Agneau Collection

Letters A and B: Lamb Beef Bulldog Weasel. Engraving in " A.E.I.O.U. The first book of childhood"
DUV4209576 Letters A and B: Lamb Beef Bulldog Weasel. Engraving in " A.E.I.O.U. The first book of childhood". Editions Jules Tallandier, Paris, 1927

Monstrous creature: a normal calf and a veal with lamb head and six legs. Illustrated chart of a manuscript of Natural
VEN5029484 Monstrous creature: a normal calf and a veal with lamb head and six legs. Illustrated chart of a manuscript of Natural History by Ulisse Aldrovandi (1522-1605), Ulisse Aldrovandi fonds

Saint Nicholas Chapel, Cathedral of Our Lady of Bayeux
7134916 Saint Nicholas Chapel, Cathedral of Our Lady of Bayeux; Bayeux, Normandy, France; (add.info.: Cathedral of Our Lady of Bayeux Saint Nicholas chapel in the transept paintings retouched in)

Cover Fables de La Fontaine - illustrees by Benjamin Rabier (1864-1939)
LSE4104605 Cover Fables de La Fontaine - illustrees by Benjamin Rabier (1864-1939) by Rabier, Benjamin (1869-1939); Private Collection; (add.info)

Le Vocabulaire Illustre: Agneau; Lamb; Lamm (engraving)
7194625 Le Vocabulaire Illustre: Agneau; Lamb; Lamm (engraving) by European School, (19th century); Private Collection; (add.info.: Agneau; Lamb; Lamm)

The Wolf and the Lamb, illustration for Fables of La Fontaine, published by H
498847 The Wolf and the Lamb, illustration for Fables of La Fontaine, published by H. Fournier Aine, 1838 (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47)

The Shepherdess, 1866
CH35082 The Shepherdess, 1866 by Hofner, Johann Baptist (1832-1913); Private Collection; Photo eChristies Images; German, out of copyright

l Agneau Cheri, 1780s (oil on panel)
3702680 l Agneau Cheri, 1780s (oil on panel) by Greuze, Jean Baptiste (1725-1805); 89x68.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Wolf about to attack a lamb, from the Livre de la Chasse by Gaston Phebus de Foix
BMR224172 Wolf about to attack a lamb, from the Livre de la Chasse by Gaston Phebus de Foix (1331-91) (vellum) by French School, (15th century); Bibliotheque Mazarine, Paris

Shepherdess resting with her flock, 1867
GG80861 Shepherdess resting with her flock, 1867 by Tschaggeny, Edmond Jean-Baptiste (1818-73); Private Collection; Photo eGavin Graham Gallery, London, UK; Belgian, out of copyright

The wolf and the sheperds (Le loup et les bergers) - Fables by La Fontaine
DUV4215139 The wolf and the sheperds (Le loup et les bergers) - Fables by La Fontaine, 19th century (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47); Private Collection; (add.info)

The wolf and the lamb (Le loup et l agneau) - Fables by La Fontaine
DUV4214214 The wolf and the lamb (Le loup et l agneau) - Fables by La Fontaine, 19th century (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47); Private Collection; (add.info)

L Lamb - End of 19th century (chromolithograph)
DUV4219376 L Lamb - End of 19th century (chromolithograph) by French School, (19th century); 8x4.5 cm; Private Collection; (add.info)

A : Aigle - the king of the animal, the strongest and bravest - he just kidnapped a sheep
DUV4218948 A : Aigle - the king of the animal, the strongest and bravest - he just kidnapped a sheep - Alphabet of the wild animals, 1876 (engraving) by French School

A View of the Mall, Westminster, London, 1752. Artist: John June
A View of the Mall, Westminster, London, 1752. Scene with caricatured figures

Lusus Naturae, or Carracturas of the present age 1752. Artist: John June
Lusus Naturae, or Carracturas of the present age. 1752. Lusus naturae means freak of nature. Illustration from Social Caricature in the Eighteenth Century

2619162; out of copyright

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"Agneau: A Symbol of Innocence and Predation in Art" The captivating world of "agneau" unfolds through various artistic expressions, shedding light on the duality of its nature. From Benjamin Rabier's enchanting illustrations in Fables de La Fontaine to Gaston Phebus de Foix's vivid depictions, this humble creature takes center stage. In Le Vocabulaire Illustre, an exquisite engraving showcases the delicate features of an agneau, capturing its essence with remarkable precision. The contrast between vulnerability and resilience is further explored in The Shepherdess by an unknown artist from 1866. Her tender care for the flock exemplifies the protective role humans play in safeguarding these gentle creatures. However, not all encounters are as idyllic as they seem. In The Wolf and the Lamb illustration from Fables of La Fontaine published by H. , a sinister predator lurks nearby, ready to pounce upon its unsuspecting prey. This cautionary tale reminds us that danger can be found even amidst serene landscapes. The theme continues with another masterpiece from La Fontaine's fables - The Wolf and the Shepherds - where shepherds unite against a common enemy: the cunning wolf threatening their cherished lambs. This timeless narrative serves as a metaphor for collective strength against adversity. As we delve deeper into history, we encounter L'Agneau Cheri, an oil painting dating back to the 1780s. Its warm hues evoke tenderness while highlighting society's fascination with these innocent creatures throughout centuries past. Even beyond artistry lies symbolism; Aigle - king of animals renowned for bravery - kidnaps a sheep in his quest for dominance. This portrayal reflects how power dynamics often exploit those perceived as weaker or more vulnerable. Finally, John June's panoramic view captures London's bustling Mall in 1752 where one can imagine sheep grazing peacefully amid urban chaos – reminding us of the harmonious coexistence between nature and civilization.