak, 26th May 1879

Major Cavagnari sealing the treaty of peace at Gandamak, 26th May 1879. The treaty officially ended the first phase of the Second Anglo-Afghan War. Date: 26th May 1879

Background imageAfghan Collection: Afghan War: signing the treaty of Gundamuk

Afghan War: signing the treaty of Gundamuk
The Afghan War: the Ameer Yakoob Khan and Major Cavagnari signing the treaty of Gundamuk, 1879

Background imageAfghan Collection: Afghan War: writing out the treaty of peace, 1879

Afghan War: writing out the treaty of peace, 1879
The Afghan War: writing out the treaty of peace at Gundamuk, 1879

Background imageAfghan Collection: The Afghan War: attack on Ali Musjid - the first shot (about 10 am, Nov. 21). 1

The Afghan War: attack on Ali Musjid - the first shot (about 10 am, Nov. 21). 1. Karamna Peak. 2. Abatch Peak. 3. Old Fort. 4. and 5. Peaks, with tents and troops. 6. Ali Musjid. 7

Background imageAfghan Collection: The Afghan War: Major Cavagnari arranging with the shinwarries for the protection of

The Afghan War: Major Cavagnari arranging with the shinwarries for the protection of the road from Dakka to Lundi Khana. Date: 1879

Background imageAfghan Collection: Dangers of archaeology at the Pheel Khana Tope, near Jellalabad, Afghanistan, 1879

Dangers of archaeology at the Pheel Khana Tope, near Jellalabad, Afghanistan, 1879. Shot at by an Afghan tribesman. Date: 1879

Background imageAfghan Collection: The Khan of Lalpura with some of his warriors (b / w photo)

The Khan of Lalpura with some of his warriors (b / w photo)
PNP314565 The Khan of Lalpura with some of his warriors (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Ayub Khan (1857-1914) seated in fur cap

Background imageAfghan Collection: Candahar: The 92nd Highlanders and the 2nd Gurkhas Storming Gaudi Mullah Sahibdad

Candahar: The 92nd Highlanders and the 2nd Gurkhas Storming Gaudi Mullah Sahibdad
STC361085 Candahar: The 92nd Highlanders and the 2nd Gurkhas Storming Gaudi Mullah Sahibdad, from The Illustrated London News, 1901 (litho) by Woodville

Background imageAfghan Collection: The Afghan War - Sports and Games at Jellalabad. Date: 1879

The Afghan War - Sports and Games at Jellalabad. Date: 1879

Background imageAfghan Collection: Afghan War - Camp Fire of the 10th Hussars, Jellalabad

Afghan War - Camp Fire of the 10th Hussars, Jellalabad
The Afghan War - The Camp Fire of the 10th Hussars, Jellalabad (now Jalalabad). 1879

Background imageAfghan Collection: Afghan War - Advanced Camp at Basawul on the Kabul River

Afghan War - Advanced Camp at Basawul on the Kabul River
Afghan War - The Advanced Camp at Basawul on the Kabul River. 1879

Background imageAfghan Collection: The Avenue at Babers Tomb, from Sketches in Afghaunistan

The Avenue at Babers Tomb, from Sketches in Afghaunistan
STC135174 The Avenue at Babers Tomb, from Sketches in Afghaunistan, engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85), published by Henry Graves, 1842 (colour litho) by Atkinson

Background imageAfghan Collection: The Valley of Maidan, from Sketches in Afghaunistan

The Valley of Maidan, from Sketches in Afghaunistan
STC135167 The Valley of Maidan, from Sketches in Afghaunistan, engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho) by Atkinson

Background imageAfghan Collection: The Town of Roree, and the Fortress of Bhukker, on the Indus

The Town of Roree, and the Fortress of Bhukker, on the Indus
STC135153 The Town of Roree, and the Fortress of Bhukker, on the Indus, from Sketches in Afghaunistan, engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85), published by Henry Graves



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"Discover the Rich Tapestry of Afghanistan: From Mazar-I-Sharif to the Shrine of Hazrat Ali" Step into a world steeped in history and culture, as we embark on a journey through the captivating land of Afghanistan. Nestled in its northern region lies Mazar-I-Sharif, an ancient city that holds secrets dating back centuries. One cannot miss the majestic Shrine of Hazrat Ali, a sacred site revered by millions. Its intricate tilework tells stories of devotion and spirituality, showcasing the exquisite craftsmanship that has stood the test of time. As we delve deeper into Afghan history, our minds are drawn to "The Remnants of an Army. " This poignant reminder takes us back to Dargai during the Afghan War when brave soldiers fought valiantly for their nation's honor. In 1933, Dunlop Tyres advertised their durability with an unforgettable image set against this rugged terrain. The advert showcased resilience – just like those who traversed these lands throughout history. Speaking of endurance and strength, let us not forget the regal Afghan Hound Dog. With its flowing coat and graceful demeanor, it symbolizes elegance amidst adversity – much like this remarkable nation itself. "Guns at Maiwand" echoes tales from another era when battles raged across Afghanistan's vast landscapes. It serves as a testament to bravery displayed by both sides during times marred by conflict but also marked by unwavering courage. From above, planes once bombarded Emirs Forts – scars etched upon this land forever. These remnants remind us that even in war-torn times, hope can emerge from destruction; rebuilding becomes inevitable for progress towards peace. But beyond wars and conflicts lie resilient people whose spirit shines through every hardship faced since 1848. Their indomitable will is evident in every corner you explore - be it bustling cities or remote villages tucked away amidst breathtaking mountainscapes.