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Alabaster Collection (page 2)

"Unveiling the Timeless Beauty of Alabaster: From Ancient Artifacts to Modern Masterpieces" Step into a world where history and art intertwine

Background imageAlabaster Collection: Kohl Jar, Egypt, Middle Kingdom, Dynasty 11-12 (about 2055-1773 BCE). Creator: Unknown

Kohl Jar, Egypt, Middle Kingdom, Dynasty 11-12 (about 2055-1773 BCE). Creator: Unknown
Kohl Jar, Egypt, Middle Kingdom, Dynasty 11-12 (about 2055-1773 BCE)

Background imageAlabaster Collection: Kohl Jar with Lid, Egypt, Middle Kingdom, Dynasty 12 (about 1985-1773 BCE)

Kohl Jar with Lid, Egypt, Middle Kingdom, Dynasty 12 (about 1985-1773 BCE)

Background imageAlabaster Collection: Ointment Vessel, Egypt, New Kingdom, Dynasty 18 (about 1550-1292 BCE). Creator: Unknown

Ointment Vessel, Egypt, New Kingdom, Dynasty 18 (about 1550-1292 BCE). Creator: Unknown
Ointment Vessel, Egypt, New Kingdom, Dynasty 18 (about 1550-1292 BCE)

Background imageAlabaster Collection: Vessel, Egypt, Archaic Period / Old Kingdom, Dynasty 1-3 (3050-2630 BCE). Creator: Unknown

Vessel, Egypt, Archaic Period / Old Kingdom, Dynasty 1-3 (3050-2630 BCE). Creator: Unknown
Vessel, Egypt, Archaic Period/Old Kingdom, Dynasty 1-3 (3050-2630 BCE)

Background imageAlabaster Collection: Saint John the Baptist, 1370 / 80. Creator: Unknown

Saint John the Baptist, 1370 / 80. Creator: Unknown
Saint John the Baptist, 1370/80

Background imageAlabaster Collection: Saint John the Baptist, c. 1550. Creator: Unknown

Saint John the Baptist, c. 1550. Creator: Unknown
Saint John the Baptist, c. 1550

Background imageAlabaster Collection: Creche, mid-18th century. Creator: Unknown

Creche, mid-18th century. Creator: Unknown
Creche, mid-18th century. [Nativity scene]

Background imageAlabaster Collection: Mary Magdalene, 1540 / 50. Creator: Moretto da Brescia

Mary Magdalene, 1540 / 50. Creator: Moretto da Brescia
Mary Magdalene, 1540/50

Background imageAlabaster Collection: Head From a Shabti (Funerary Figurine) of Queen Tiye, Egypt, New Kingdom, Dynasty 18

Head From a Shabti (Funerary Figurine) of Queen Tiye, Egypt, New Kingdom, Dynasty 18, Reign of Akhenaten (about 1353-1336 BCE)

Background imageAlabaster Collection: The Resurrection, 15th century. Creator: Unknown

The Resurrection, 15th century. Creator: Unknown
The Resurrection, 15th century

Background imageAlabaster Collection: The Coronation of the Virgin, 15th century. Creator: Unknown

The Coronation of the Virgin, 15th century. Creator: Unknown
The Coronation of the Virgin, 15th century

Background imageAlabaster Collection: Adoration of the Magi, 1425 / 75. Creator: Unknown

Adoration of the Magi, 1425 / 75. Creator: Unknown
Adoration of the Magi, 1425/75

Background imageAlabaster Collection: The Betrayal of Christ, 1500 / 25. Creator: Unknown

The Betrayal of Christ, 1500 / 25. Creator: Unknown
The Betrayal of Christ, 1500/25

Background imageAlabaster Collection: Cosmetic Spoon in the Shape of Swimming Woman Holding a Dish, c

Cosmetic Spoon in the Shape of Swimming Woman Holding a Dish, c
3525823 Cosmetic Spoon in the Shape of Swimming Woman Holding a Dish, c. 1390-1352 BC (travertine and steatite) by Egyptian 18th Dynasty (c.1567-1320 BC); 22.5 long cm; Metropolitan Museum of Art

Background imageAlabaster Collection: Trades in Regency England: Ale-house, silk mill

Trades in Regency England: Ale-house, silk mill and stocking weaver. Customers drinking Burton ale outside a pub 49, workers dying and drying silk in a mill in Derby 50

Background imageAlabaster Collection: Vitrifications, and other Volcanic productions, Plate LII

Vitrifications, and other Volcanic productions, Plate LII
1275130 Vitrifications, and other Volcanic productions, Plate LII, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imageAlabaster Collection: Warrior riding a quadriga in an Etruscan triumphal parade

Warrior riding a quadriga in an Etruscan triumphal parade
Etruscan major triumphal parade. A warrior in a quadriga four-horse chariot with shield-bearer, led by musicians, trumpeters, lyre and tibia. Trionfo maggiore. From an alabaster grave stone

Background imageAlabaster Collection: Etruscan grave effigy of a dead man wearing a triumphal

Etruscan grave effigy of a dead man wearing a triumphal
Ancient Etruscan alabaster grave effigy of a dead man wearing a triumphal crown, gold necklace and precious ring, holding a scroll. Defunto insignito di corona trionfale

Background imageAlabaster Collection: Etruscan cavalry and warriors at the siege of Thebes

Etruscan cavalry and warriors at the siege of Thebes. They throw lances and human heads at the Greek defenders The cavalry wears body armour or lorica. Cavalieri con lorica

Background imageAlabaster Collection: Etruscan warriors hit by Greek arrows at the siege of Thebes

Etruscan warriors hit by Greek arrows at the siege of Thebes. Etruscan warriors attempt to scale the walls of the city with ladders, shields. From an alabaster urn in the Volterra museum

Background imageAlabaster Collection: Tomb of Juan II of Castille (1405-54) and Isabel of Portugal (marble)

Tomb of Juan II of Castille (1405-54) and Isabel of Portugal (marble)
XJL186685 Tomb of Juan II of Castille (1405-54) and Isabel of Portugal (marble) by Spanish School, (15th century); Cartuja de Miraflores, Burgos, Spain; Spanish, out of copyright

Background imageAlabaster Collection: A Mamluk hardstone mosaic panel, comprising of an arcade of seven arches

A Mamluk hardstone mosaic panel, comprising of an arcade of seven arches
1196837 A Mamluk hardstone mosaic panel, comprising of an arcade of seven arches, 14th-15th century (alabaster, red porphyry, mother-of-pearl)

Background imageAlabaster Collection: Amour, 1913 (alabaster and gilding)

Amour, 1913 (alabaster and gilding)
826800 Amour, 1913 (alabaster and gilding) by Gaudier-Brzeska, Henri (1891-1915); 47 high cm; Private Collection; (add.info.: Amour. Henri Gaudier-Brzeska (1891-1915). Alabaster and Gilding

Background imageAlabaster Collection: Effigy of King Edward II in Gloucester Cathedral

Effigy of King Edward II in Gloucester Cathedral
Effigy of King Edward II on his tomb in Gloucester Cathedral. Date: 14th century

Background imageAlabaster Collection: Alabaster (chromolitho)

Alabaster (chromolitho)
735340 Alabaster (chromolitho) by European School, (19th century); Private Collection; (add.info.: Alabaster. Liebig card)

Background imageAlabaster Collection: Lady Isabel Neville and her second husband, Sir William Smythe, from the Smythe Tomb, St

Lady Isabel Neville and her second husband, Sir William Smythe, from the Smythe Tomb, St
779750 Lady Isabel Neville and her second husband, Sir William Smythe, from the Smythe Tomb, St. Peters Church, Elford, Staffordshire, England

Background imageAlabaster Collection: Vase in the Shape of Mother Monkey with Her Young, c. 2255-46 B. C. (travertine and paint)

Vase in the Shape of Mother Monkey with Her Young, c. 2255-46 B. C. (travertine and paint)
3740395 Vase in the Shape of Mother Monkey with Her Young, c.2255-46 B.C. (travertine and paint) by Egyptian, Old Kingdom (c.2613-2181 BC); height: 18.6 cm; Metropolitan Museum of Art, New York

Background imageAlabaster Collection: Cosmetic Vessel in the Shape of a Cat, c. 1990-1900 BC (painted travertine, copper

Cosmetic Vessel in the Shape of a Cat, c. 1990-1900 BC (painted travertine, copper
3525804 Cosmetic Vessel in the Shape of a Cat, c.1990-1900 BC (painted travertine, copper, quartz crystal) by Egyptian, Middle Kingdom (2040-1640 BC); 14 high cm; Metropolitan Museum of Art

Background imageAlabaster Collection: Mary and the alabaster box, from The Bible Picture Book published by Thomas Nelson, c

Mary and the alabaster box, from The Bible Picture Book published by Thomas Nelson, c
3482265 Mary and the alabaster box, from The Bible Picture Book published by Thomas Nelson, c.1950 (colour litho) by Margetson, William Henry (1861-1940); Private Collection; English, out of copyright

Background imageAlabaster Collection: But when he saw her asleep, he thought he would not shed her blood, nor scar that white skin

But when he saw her asleep, he thought he would not shed her blood, nor scar that white skin... (litho)
2794934 But when he saw her asleep, he thought he would not shed her blood, nor scar that white skin... (litho) by Copping

Background imageAlabaster Collection: Antelope Head, 525-404 BC (greywacke, travertine and agate)

Antelope Head, 525-404 BC (greywacke, travertine and agate)
3617917 Antelope Head, 525-404 BC (greywacke, travertine and agate) by Egyptian, Late Period (715-332 BC); 9 high cm; Metropolitan Museum of Art, New York, USA; (add.info.: From Egypt)

Background imageAlabaster Collection: Middle Uruk eye idol, c. 3700-3500 B. C. (gypsum alabaster)

Middle Uruk eye idol, c. 3700-3500 B. C. (gypsum alabaster)
3617909 Middle Uruk eye idol, c.3700-3500 B.C. (gypsum alabaster) by Mesopotamian School, (4000-3000 BC); 6.5 high cm; Metropolitan Museum of Art, New York

Background imageAlabaster Collection: Mr John A. Haskell and Miss Dorothea Alabaster, 1912

Mr John A. Haskell and Miss Dorothea Alabaster, 1912
Mr John A. Haskell of Calcutta and Miss Dorothea Alabaster, pictured together in The Sketch at the time of their engagement.Miss Dorothea Alabaster was the daughter of the late Sir Chaloner Alabaster

Background imageAlabaster Collection: Alabaster bas-relief of the Emperor Charles V (litho)

Alabaster bas-relief of the Emperor Charles V (litho)
964721 Alabaster bas-relief of the Emperor Charles V (litho) by French School, (19th century); Private Collection; (add.info.: Alabaster bas-relief of the Emperor Charles V)

Background imageAlabaster Collection: The Archaeological Institute, at Cambridge (engraving)

The Archaeological Institute, at Cambridge (engraving)
1607571 The Archaeological Institute, at Cambridge (engraving) by English School, (19th century); Private Collection; (add.info.: The Archaeological Institute, at Cambridge)

Background imageAlabaster Collection: The Smythe Tomb, St. Peters Church, Elford, Staffordshire, England

The Smythe Tomb, St. Peters Church, Elford, Staffordshire, England
741544 The Smythe Tomb, St. Peters Church, Elford, Staffordshire, England, 1848-9 (hand coloured engraving) (see also 779750 & 779760) by Richardson, Edward M

Background imageAlabaster Collection: Female figure, from Nippur, c. 2700 BC (gypsum & gold)

Female figure, from Nippur, c. 2700 BC (gypsum & gold)
LEE270603 Female figure, from Nippur, c.2700 BC (gypsum & gold) by Mesopotamian; Archaeological Museum, Baghdad, Iraq; (add.info)

Background imageAlabaster Collection: Alabaster urn with the deceased riding to the Underworld, 9th-1st Century BC (alabaster)

Alabaster urn with the deceased riding to the Underworld, 9th-1st Century BC (alabaster)
887080 Alabaster urn with the deceased riding to the Underworld, 9th-1st Century BC (alabaster) by Etruscan; Museo Etrusco, Lazio, Rome, Italy; (add.info.: Led by Charun (Charon Etruscan)

Background imageAlabaster Collection: Effigy of Sir John Stanley, St. Peters Church, Elford, Staffordshire, England

Effigy of Sir John Stanley, St. Peters Church, Elford, Staffordshire, England
779745 Effigy of Sir John Stanley, St. Peters Church, Elford, Staffordshire, England, 1848-9 (hand coloured engraving) by Richardson, Edward M

Background imageAlabaster Collection: Effigy of Sir John Stanley, St. Peters Church, Elford, Staffordshire, England

Effigy of Sir John Stanley, St. Peters Church, Elford, Staffordshire, England
741545 Effigy of Sir John Stanley, St. Peters Church, Elford, Staffordshire, England, 1848-9 (hand coloured engraving) by Richardson, Edward M

Background imageAlabaster Collection: Colours that glow again after Thirty-three centuries of Gloom (colour litho)

Colours that glow again after Thirty-three centuries of Gloom (colour litho)
3099404 Colours that glow again after Thirty-three centuries of Gloom (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageAlabaster Collection: The Statue Gallery, Chatsworth House (b / w photo)

The Statue Gallery, Chatsworth House (b / w photo)
3096719 The Statue Gallery, Chatsworth House (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Statue Gallery, Chatsworth House)

Background imageAlabaster Collection: Alabaster statue of Ameneritis, a young queen of Ancient Egypt (engraving)

Alabaster statue of Ameneritis, a young queen of Ancient Egypt (engraving)
5997513 Alabaster statue of Ameneritis, a young queen of Ancient Egypt (engraving) by French School, (19th century); Private Collection; (add.info.: Alabaster statue of Ameneritis)

Background imageAlabaster Collection: Antiquities discovered at Naukratis by the Egypt Exploration Fund (engraving)

Antiquities discovered at Naukratis by the Egypt Exploration Fund (engraving)
1614363 Antiquities discovered at Naukratis by the Egypt Exploration Fund (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageAlabaster Collection: Babylonian Antiquities at the British Museum (engraving)

Babylonian Antiquities at the British Museum (engraving)
1624280 Babylonian Antiquities at the British Museum (engraving) by English School, (19th century); Private Collection; (add.info.: Babylonian Antiquities at the British Museum)

Background imageAlabaster Collection: Lady Isabel Neville, alabaster effigy from the Smythe Tomb, St

Lady Isabel Neville, alabaster effigy from the Smythe Tomb, St
779760 Lady Isabel Neville, alabaster effigy from the Smythe Tomb, St. Peters Church, Elford, Staffordshire, England, 1848-9 (hand coloured engraving) (see also 741544 & 779750) by Richardson

Background imageAlabaster Collection: Saint Elzear of Sabran healing three Lepers, c. 1373 (alabaster)

Saint Elzear of Sabran healing three Lepers, c. 1373 (alabaster)
3619776 Saint Elzear of Sabran healing three Lepers, c.1373 (alabaster) by French School, (14th century); 43.5x38.5x12 cm; Walters Art Museum, Baltimore



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"Unveiling the Timeless Beauty of Alabaster: From Ancient Artifacts to Modern Masterpieces" Step into a world where history and art intertwine, as the delicate beauty takes center stage. Just like the majestic Winged Assyrian Bull that once guarded ancient palaces or the thrilling scenes of an Assyrian Lion Hunt depicted in stone relief panels, it has long been revered for its ethereal charm. Gertrude Hermes, a visionary sculptor, designer, and engraver, breathed life into this translucent stone with her masterful creations. Her alabaster statue of Queen Elizabeth I from the 16th century stands as a testament to both her skill and the enduring allure of this material. Travel back in time to Tutankhamun's tomb and marvel at an exquisite alabaster vase adorned with intricate floral garlands. Its craftsmanship reflects the reverence Egyptians held for this precious stone. Even in more recent times, alabaster continues to captivate hearts. A vibrant colour photolithograph recruiting poster after TEC transports us to 1965 when it was used as a medium for artistic expression. Delicate yet durable Sangers wax-work models showcase how artists have harnessed alabaster's versatility throughout history. These lifelike figures stand as proof that even in its solid form they can evoke emotions and tell stories. Imagine standing before Lamassu or Bull-man guarding Sargon II's Palace gate - their imposing presence carved meticulously from pure white alabaster demands awe and respect. Beyond sculptures and reliefs lie unexpected uses for this enchanting stone. The Cunard Line cabin lamp crafted from gilt brass and adorned with touches adds elegance to oceanic journeys while illuminating memories made on board.