Agostino Collection

St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano

Omnia Vincit Amor, 1599. Creator: Agostino Carracci
Omnia Vincit Amor, 1599

Saint Matthew, dated 1518. Creator: Agostino Veneziano
Saint Matthew, dated 1518

Saint Luke, 1518. Creator: Agostino Veneziano
Saint Luke, 1518

Saint Mark, dated 1518. Creator: Agostino Veneziano
Saint Mark, dated 1518

Laying siege cannon on target .Bottom right is a gunner's level. Earth-filled baskets called gabions give some
529952 Laying siege cannon on target .Bottom right is a gunner's level. Earth-filled baskets called gabions give some protection for guns and men

St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, after 1518

St. Mark, seated with an unfurled scroll in his hands, a winged lions head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano

St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano, ca. 1518-20

The Body of Christ Supported by Three Angels, 1516. Creator: Agostino Veneziano
The Body of Christ Supported by Three Angels, 1516

Lycaon Transformed into a Wolf, dated 1524. Creator: Agostino Veneziano
Lycaon Transformed into a Wolf, dated 1524

Saint Michael, ca. 1514-16. Creator: Agostino Veneziano
Saint Michael, ca. 1514-16

Well in the Piazza Sant Agostino in San Gimignano, Tuscany, Italy

Prophet Isaiah, fresco by Raphael in the basilica di sant Agostino in Campo Marzio in Rome, Italy
3558703 Prophet Isaiah, fresco by Raphael in the basilica di sant Agostino in Campo Marzio in Rome, Italy by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Photo © Stefano Baldini

Madonna enthroned with the Saints Augustine and Severus, Oratory of the Crucifix
6263034 Madonna enthroned with the Saints Augustine and Severus, Oratory of the Crucifix, last quarter of the XIII century (fresco) by Italian School

Rose window (stained glass)
PC341198 Rose window (stained glass) by Italian School, (14th century); Church of Saint Augustine, Palermo, Italy; Italian, out of copyright

Perugia, Italy - Oratory of St. Bernardino
Italy - Umbria Region - Perugia - Oratory of St. Bernardino - Facade by Agostino di Duccio (145761) Date: circa 1910s

St. Augustine dispels the heretics (oil on canvas)
704115 St. Augustine dispels the heretics (oil on canvas) by Lanfranco, Giovanni (1582-1647); Chiesa di San Agostino, Rome, Italy; Italian, out of copyright

St. Augustine washing the feet if the Redeemed (oil on canvas)
704114 St. Augustine washing the feet if the Redeemed (oil on canvas) by Lanfranco, Giovanni (1582-1647); Chiesa di San Agostino, Rome, Italy; Italian, out of copyright

Angel, from the Chapel of San Bernardino, Agostino della Robbia (engraving)
3635816 Angel, from the Chapel of San Bernardino, Agostino della Robbia (engraving) by English School, (19th century); Private Collection; (add.info.: Angel, from the Chapel of San Bernardino)

St. Augustine, St. John and St. Jerome
704116 St. Augustine, St. John and St. Jerome by Guercino (Giovanni Francesco Barbieri) (1591-1666); Chiesa di San Agostino, Rome, Italy; Italian, out of copyright

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll

Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche represented again laying in bed, ca. 1520-36

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree, 1599

Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground, ca. 1590-95

The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left, 1585

Portrait of Barbarossa, 1535. Creator: Agostino Veneziano
Portrait of Barbarossa, 1535

The Group from Raphaels School of Athens, dated 1523. Creator: Agostino Veneziano
The Group from Raphaels School of Athens, dated 1523

Francois I, King of France, dated 1536. Creator: Agostino Veneziano
Francois I, King of France, dated 1536

Suleiman II, 1535. 1535. Creator: Suleiman II
Suleiman II, 1535

The Bearing of the Cross, 1517. Creator: Agostino Veneziano
The Bearing of the Cross, 1517

Pope Paul III, Bareheaded, dated 1534. Creator: Agostino Veneziano
Pope Paul III, Bareheaded, dated 1534

The Archbishop of Brindisi, dated 1536. Creator: Agostino Veneziano
The Archbishop of Brindisi, dated 1536

Saint Peters Basilica, dated 1517. Creator: Agostino Veneziano
Saint Peters Basilica, dated 1517

Pope Paul III in a Skullcap, ca. 1514-36. Creator: Agostino Veneziano
Pope Paul III in a Skullcap, ca. 1514-36

Speculum Romanae Magnificentiae: Laocoon, 1561. 1561. Creator: Sisto Badalocchio
Speculum Romanae Magnificentiae: Laocoon, 1561

Pieta; Christ supported by the Virgin and an angel at the right, 1582

Saint John, dated 1518. Creator: Agostino Veneziano
Saint John, dated 1518

The three holy women going to the sepulchre, ca. 1514-36. Creator: Agostino Veneziano
The three holy women going to the sepulchre, ca. 1514-36

The Entombment of Christ, ca. 1514-36. Creator: Agostino Veneziano
The Entombment of Christ, ca. 1514-36

The Climbers, dated 1524. Creator: Agostino Veneziano
The Climbers, dated 1524

Isaac Blessing Jacob, 1524. Creator: Agostino Veneziano
Isaac Blessing Jacob, 1524

Plate 13: Psyche looking at Cupid, from the Story of Cupid and Psyche as told by Apuleius, 1530-60

Plate 7: Psyche attended in her bath, from the Story of Cupid and Psyche as told by Apuleius, 1530-60

Lo Stregozzo: a female witch riding on an animal skeleton, preceded by two men and a boy on a goat blowing on a horn, another naked man behind carrying two bones, ca. 1515-25

Cain holding a mirror watching his sacrifice engulfed in flames, Adam and Eve seated nearby; in the upper right an angel expelling them from Paradise, ca. 1530-50

Baccio Bandinelli in his studio holding a statuette of Venus, students sketching from a model by candlelight, 1531

Cleopatra, dated 1515. Creator: Agostino Veneziano
Cleopatra, dated 1515

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"Agostino: A Master of Art and Inspiration" Step into the world of Agostino, a renowned artist whose works have left an indelible mark on history. From St. John to Saint Matthew, his creations transport us to a realm where beauty and spirituality intertwine. In "Omnia Vincit Amor, " created in 1599, Agostino captures St. John's essence as he sits serenely, holding a writing instrument to a tablet. The eagle with outstretched wings symbolizes divine inspiration that flows through his fingertips. Moving forward in time, we encounter the masterpieces by Agostino Veneziano - "Saint Matthew, " "Saint Luke, " and "Saint Mark" - all dated 1518. These intricate pieces showcase Agostino's meticulous attention to detail and ability to breathe life into sacred figures. The basilica di Sant'Agostino in Campo Marzio reveals Raphael's fresco depicting the Prophet Isaiah. This awe-inspiring work stands as a testament to both Raphael's genius and Agostino's influence on Renaissance art. Continuing our journey through Agostino's repertoire, we find ourselves immersed in celestial scenes depicted in "St. Luke" and "St. Matthew. " Both artworks portray these saints seated on clouds, their devotion evident as they engage with heavenly elements surrounding them. "The Body of Christ Supported by Three Angels, " crafted in 1516 by Agostino Veneziano himself, showcases his versatility as an artist. The ethereal portrayal of angels supporting Christ evokes profound emotions within viewers. Diving deeper into mythology, we discover another facet of Agostino's talent - storytelling through artistry. In "Lycaon Transformed into a Wolf" from 1524, he skillfully narrates Ovid’s tale with vivid imagery that captivates our imagination. Lastly, let us not forget the tangible impact of Agostino's legacy.