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Alderman Boydell Collection

Alderman Boydell: A Man of Art and Influence Step into the world of Alderman Boydell, a prominent figure in 18th-century England

Background imageAlderman Boydell Collection: Shepherds in Arcadia, 1789. Creators: Thomas Kirk, John Boydell, Josiah Boydell

Shepherds in Arcadia, 1789. Creators: Thomas Kirk, John Boydell, Josiah Boydell
Shepherds in Arcadia, 1789

Background imageAlderman Boydell Collection: The Infant Shakespeare Attended by Nature and the Passions, published 1799

The Infant Shakespeare Attended by Nature and the Passions, published 1799

Background imageAlderman Boydell Collection: The King George Disabled... 1753. Creator: John Boydell

The King George Disabled... 1753. Creator: John Boydell
The King George Disabled... 1753

Background imageAlderman Boydell Collection: View of the church Santi Giovanni e Paolo in Venice, 1749. Creator: Thomas Bowles

View of the church Santi Giovanni e Paolo in Venice, 1749. Creator: Thomas Bowles
View of the church Santi Giovanni e Paolo in Venice, 1749. A View of the Place [Piazza] & Church of St. John & St. Paul at Venice, & near them the Monastery of St

Background imageAlderman Boydell Collection: View of the interior of the Temple Church in London, 1750. Creator: Anon

View of the interior of the Temple Church in London, 1750. Creator: Anon
View of the interior of the Temple Church in London, 1750. Church built by the Knights Templar as their English headquarters, consecrated in 1185

Background imageAlderman Boydell Collection: View of the village of Shepperton, 1752. Creator: John Boydell

View of the village of Shepperton, 1752. Creator: John Boydell
View of the village of Shepperton, 1752. In the foreground, a cargo boat is pulled by five horses

Background imageAlderman Boydell Collection: Hamlet, Horatio, Marcellus and the Ghost, 1796. Creator: Robert Thew

Hamlet, Horatio, Marcellus and the Ghost, 1796. Creator: Robert Thew
Hamlet, Horatio, Marcellus and the Ghost, 1796. Scene from Shakespeare's Hamlet, Prince of Denmark, Act I, Scene IV, The Platform before the Palace of Elsineur: Hamlet

Background imageAlderman Boydell Collection: The Witches Appear to Macbeth and Banquo, 1798. Creator: James Caldwall

The Witches Appear to Macbeth and Banquo, 1798. Creator: James Caldwall
The Witches Appear to Macbeth and Banquo, 1798. Shakspeare, Macbeth, Act I, Scene III

Background imageAlderman Boydell Collection: Figure holding a sword with their back hunched (after one of Boydell's Shakespear... ca)

Figure holding a sword with their back hunched (after one of Boydell's Shakespear... ca. 1800-1899. Creator: Anon)
Figure holding a sword with their back hunched (after one of Boydell's Shakespeare), ca. 1800-1899

Background imageAlderman Boydell Collection: View of Ratcliff, n.d. Creator: John Boydell

View of Ratcliff, n.d. Creator: John Boydell
View of Ratcliff, n.d

Background imageAlderman Boydell Collection: Fragment Entitled 'William Penns Treaty with the Indians', England, c. 1785

Fragment Entitled "William Penns Treaty with the Indians", England, c. 1785
Fragment Entitled " William Penns Treaty with the Indians", England, c. 1785. Quaker leader Penn in a meeting with Native Americans

Background imageAlderman Boydell Collection: Portrait of Alderman Boydell (engraving)

Portrait of Alderman Boydell (engraving)
729708 Portrait of Alderman Boydell (engraving) by English School, (19th century); Private Collection; (add.info.: Portrait of Alderman Boydell, the celebrated promoter of the Arts)

Background imageAlderman Boydell Collection: Edward the Martyr, 1773. Creator: Andrea Casali

Edward the Martyr, 1773. Creator: Andrea Casali
Edward the Martyr, 1773

Background imageAlderman Boydell Collection: Joseph interpreting the dreams of Pharoahs chief butler and baker, 1766

Joseph interpreting the dreams of Pharoahs chief butler and baker, 1766. Formerly said to be after Jusepe de Ribera

Background imageAlderman Boydell Collection: Guercino Self-Portrait, 1790-99. Creator: Francesco Bartolozzi

Guercino Self-Portrait, 1790-99. Creator: Francesco Bartolozzi
Guercino Self-Portrait, 1790-99

Background imageAlderman Boydell Collection: Virgin and Child, 1775. Creator: Unknown

Virgin and Child, 1775. Creator: Unknown
Virgin and Child, 1775

Background imageAlderman Boydell Collection: The Prodigal Son (Houghton Gallery), 1781. Creator: Simon Francois Ravenet

The Prodigal Son (Houghton Gallery), 1781. Creator: Simon Francois Ravenet
The Prodigal Son (Houghton Gallery), 1781. After Salvator Rosa

Background imageAlderman Boydell Collection: Three Soldiers, 1766-67. Creator: Richard Earlom

Three Soldiers, 1766-67. Creator: Richard Earlom
Three Soldiers, 1766-67. After Salvator Rosa

Background imageAlderman Boydell Collection: Head in Profile of Prodigal Son, 1766. Creator: Richard Earlom

Head in Profile of Prodigal Son, 1766. Creator: Richard Earlom
Head in Profile of Prodigal Son, 1766. After Salvator Rosa

Background imageAlderman Boydell Collection: Girl and Pigs, 1783. Creator: Richard Earlom

Girl and Pigs, 1783. Creator: Richard Earlom
Girl and Pigs, 1783. After Thomas Gainsborough

Background imageAlderman Boydell Collection: Seaport with Sailors Loading Merchandise, 1774. Creator: Richard Earlom

Seaport with Sailors Loading Merchandise, 1774. Creator: Richard Earlom
Seaport with Sailors Loading Merchandise, 1774. After Claude Lorrain

Background imageAlderman Boydell Collection: Landscape with Figures, 1774. Creator: Richard Earlom

Landscape with Figures, 1774. Creator: Richard Earlom
Landscape with Figures, 1774. After Claude Lorrain

Background imageAlderman Boydell Collection: Landscape with Cupid and Psyche, 1776. Creator: Richard Earlom

Landscape with Cupid and Psyche, 1776. Creator: Richard Earlom
Landscape with Cupid and Psyche, 1776. After Claude Lorrain

Background imageAlderman Boydell Collection: Christ Summoning Peter and Andrew, 1776. Creator: Richard Earlom

Christ Summoning Peter and Andrew, 1776. Creator: Richard Earlom
Christ Summoning Peter and Andrew, 1776. Matthew 4:18. After Claude Lorrain

Background imageAlderman Boydell Collection: A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Maste

A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton

Background imageAlderman Boydell Collection: King Lear, 1783. Creator: William Sharp

King Lear, 1783. Creator: William Sharp
King Lear, 1783

Background imageAlderman Boydell Collection: The Virgin in prayer, looking at the sleeping infant Christ, in an oval frame, after Reni

The Virgin in prayer, looking at the sleeping infant Christ, in an oval frame, after Reni, 1765

Background imageAlderman Boydell Collection: Gunhilda accused of adultery, 1760. Creator: Simon Francois Ravenet

Gunhilda accused of adultery, 1760. Creator: Simon Francois Ravenet
Gunhilda accused of adultery, 1760. [Gunhilda, Empress of Germany, daughter of Canute King of England, having been accused of adultery and treated as guilty by the Emperor, is defended by her Page

Background imageAlderman Boydell Collection: Dogs and Still Life, 1778. Creators: Pierre-Charles Canot, Joseph Farington

Dogs and Still Life, 1778. Creators: Pierre-Charles Canot, Joseph Farington
Dogs and Still Life, 1778

Background imageAlderman Boydell Collection: Portrait of Helena Fourment, with a young page behind her, 1782

Portrait of Helena Fourment, with a young page behind her, 1782

Background imageAlderman Boydell Collection: A Blacksmiths Shop, August 25, 1771. Creator: Richard Earlom

A Blacksmiths Shop, August 25, 1771. Creator: Richard Earlom
A Blacksmiths Shop, August 25, 1771

Background imageAlderman Boydell Collection: The Virgin seated with the infant Christ sleeping in her lap, Saint Elizabeth at right

The Virgin seated with the infant Christ sleeping in her lap, Saint Elizabeth at right, an oval composition, after Reni, 1776

Background imageAlderman Boydell Collection: Miranda (Shakespeare, The Tempest, Act 1, Scene 2), 1784. Creator: Caroline Watson

Miranda (Shakespeare, The Tempest, Act 1, Scene 2), 1784. Creator: Caroline Watson
Miranda (Shakespeare, The Tempest, Act 1, Scene 2), 1784

Background imageAlderman Boydell Collection: Garrick Speaking the Jubilee Ode, 1784. Creator: Caroline Watson

Garrick Speaking the Jubilee Ode, 1784. Creator: Caroline Watson
Garrick Speaking the Jubilee Ode, 1784

Background imageAlderman Boydell Collection: Bacchus accompanied by a Bacchante and a faun, 1768. Creators: Carlo Faucci

Bacchus accompanied by a Bacchante and a faun, 1768. Creators: Carlo Faucci
Bacchus accompanied by a Bacchante and a faun, 1768

Background imageAlderman Boydell Collection: Alderman Boydell, (1720-1804), 1830. Creator: Unknown

Alderman Boydell, (1720-1804), 1830. Creator: Unknown
Alderman Boydell, (1720-1804), 1830. John Boydell (1720-1804) 18th-century British publisher noted for his reproductions of engravings. From " Biographical Illustrations", by Alfred Howard


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Alderman Boydell: A Man of Art and Influence Step into the world of Alderman Boydell, a prominent figure in 18th-century England. Known for his passion for art and his significant contributions to the cultural scene, Boydell left an indelible mark on society. One of his notable achievements was commissioning the famous engraving "William Penn's Treaty with the Indians" around 1785. This captivating artwork depicted a pivotal moment in history when peace was established between European settlers and Native Americans. Boydell himself was immortalized in a portrait engraving that showcased his dignified presence and refined taste. His love for art extended beyond mere appreciation; he supported talented artists like Andrea Casali, who created the stunning painting "Edward the Martyr" in 1773. Joseph interpreting dreams played a crucial role in biblical narratives, and Boydell recognized its significance by commissioning an exquisite piece by Guercino Self-Portrait around 1790-99. This artwork beautifully captured Joseph's wisdom as he deciphered Pharaoh's chief butler and baker's dreams. The alderman also had an eye for religious art, evident through his acquisition of works such as "Virgin and Child, " painted by an unknown artist in 1775. This enchanting portrayal radiated divine serenity while evoking feelings of devotion among viewers. Boydell appreciated diverse themes within artistry, as seen through pieces like Simon Francois Ravenet's rendition of "The Prodigal Son. " Created in 1781, this emotionally charged work conveyed redemption and forgiveness with remarkable skill. Richard Earlom became one of Boydell's favored collaborators, producing masterpieces like "Three Soldiers" (1766-67), which portrayed bravery amidst war-torn landscapes. Earlom also crafted intricate engravings such as "Head in Profile of Prodigal Son" (1766) or charming scenes like "Girl and Pigs" (1783), showcasing his versatility.