Algonquian Collection (page 2)

Reuben Black Boy and family, c1910. Creator: Edward Sheriff Curtis
Reuben Black Boy and family, c1910. Half-length portrait of Piegan family

Big Mouth Spring, c1910. Creator: Edward Sheriff Curtis
Big Mouth Spring, c1910. Big Mouth Spring, three-quarter length portrait, standing, facing right, braids, one feather, beaded buckskin shirt, decorated scalp lock on right shoulder

Dance of the Powhatan Native Americans of Carolina within a circle of totem poles. (Based on Captain Whites drawing of the Algonquian dance in Virginia.) Handcoloured copperplate engraving by A

New Chest-Piegan, c1910. Creator: Edward Sheriff Curtis
New Chest-Piegan, c1910. New Chest, half-length portrait, facing forward

Camp gossips-Atsina, c1908. Creator: Edward Sheriff Curtis
Camp gossips-Atsina, c1908. Four Atsina women and a dog, their backs to camera, sitting some distance from tipis and others

The pipe-bearer-Atsina, c1908. Creator: Edward Sheriff Curtis
The pipe-bearer-Atsina, c1908. Atsina woman leading a pack horse, others following mounted on horses with travois, dogs; tipis in background

Atsina Indian on horse pulling travois, c1908. Creator: Edward Sheriff Curtis
Atsina Indian on horse pulling travois, c1908

Atsina maiden, c1908. Creator: Edward Sheriff Curtis
Atsina maiden, c1908. Atsina woman, full-length portrait, standing, facing right

Lodge interior-Piegan, c1910. Creator: Edward Sheriff Curtis
Lodge interior-Piegan, c1910. Little Plume (r) and son Yellow Kidney (c) seated on ground inside tipi, with woman

In a Piegan lodge, c1910. Creator: Edward Sheriff Curtis
In a Piegan lodge, c1910. Little Plume and son Yellow Kidney seated on ground inside lodge, pipe between them

In a Piegan lodge, c1910. Creator: Edward Sheriff Curtis
In a Piegan lodge, c1910. Little Plume and son Yellow Kidney seated on ground inside lodge, pipe between them

Atsina crazy dance-[A dancer kisses the grandfather], c1908. Creator: Edward Sheriff Curtis
Atsina crazy dance-[A dancer kisses the grandfather], c1908

Atsina camp scene, c1908. Creator: Edward Sheriff Curtis
Atsina camp scene, c1908. Tipis on plains

Incense-Atsina, c1908. Creator: Edward Sheriff Curtis
Incense-Atsina, c1908. Four Atsina men, each wrapped in a blanket, seated on ground, one with arm and fist raised skyward, one holding a wing

Atsina warriors, c1908. Creator: Edward Sheriff Curtis
Atsina warriors, c1908. Several Atsina warriors on horseback some with feathered staffs and one with a headdress

The scout-Atsina, c1908. Creator: Edward Sheriff Curtis
The scout-Atsina, c1908. Atsina man, full-length portrait, standing, turned right, holding rifle while he looks over a grassy plain

Atsina chiefs, c1908. Creator: Edward Sheriff Curtis
Atsina chiefs, c1908. Two Atsina chiefs on horseback, one with feathered staff and one with a coup stick

On the war path-Atsina, c1908. Creator: Edward Sheriff Curtis
On the war path-Atsina, c1908. Small band of Atsina men on horseback, some carrying staffs with feathers, one wearing a war bonnet

A child's lodge, c1910. Creator: Edward Sheriff Curtis
A child's lodge, c1910. Piegan girl standing outside small tipi

Horse Capture-Atsina, c1908. Creator: Edward Sheriff Curtis
Horse Capture-Atsina, c1908. Horse Capture, half-length portrait, facing right, hair in braids with feathers in back, wearing a beaded necklace with two talons

Assiniboin Boy-Atsina, c1908. Creator: Edward Sheriff Curtis
Assiniboin Boy-Atsina, c1908. Assiniboin Boy, an Atsina man, head-and-shoulders portrait, facing left

Head Dress-Atsina, c1908. Creator: Edward Sheriff Curtis
Head Dress-Atsina, c1908. Head-Dress, an Atsina man, head-and-shoulders portrait, facing front

The Algonkin Indians lived in bark covered dwellings called wigwams. Their houses were either built in both a cone or dome shape

Ojibwa maiden (colour photo)
3106186 Ojibwa maiden (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Ojibwa maiden)

The Wedding Ceremony and the Manner of Divorce in Canada
STC100674 The Wedding Ceremony and the Manner of Divorce in Canada, illustration from Religious Ceremonies and Customs, engraved by Bernard Picart (1673-1733) 1723 (engraving) by French School

Shinnecock, 1906 (oil on canvas)
870139 Shinnecock, 1906 (oil on canvas) by Onderdonk, Julian (1882-1922); 63.5x76.3 cm; Private Collection; Photo eChristies Images; American, out of copyright

The Sacrifice to Quitchi-Manitou, or The Great Spirit, by the Canadians
STC100670 The Sacrifice to Quitchi-Manitou, or The Great Spirit, by the Canadians, illustration from Religious Ceremonies and Customs

The Female Eagle, Shawano, 1830 (oil on canvas)
3428123 The Female Eagle, Shawano, 1830 (oil on canvas) by Catlin, George (1796-1872); 72.2x59 cm; National Gallery of Art, Washington DC, USA; American, out of copyright

A Cheife Herowans Wyfe, c1585. Artist: John White
A Cheife Herowans Wyfe, c1585. A painting of southern Algonquian Indians. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]

Delawares and Mohicans, 1841. Artist: Myers and Co
Delawares and Mohicans, 1841. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians, by Wiley and Putnam, 161 Broadway, New York, 1841

Peorias and Piankashaws, 1841. Artist: Myers and Co
Peorias and Piankashaws, 1841. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians, by Wiley and Putnam, 161 Broadway, New York, 1841

Potowatomies and Kaskasias, 1841. Artist: Myers and Co
Potowatomies and Kaskasias, 1841. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians, by Wiley and Putnam, 161 Broadway, New York, 1841

Kickapoos and Weas, 1841. Artist: Myers and Co
Kickapoos and Weas, 1841. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians2, by Wiley and Putnam, 161 Broadway, New York, 1841

Algonquin Indian village traditionally was made of bark covered dwellings such as wigwams and longhouse in the Northeast woodlands

DUTCH FUR TRADE. Dutch settlers in America trading with the Native Americans. American lithograph, 1893

Yolande House, Lake Webster, Massachusetts, USA
Yolande House at Lake Webster, Massachusetts, USA. The name of the lake in Nipmuc, an Algonquian language, is the longest place name in the USA

Clear Block Camp, Lake Webster, Massachusetts, USA
Building and railway track at Clear Block Camp, Lake Webster, Massachusetts, USA. The name of the lake in Nipmuc, an Algonquian language, is the longest place name in the USA

JOHN ELIOT: BIBLE. Title-page of John Eliots Native American Bible, the first Bible printed in North America, published in 1663 in Cambridge, Massachusetts

Indian ritual dance from the village of Secoton, book illustration, c. 1570-80 (w / c on paper)
BAL99070 Indian ritual dance from the village of Secoton, book illustration, c.1570-80 (w/c on paper) (see 87469) by White, John (fl.1570-93); British Museum, London, UK; English, out of copyright

The Indian village of Secoton, c. 1570-80 (w / c on paper) (see 1692)
BAL99069 The Indian village of Secoton, c.1570-80 (w/c on paper) (see 1692) by White, John (fl.1570-93); British Museum, London, UK; English, out of copyright

The Village of Secoton, from Admiranda Narratio... published by Theodore de Bry
XIR175578 The Village of Secoton, from Admiranda Narratio... published by Theodore de Bry (coloured engraving) by Bry, Theodore de (1528-98), after White

Massachusetts Bay Colony Seal, 1628
MASSACHUSETTS BAY COLONY Seal, 1628

ALGONQUIAN NATIVE AMERICANS. Carolina Algonquian Native Americans dancing. Detail from a watercolor by John White, c1585

NATIVE AMERICANS: WEROWANCE, 1590. A Weroan or great Lorde of Virginia. Line engraving by Theodore de Bry after John White, 1590, with text by Thomas Harriot

ALGONQUIAN WOMAN, 1585. Carolina Algonquian Native American woman and baby of Pomeiooc. Watercolor, c1585, by John White

WHITE: ALGONQUIAN MAN, 1585. Elderly Carolina Algonquian Native American man. Watercolor, c1585, by John White

NATIVE AMERICAN BATTLE, c1500. Fight between the Algonquian and the Dakotah Native Americans, prior to the arrival of Europeans. Photoetching, 19th century

DE BRY: NATIVE AMERICAN EXCERCISE. Florida Native Americans at exercise. Copper engraving, 1591, by Theodor de Bry after Jacques Le Moyne de Morgues

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"Exploring the Rich Heritage of the Algonquian People: From Saints to Fishing and Ceremonies" Discover the captivating story of Kateri Tekakwitha, a remarkable Native American Catholic saint who lived from 1656 to 1680. Father Claude Chauchetiere's painting from 1681 immortalizes her spirit. In 1585, Carolina Algonquian Native Americans showcased their fishing skills in a mesmerizing watercolor. Witness their harmonious connection with nature as they sustainably harvest from the waters. The Powhatan Native Americans delighted in dance, expressing their vibrant culture through rhythmic movements that echoed across time. Their dances were an integral part of community celebrations and rituals. Step into history as you learn about the traditional dwellings of the Algonkin Indians - wigwams covered in bark. These structures provided shelter and warmth for families, showcasing their resourcefulness and adaptability. Religious ceremonies held great significance among Canadians during early times. Bernard Picart's engraving depicts a funeral procession where mourners rejoiced while carrying a corpse to its final resting place - an intriguing blend of emotions. Witnessing an Ojibwa maiden through a colored photograph offers us a glimpse into her world, adorned with cultural symbols and traditions that have been passed down through generations. Weddings symbolize unity but also explore divorce customs within Canadian Algonquian culture. Discover how these communities approached both union and separation with respect for tradition and personal growth. Immerse yourself in Shinnecock's oil on canvas artwork from 1906, capturing moments frozen in time. This evocative piece transports us to another era when indigenous peoples thrived along coastal regions. Experience the spiritual devotion of Canadians as they offer sacrifices to Quitchi-Manitou or The Great Spirit – honoring their beliefs while seeking guidance and protection throughout life's journey.