Albert Goodwin Collection

Boston, 1907. Artist
Boston, 1907. A view of St Botolphs Church, Boston, Lincolnshire

Woody Bay, Devon, 1905. Artist: Albert Goodwin
Woody Bay, Devon, 1905

The Monastery, Locarno, 1890 (w/c & chalk on paper)
NGW387989 The Monastery, Locarno, 1890 (w/c & chalk on paper) by Goodwin, Albert (1845-1932); 27.5x37.8 cm; National Museum Wales; National Museums & Galleries of Wales

Taj Mahal, 1896 (w/c on paper)
NGW388582 Taj Mahal, 1896 (w/c on paper) by Goodwin, Albert (1845-1932); 27.5x38.8 cm; National Museum Wales; National Museums & Galleries of Wales

Venice, Cemetery Island (San Michele), 1903 (w/c on paper)
MAN277437 Venice, Cemetery Island (San Michele), 1903 (w/c on paper) by Goodwin, Albert (1845-1932); 24.6x33.8 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Lauterbrunnen, 1914
USH57210 Lauterbrunnen, 1914 by Goodwin, Albert (1845-1932); Lincolnshire County Council, Usher Gallery, Lincoln, UK

The Sermon (Durham Cathedral), (pencil, pen and black ink and watercolour)
651941 The Sermon (Durham Cathedral), (pencil, pen and black ink and watercolour) by Goodwin, Albert (1845-1932); 26.7x36.8 cm; Private Collection; (add.info.: The Sermon (Durham Cathedral)

St. Giorgio from the Housetops, 1905-1906 (oil on canvas)
652202 St. Giorgio from the Housetops, 1905-1906 (oil on canvas) by Goodwin, Albert (1845-1932); 59x89.5 cm; Private Collection; (add.info.: St. Giorgio from the Housetops)

Moonlight at Port Antonio, Jamaica, (pen and black ink and watercolour heightened with
651960 Moonlight at Port Antonio, Jamaica, (pen and black ink and watercolour heightened with bodycolour and) by Goodwin, Albert (1845-1932); 25.4x36.8 cm; Private Collection; (add.info)

The Fonte Branda, Siena, 1905 (pen and brown ink and watercolour)
651912 The Fonte Branda, Siena, 1905 (pen and brown ink and watercolour) by Goodwin, Albert (1845-1932); 28.5x44.4 cm; Private Collection; (add.info.: The Fonte Branda, Siena)

The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with
652047 The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with bodycolour o) by Goodwin, Albert (1845-1932); 25.4x36.8 cm; Private Collection; (add.info.: The Port of Sollo)

Florence: Evening, 1896, (c1930). Creator: Albert Goodwin
Florence: Evening, 1896, (c1930). Sunset through cypress trees near Florence in Italy. Painting in the Harris Museum & Art Gallery, Preston, Lancashire

Engelberg, (c1900). Creator: Unknown
Engelberg, (c1900). View of the alpine village of Engelberg in Switzerland. Print after a late-19th century painting by Albert Goodwin

Salisbury Close, 1897, (c1900). Creator: Unknown
Salisbury Close, 1897, (c1900). View of Salisbury Cathedral in Wiltshire, print after a painting by Albert Goodwin. From English water-colour with reproductions of drawings by eminent painters

HMS The Victory at Portsmouth, 1907. Artist
HMS The Victory at Portsmouth, 1907. View of the Victory in the background and another boat in the foreground with figures aboard and on the quayside

Cley, Norfolk, c1865-1932. Artist: Albert Goodwin
Cley, Norfolk, c1865-1932. Landscape with a windmill

The Towers of Silence, Bombay, 1909. Artist: Albert Goodwin
The Towers of Silence, Bombay, 1909

Stansstad and the Pilatus, Switzerland, c1865-1932. Artist
Stansstad and the Pilatus, Switzerland, c1865-1932. View of mountains with a boy playing a pipe in the foreground and a village in the distance

The Lagoons, Venice, 1910. Artist: Albert Goodwin
The Lagoons, Venice, 1910

Venice from the Mainland, 1908. Artist: Albert Goodwin
Venice from the Mainland, 1908

Venice, before the Campanile fell, 1903. Artist: Albert Goodwin
Venice, before the Campanile fell, 1903. The Campanile of St Marks collapsed in 1902

Locarno, Lake Maggiore, 1905. Artist: Albert Goodwin
Locarno, Lake Maggiore, 1905

Durham Cathedral, 1903. Artist: Albert Goodwin
Durham Cathedral, 1903

Venice, 1910. Artist: Albert Goodwin
Venice, 1910. View over water at sunset, small boats with decorated sails and gondolas are moored for the night, figures stand and sit on the quayside

Whitby, 19th-20th century, (1935). Artist: Albert Goodwin
Whitby, 19th-20th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Fribourg, Switzerland: Sunrise, 1900, (1923). Artist: Albert Goodwin
Fribourg, Switzerland: Sunrise, 1900, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Boatbuilders Yard, Rye, 1910. Artist: Albert Goodwin
Boatbuilders Yard, Rye, 1910. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

Bristol, 1903. Artist: Albert Goodwin
Bristol, 1903. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

Westminster Sunset, 1900. Artist: Albert Goodwin
Westminster Sunset, 1900. Painting held in the East Riding Museum, Yorkshire. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

Rye, 1911. Artist: Albert Goodwin
Rye, 1911. From The Studio Volume 73. [London Offices of the Studio, London, 1918]

Moonlight on the Citadel, Cairo, c1890. Artist: Albert Goodwin
Moonlight on the Citadel, Cairo, c1890. From The Studio Volume 73. [London Offices of the Studio, London, 1918]

Canterbury Cathedral, 1908. Artist: Albert Goodwin
Canterbury Cathedral, 1908. From The Studio Volume 73. [London Offices of the Studio, London, 1918]

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Albert Goodwin was a renowned artist born in Boston in 1907. His artistic talent blossomed at a young age, and by 1905, he had already made a name for himself with his captivating artwork depicting Woody Bay in Devon. In 1903, Goodwin ventured to Venice and created a mesmerizing watercolor on paper capturing the ethereal beauty of Cemetery Island (San Michele). As the years went by, Goodwin's skills continued to evolve. In 1914, he painted Lauterbrunnen with such precision that it transported viewers straight into the picturesque Swiss village. The Sermon at Durham Cathedral showcases his mastery of pencil, pen, black ink, and watercolor techniques. In Windsor of 1916, Goodwin's use of watercolor and body color combined with pen and ink resulted in an enchanting piece that brought life to the historic town. St. Giorgio from the Housetops is an oil painting from 1905-1906 that captures the stunning view from above. Goodwin's versatility shines through Moonlight at Port Antonio, Jamaica as he skillfully uses pen and black ink along with watercolor highlights to create a serene nighttime scene. The Fonte Branda in Siena is another example of his expertise using pen and brown ink alongside delicate touches of watercolor. The Port of Sollo in Majorca showcases Goodwin's ability to bring landscapes alive using pencil, pen, ink, and vibrant splashes of watercolor highlights. Florence: Evening is a timeless creation from 1896 that exudes tranquility while Engelberg transports us back to around 1900 with its mysterious allure. Albert Goodwin left behind an extraordinary legacy through his diverse range of artworks spanning different mediums and locations across the globe. Each piece tells its own story while showcasing his undeniable talent as an artist who captured moments frozen in time for generations to appreciate their beauty forever.