Agostino Dei Musi Collection

St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano

Saint Matthew, dated 1518. Creator: Agostino Veneziano
Saint Matthew, dated 1518

Saint Luke, 1518. Creator: Agostino Veneziano
Saint Luke, 1518

Saint Mark, dated 1518. Creator: Agostino Veneziano
Saint Mark, dated 1518

Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makes... ca. 1530-50. Creator: Anon
Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makeshift boat holding a bow between them, ca. 1530-50

St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, after 1518

St. Mark, seated with an unfurled scroll in his hands, a winged lions head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano

St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano, ca. 1518-20

The Body of Christ Supported by Three Angels, 1516. Creator: Agostino Veneziano
The Body of Christ Supported by Three Angels, 1516

Lycaon Transformed into a Wolf, dated 1524. Creator: Agostino Veneziano
Lycaon Transformed into a Wolf, dated 1524

Saint Michael, ca. 1514-16. Creator: Agostino Veneziano
Saint Michael, ca. 1514-16

Ornamental Panel, ca. 1514-1600. ca. 1514-1600. Creator: Anon
Ornamental Panel, ca. 1514-1600

Soldier Attaching His Breeches to His Breast plate, dated 1517. dated 1517. Creator: Anon
Soldier Attaching His Breeches to His Breast plate, dated 1517

Venus and Eros, ca. 1514-36. ca. 1514-36. Creator: Anon
Venus and Eros, ca. 1514-36

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll

Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche represented again laying in bed, ca. 1520-36

Portrait of Barbarossa, 1535. Creator: Agostino Veneziano
Portrait of Barbarossa, 1535

The Group from Raphaels School of Athens, dated 1523. Creator: Agostino Veneziano
The Group from Raphaels School of Athens, dated 1523

Francois I, King of France, dated 1536. Creator: Agostino Veneziano
Francois I, King of France, dated 1536

Suleiman II, 1535. 1535. Creator: Suleiman II
Suleiman II, 1535

The Bearing of the Cross, 1517. Creator: Agostino Veneziano
The Bearing of the Cross, 1517

Pope Paul III, Bareheaded, dated 1534. Creator: Agostino Veneziano
Pope Paul III, Bareheaded, dated 1534

The Archbishop of Brindisi, dated 1536. Creator: Agostino Veneziano
The Archbishop of Brindisi, dated 1536

Saint Peters Basilica, dated 1517. Creator: Agostino Veneziano
Saint Peters Basilica, dated 1517

Pope Paul III in a Skullcap, ca. 1514-36. Creator: Agostino Veneziano
Pope Paul III in a Skullcap, ca. 1514-36

Speculum Romanae Magnificentiae: Laocoon, 1561. 1561. Creator: Sisto Badalocchio
Speculum Romanae Magnificentiae: Laocoon, 1561

Saint John, dated 1518. Creator: Agostino Veneziano
Saint John, dated 1518

The three holy women going to the sepulchre, ca. 1514-36. Creator: Agostino Veneziano
The three holy women going to the sepulchre, ca. 1514-36

The Entombment of Christ, ca. 1514-36. Creator: Agostino Veneziano
The Entombment of Christ, ca. 1514-36

The Climbers, dated 1524. Creator: Agostino Veneziano
The Climbers, dated 1524

Isaac Blessing Jacob, 1524. Creator: Agostino Veneziano
Isaac Blessing Jacob, 1524

Plate 13: Psyche looking at Cupid, from the Story of Cupid and Psyche as told by Apuleius, 1530-60

Plate 7: Psyche attended in her bath, from the Story of Cupid and Psyche as told by Apuleius, 1530-60

Lo Stregozzo: a female witch riding on an animal skeleton, preceded by two men and a boy on a goat blowing on a horn, another naked man behind carrying two bones, ca. 1515-25

Cain holding a mirror watching his sacrifice engulfed in flames, Adam and Eve seated nearby; in the upper right an angel expelling them from Paradise, ca. 1530-50

Baccio Bandinelli in his studio holding a statuette of Venus, students sketching from a model by candlelight, 1531

Cleopatra, dated 1515. Creator: Agostino Veneziano
Cleopatra, dated 1515

Man with a Flag, ca. 1514-36. Creator: Agostino Veneziano
Man with a Flag, ca. 1514-36

The Bark, ca. 1514-36. Creator: Agostino Veneziano
The Bark, ca. 1514-36

Hercules from the "The Hermae", dated 1536. Creator: Agostino Veneziano
Hercules from the " The Hermae", dated 1536

A Young Hero near an Altar, ca. 1514-36. Creator: Agostino Veneziano
A Young Hero near an Altar, ca. 1514-36

Woman Carring a Vase on Her Head, dated 1528. dated 1528. Creator: Agostino Veneziano
Woman Carring a Vase on Her Head, dated 1528

Hercules and Antaeus, dated 1533. dated 1533. Creator: Agostino Veneziano
Hercules and Antaeus, dated 1533

Prudence, dated 1516. Creator: Agostino Veneziano
Prudence, dated 1516

A Warrior, ca. 1514-36. Creator: Agostino Veneziano
A Warrior, ca. 1514-36

Woman Standing near a Vase, ca. 1514-36. Creator: Agostino Veneziano
Woman Standing near a Vase, ca. 1514-36

Battle with a Cutlass, 1530-31. Creator: Agostino Veneziano
Battle with a Cutlass, 1530-31

Temperance, dated 1517. Creator: Agostino Veneziano
Temperance, dated 1517

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"Agostino dei Musi: A Master of Renaissance Artistry" Step into the world of Agostino Veneziano, a renowned artist whose talent knew no bounds. His exquisite works captivate viewers with their intricate details and profound symbolism. In his masterpiece "St. John, " we witness the saint seated, holding a writing instrument to a tablet, as if transcribing divine revelations. An eagle with outstretched wings accompanies him, symbolizing strength and wisdom. Similarly, in his depictions of St. Matthew, St. Luke, and St. Mark from 1518, Agostino showcases his mastery over portraiture. Each saint is meticulously rendered with lifelike precision while engaged in their respective activities - writing or reading sacred texts. "The Body of Christ Supported by Three Angels" transports us to a realm where heavenly beings cradle the crucified Christ. The ethereal beauty emanating from this piece evokes awe and reverence for its spiritual significance. Agostino's versatility shines through in "Lycaon Transformed into a Wolf. " This haunting portrayal depicts Greek mythology's Lycaon undergoing an eerie metamorphosis – an exploration of human nature's darker aspects. Among Agostino's notable creations is "Saint Michael, " radiating power and courage as he triumphs over evil forces with his mighty sword raised high. The attention to detail in this work exemplifies Agostino's commitment to perfection. Not limited to religious themes alone, Agostino also ventured into other realms such as the ornamental panel showcasing intricate designs that transcend time periods and cultures alike. Delving further into secular subjects like "Soldier Attaching His Breeches to His Breastplate, " we glimpse everyday life during the Renaissance era – capturing moments that often go unnoticed but hold immense historical value. Lastly, "Venus and Eros" presents us with an enchanting scene depicting love personified through classical mythology.