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Afterlife Collection (page 2)

"Afterlife: A Journey Beyond Time and Space" Step into the realm of the unknown, where mysteries unfold and souls find their eternal resting place

Background imageAfterlife Collection: Jesus Apparait Aux Saintes Femmes (engraving)

Jesus Apparait Aux Saintes Femmes (engraving)
8629346 Jesus Apparait Aux Saintes Femmes (engraving) by European School, (19th century); Private Collection; (add.info.: Jesus Apparait Aux Saintes Femmes)

Background imageAfterlife Collection: Page from The Bible Emblem Anniversary Book (colour litho)

Page from The Bible Emblem Anniversary Book (colour litho)
8630717 Page from The Bible Emblem Anniversary Book (colour litho) by Foster, William (1852-1924); Private Collection; (add.info)

Background imageAfterlife Collection: Decorative depiction of Jesus Christ playing the harp to amazed medieval listeners (colour litho)

Decorative depiction of Jesus Christ playing the harp to amazed medieval listeners (colour litho)
8677268 Decorative depiction of Jesus Christ playing the harp to amazed medieval listeners (colour litho) by European School

Background imageAfterlife Collection: New Testament: The Walk to Emmaus (colour litho)

New Testament: The Walk to Emmaus (colour litho)
8658776 New Testament: The Walk to Emmaus (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: The Walk to Emmaus)

Background imageAfterlife Collection: The Resurrection and the Life (colour litho)

The Resurrection and the Life (colour litho)
8633756 The Resurrection and the Life (colour litho) by English School, (19th century); Private Collection; (add.info.: The Resurrection and the Life)

Background imageAfterlife Collection: Collegiate church. Interior. Painting. A saint (Santa Ines). Attributed to Matias Jimeno

Collegiate church. Interior. Painting. A saint (Santa Ines). Attributed to Matias Jimeno. Oil on canvas. 17th century
6265883 Collegiate church. Interior. Painting. A saint (Santa Ines). Attributed to Matias Jimeno. Oil on canvas. 17th century.; Collegiata, Pastrana

Background imageAfterlife Collection: 'The death path is common to all of us', 1678 (Engraving)

"The death path is common to all of us", 1678 (Engraving)
7422868 "The death path is common to all of us", 1678 (Engraving); (add.info.: Religion. Morality. "The death path is common to all of us." The death people crosses the river)

Background imageAfterlife Collection: The Marys discover the empty tomb of Christ. They hold an ointment to perfume the body of Christ

The Marys discover the empty tomb of Christ. They hold an ointment to perfume the body of Christ
BEN5475177 The Marys discover the empty tomb of Christ. They hold an ointment to perfume the body of Christ. Among them is Saint Mary Magdalena Miniature illustrating Liber sacramentorum (ms)

Background imageAfterlife Collection: Grave site of an Icelandic man and his horse

Grave site of an Icelandic man and his horse
5304929 Grave site of an Icelandic man and his horse.; (add.info.: Grave site of an Icelandic man and his horse. Horses would usually be sent into the afterlife with their owner)

Background imageAfterlife Collection: The resurrection of Jesus Christ, c.1920 (stained glass)

The resurrection of Jesus Christ, c.1920 (stained glass)
8714183 The resurrection of Jesus Christ, c.1920 (stained glass) by Mayer, Franz (1848-1926); (add.info.: Stained Glass built 1920s)

Background imageAfterlife Collection: The last judgement, 12th century (low relief)

The last judgement, 12th century (low relief)
8617812 The last judgement, 12th century (low relief); Cite de l'architecture et du patrimoine, Paris, France; (add.info.: Casts of the tympan of the portal of the occidental facade)

Background imageAfterlife Collection: Z: The Last Judgment: The End of All Things - The Alphabet of Death, c.1856 (engraving)

Z: The Last Judgment: The End of All Things - The Alphabet of Death, c.1856 (engraving)
DUV4221953 Z: The Last Judgment: The End of All Things - The Alphabet of Death, c.1856 (engraving); 8x23 cm; Private Collection; (add.info.: Drawing by H)

Background imageAfterlife Collection: Resurrection de Lazare (engraving)

Resurrection de Lazare (engraving)
8629390 Resurrection de Lazare (engraving) by European School, (19th century); Private Collection; (add.info.: Resurrection de Lazare)

Background imageAfterlife Collection: The Resurrection, St Luke xxiv, 7 (engraving)

The Resurrection, St Luke xxiv, 7 (engraving)
8645977 The Resurrection, St Luke xxiv, 7 (engraving) by English School, (19th century); Private Collection; (add.info.: The Resurrection, St Luke xxiv, 7)

Background imageAfterlife Collection: Truppenheimkehr / Troop Return (colour litho)

Truppenheimkehr / Troop Return (colour litho)
8666304 Truppenheimkehr / Troop Return (colour litho) by German School, (20th century); Private Collection; (add.info.: Truppenheimkehr)

Background imageAfterlife Collection: Cambyses slays the Sacred Bull, XXVIIth Dynasty (litho)

Cambyses slays the Sacred Bull, XXVIIth Dynasty (litho)
8661079 Cambyses slays the Sacred Bull, XXVIIth Dynasty (litho) by Wright, Henry Charles Seppings (1850-1937); Private Collection; (add.info.: Cambyses slays the Sacred Bull, XXVIIth Dynasty)

Background imageAfterlife Collection: Interior view of the cupola designed by Matteo Nigetti (1560-1649)

Interior view of the cupola designed by Matteo Nigetti (1560-1649) in 1644 with panels depicting scenes from the Bible
BEN85085 Interior view of the cupola designed by Matteo Nigetti (1560-1649) in 1644 with panels depicting scenes from the Bible painted by Pietro Benvenuti (1796-1844), 1828 (fresco)

Background imageAfterlife Collection: Napoleon Bonaparte I waking to immortality by Francois Rude (1784-1855), 1847 (bronze)

Napoleon Bonaparte I waking to immortality by Francois Rude (1784-1855), 1847 (bronze)
PWI83660 Napoleon Bonaparte I waking to immortality by Francois Rude (1784-1855), 1847 (bronze); Parc Noisot, Fixin, France; © Peter Willi

Background imageAfterlife Collection: Portrait of a Lady, possibly Mrs Pigott of Chetwynd, late 18th century. Creator: Sir Joshua Reynolds

Portrait of a Lady, possibly Mrs Pigott of Chetwynd, late 18th century. Creator: Sir Joshua Reynolds
Portrait of a Lady, possibly Mrs Pigott of Chetwynd, late 18th century

Background imageAfterlife Collection: Takagi Umanosuke and the Ghost of a Woman, 1866. Creator: Tsukioka Yoshitoshi

Takagi Umanosuke and the Ghost of a Woman, 1866. Creator: Tsukioka Yoshitoshi
Takagi Umanosuke and the Ghost of a Woman, 1866. Series: Beauty and Valor in the Novel Suikoden

Background imageAfterlife Collection: Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki

Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki
Blumauer's Aeneide, 1789. From almanac: Konigl. Grosbritannischer Historischer Genealogischer Calender, 1790. Aloys Blumauer's Vergils Aeneis travestirt (1783)

Background imageAfterlife Collection: Lord Sadanobu Threatens a Demon in the Palace at Night, 1889. Creator: Tsukioka Yoshitoshi

Lord Sadanobu Threatens a Demon in the Palace at Night, 1889. Creator: Tsukioka Yoshitoshi
Lord Sadanobu Threatens a Demon in the Palace at Night, 1889. From New Forms of the Thirty-six Ghosts

Background imageAfterlife Collection: Kodembo no Shoshichi, an Osaka Thief, Tormented by Ghosts, 1875. Creator: Tsukioka Yoshitoshi

Kodembo no Shoshichi, an Osaka Thief, Tormented by Ghosts, 1875. Creator: Tsukioka Yoshitoshi
Kodembo no Shoshichi, an Osaka Thief, Tormented by Ghosts, 1875. From The Postal News, no. 614

Background imageAfterlife Collection: Standing Osiris Statue, New Kingdom-Third Intermediate Period (1504-711 BCE) or modern

Standing Osiris Statue, New Kingdom-Third Intermediate Period (1504-711 BCE) or modern. Creator: Unknown
Standing Osiris Statue, New Kingdom-Third Intermediate Period (1504-711 BCE) or modern

Background imageAfterlife Collection: Osirid Funerary Figure, Late Period to Ptolemaic Period (724-31 BCE). Creator: Unknown

Osirid Funerary Figure, Late Period to Ptolemaic Period (724-31 BCE). Creator: Unknown
Osirid Funerary Figure, Late Period to Ptolemaic Period (724-31 BCE)

Background imageAfterlife Collection: Faience Plaque with name of Deceased as Osiris (image 2 of 2), Late Period (714-333 BCE)

Faience Plaque with name of Deceased as Osiris (image 2 of 2), Late Period (714-333 BCE). Creator: Unknown
Faience Plaque with name of Deceased as Osiris (image 2 of 2), Late Period (714-333 BCE)

Background imageAfterlife Collection: Faience Plaque with name of Deceased as Osiris (image 1 of 2), Late Period (714-333 BCE)

Faience Plaque with name of Deceased as Osiris (image 1 of 2), Late Period (714-333 BCE). Creator: Unknown
Faience Plaque with name of Deceased as Osiris (image 1 of 2), Late Period (714-333 BCE)

Background imageAfterlife Collection: Standing Osiris Figure with Crook and Flail, Late Period-Roman Period (711 BCE-150 CE)

Standing Osiris Figure with Crook and Flail, Late Period-Roman Period (711 BCE-150 CE). Creator: Unknown
Standing Osiris Figure with Crook and Flail, Late Period-Roman Period (711 BCE-150 CE)

Background imageAfterlife Collection: Mitsukuni and the Skeleton Specter (image 3 of 3), mid 1840s. Creator: Utagawa Kuniyoshi

Mitsukuni and the Skeleton Specter (image 3 of 3), mid 1840s. Creator: Utagawa Kuniyoshi
Mitsukuni and the Skeleton Specter (image 3 of 3), mid 1840s

Background imageAfterlife Collection: AI IMAGE - The Ghost of Christmas Present, 2023. Creator: Heritage Images

AI IMAGE - The Ghost of Christmas Present, 2023. Creator: Heritage Images
AI IMAGE - The Ghost of Christmas Present, 2023. Fictional character in Charles Dickens's 1843 novella "A Christmas Carol"

Background imageAfterlife Collection: AI IMAGE - The Ghost of Jacob Marley, 2023. Creator: Heritage Images

AI IMAGE - The Ghost of Jacob Marley, 2023. Creator: Heritage Images
AI IMAGE - The Ghost of Jacob Marley, 2023. Jacob Marley is a fictional character in Charles Dickens's 1843 novella "A Christmas Carol"

Background imageAfterlife Collection: Isis Wearing a Barque Headress Suckling Her Son Horus, Late Period-Ptolemaic Period

Isis Wearing a Barque Headress Suckling Her Son Horus, Late Period-Ptolemaic Period... Creator: Unknown
Isis Wearing a Barque Headress Suckling Her Son Horus, Late Period-Ptolemaic Period (711-30 BCE) or later

Background imageAfterlife Collection: Four Sons of Horus, 26th dynasty (c.664-525 B.C.). Creator: Unknown

Four Sons of Horus, 26th dynasty (c.664-525 B.C.). Creator: Unknown
Four Sons of Horus, 26th dynasty (c.664-525 B.C.)

Background imageAfterlife Collection: Group Figurine of Osiris Facing a Squatting Goddess (image 2 of 2)

Group Figurine of Osiris Facing a Squatting Goddess (image 2 of 2), 26th-31st Dynasty (664-332 BCE). Creator: Unknown
Group Figurine of Osiris Facing a Squatting Goddess (image 2 of 2), 26th-31st Dynasty (664-332 BCE)

Background imageAfterlife Collection: Group Figurine of Osiris Facing a Squatting Goddess (image 1 of 2)

Group Figurine of Osiris Facing a Squatting Goddess (image 1 of 2), 26th-31st Dynasty (664-332 BCE). Creator: Unknown
Group Figurine of Osiris Facing a Squatting Goddess (image 1 of 2), 26th-31st Dynasty (664-332 BCE)

Background imageAfterlife Collection: The Ghost of Seigen Haunting Sakurahime, 1889. Creator: Tsukioka Yoshitoshi

The Ghost of Seigen Haunting Sakurahime, 1889. Creator: Tsukioka Yoshitoshi
The Ghost of Seigen Haunting Sakurahime, 1889. From New Forms of Thirty-six Ghosts

Background imageAfterlife Collection: Iga no Tsubone with Tengu, the Spirit of Fujiwara no Nakanari, 1865. Creator: Tsukioka Yoshitoshi

Iga no Tsubone with Tengu, the Spirit of Fujiwara no Nakanari, 1865. Creator: Tsukioka Yoshitoshi
Iga no Tsubone with Tengu, the Spirit of Fujiwara no Nakanari, 1865. From One Hundred Ghost Tales from China and Japan

Background imageAfterlife Collection: Suma Urabe Suetake Meeting a Ghost with a Child, 1865. Creator: Tsukioka Yoshitoshi

Suma Urabe Suetake Meeting a Ghost with a Child, 1865. Creator: Tsukioka Yoshitoshi
Suma Urabe Suetake Meeting a Ghost with a Child, 1865. From One Hundred Ghost Tales from China and Japan

Background imageAfterlife Collection: Lord Teishin with a Demon behind a Screen, 1865. Creator: Tsukioka Yoshitoshi

Lord Teishin with a Demon behind a Screen, 1865. Creator: Tsukioka Yoshitoshi
Lord Teishin with a Demon behind a Screen, 1865. From One Hundred Ghost Tales from China and Japan

Background imageAfterlife Collection: Mutsuki Suginosuke Norifusa with a Ghost, 1867. Creator: Tsukioka Yoshitoshi

Mutsuki Suginosuke Norifusa with a Ghost, 1867. Creator: Tsukioka Yoshitoshi
Mutsuki Suginosuke Norifusa with a Ghost, 1867. From Beauty and Valor in the Novel Suikoden

Background imageAfterlife Collection: Akamatsu Jutamaru Takanori and the Ghost of Yaegakehime, 19th century. Creator: Tsukioka Yoshitoshi

Akamatsu Jutamaru Takanori and the Ghost of Yaegakehime, 19th century. Creator: Tsukioka Yoshitoshi
Akamatsu Jutamaru Takanori and the Ghost of Yaegakehime, 19th century. From Beauty and Valor in the Novel Suikoden

Background imageAfterlife Collection: Toki Daishiro Fighting the Demon, 1865. Creator: Tsukioka Yoshitoshi

Toki Daishiro Fighting the Demon, 1865. Creator: Tsukioka Yoshitoshi
Toki Daishiro Fighting the Demon, 1865. From One Hundred Ghost Tales from China and Japan

Background imageAfterlife Collection: Kusunoki Tamonmaru Masatsura Surprising a Fox Raccoon dog Ghost, Published in 1865

Kusunoki Tamonmaru Masatsura Surprising a Fox Raccoon dog Ghost, Published in 1865. Creator: Tsukioka Yoshitoshi
Kusunoki Tamonmaru Masatsura Surprising a Fox Raccoon dog Ghost, Published in 1865. From One Hundered Ghost Tales from China and Japan

Background imageAfterlife Collection: The Wrestler Onogawa Kisaburo Blowing Smoke at a One-Eyed Monster, 1865

The Wrestler Onogawa Kisaburo Blowing Smoke at a One-Eyed Monster, 1865. Creator: Tsukioka Yoshitoshi
The Wrestler Onogawa Kisaburo Blowing Smoke at a One-Eyed Monster, 1865. From One Hundred Ghost Tales from China and Japan

Background imageAfterlife Collection: Ii No Hayata Kills the Nue at the Imperial Palace, 1890. Creator: Tsukioka Yoshitoshi

Ii No Hayata Kills the Nue at the Imperial Palace, 1890. Creator: Tsukioka Yoshitoshi
Ii No Hayata Kills the Nue at the Imperial Palace, 1890. From New Forms of the Thirty-six Ghosts

Background imageAfterlife Collection: The Osaka Youth Who Regained His Speech after His Father's Death, 1875. Creator: Tsukioka Yoshitoshi

The Osaka Youth Who Regained His Speech after His Father's Death, 1875. Creator: Tsukioka Yoshitoshi
The Osaka Youth Who Regained His Speech after His Father's Death, 1875. From The Postal News, no. 651

Background imageAfterlife Collection: A Widower Witnesses His Wife's Ghost Nursing Their Child, 1875. Creator: Tsukioka Yoshitoshi

A Widower Witnesses His Wife's Ghost Nursing Their Child, 1875. Creator: Tsukioka Yoshitoshi
A Widower Witnesses His Wife's Ghost Nursing Their Child, 1875. From The Postal News, no. 527

Background imageAfterlife Collection: Minamoto no Yorimitsu Cuts at the Earth Spider, 1892. Creator: Tsukioka Yoshitoshi

Minamoto no Yorimitsu Cuts at the Earth Spider, 1892. Creator: Tsukioka Yoshitoshi
Minamoto no Yorimitsu Cuts at the Earth Spider, 1892. From New Forms of the Thirty-six Ghosts



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"Afterlife: A Journey Beyond Time and Space" Step into the realm of the unknown, where mysteries unfold and souls find their eternal resting place. The concept has fascinated humanity for centuries, transcending cultures and civilizations. From the Last Judgement to ancient Egyptian beliefs, we explore the diverse interpretations that have shaped our understanding. In Novgorod Icon's tempera on wood masterpiece, a vivid portrayal of the Last Judgement captures our attention. The intricate details depict souls awaiting their fate as they face divine judgment. This timeless artwork reminds us of life's transient nature and the significance of our actions. Amidst bustling London streets lies an urban cemetery, where ring-necked parakeets gracefully soar towards their roosts. In this unexpected juxtaposition between life and death, these vibrant birds symbolize hope amidst sorrow – a reminder that even in darkness, beauty can flourish. The Chosen - Last Judgment painting transports us to a celestial realm where angels guide souls towards salvation or damnation. With its ethereal aura and profound symbolism, it prompts contemplation about life's purpose and what awaits beyond mortal existence. Ancient Egyptians believed in Osiris' power to grant immortality through rituals like "The Fumigation. " Neb-Qued's Book of the Dead reveals their meticulous preparations for journeying into eternity – an enchanting glimpse into their belief system. A fragment from an 18th Dynasty wall painting unveils a serene garden pool – an oasis representing renewal and rebirth in Egyptian mythology. As water ripples gently beneath lotus flowers, it signifies purification before embarking on one's spiritual voyage. "The Dance of Death" fresco serves as a haunting reminder that mortality unites all beings regardless of status or wealth. Each figure dances with skeletal personifications reminding us that death is inevitable but also encourages embracing every moment with vitality. Anubis presides over psychostasy in The Book of the Dead's papyrus, weighing souls to determine their fate.