Allegoria Collection (page 2)

6366090

The Hall of Liberal Arts and Planets
6255407 The Hall of Liberal Arts and Planets by Fabriano, Gentile da (c.1370-1427); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno, Trinci Palace: The Hall of Liberal Arts and Planets)

The Hall of Liberal Arts and Planets
6253602 The Hall of Liberal Arts and Planets by Fabriano, Gentile da (c.1370-1427); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno, Trinci Palace: The Hall of Liberal Arts and Planets)

Faith in God, 1835 (marble)
6200525 Faith in God, 1835 (marble) by Bartolini, Lorenzo (1777-1850); Museo Poldi Pezzoli, Milan, Italy; (add.info.: Lorenzo Bartolini: " Fiducia in Dio", scultura in marmo)

Fortune, Ambition and Envy, the Room of the little Dog, detail of 2632662, 1560-1561 (fresco)
2632663 Fortune, Ambition and Envy, the Room of the little Dog, detail of 2632662, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto

Humility sending away Pride, 1734 (fresco)
5949115 Humility sending away Pride, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Allegory of Rhetoric, below his ideal representative, probably Isocrates or Demosthenes (fresco)
6336455 Allegory of Rhetoric, below his ideal representative, probably Isocrates or Demosthenes (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence

Allegory of Rhetoric (fresco)
6336433 Allegory of Rhetoric (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence, Italy; (add.info)

The Hall of Liberal Arts and Planets
6254952 The Hall of Liberal Arts and Planets by Fabriano, Gentile da (c.1370-1427); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno, Trinci Palace: The Hall of Liberal Arts and Planets)

The Hall of Liberal Arts and Planets
6253585 The Hall of Liberal Arts and Planets by Fabriano, Gentile da (c.1370-1427); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno, Trinci Palace: The Hall of Liberal Arts and Planets)

The Hall of Liberal Arts and Planets
6253556 The Hall of Liberal Arts and Planets by Fabriano, Gentile da (c.1370-1427); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno, Trinci Palace: The Hall of Liberal Arts and Planets)

Allegory of the Comedy, detail, 1914 (fresco)
5974007 Allegory of the Comedy, detail, 1914 (fresco) by Cresseri, Gaetano (1870-1933); Teatro Grande, Brescia, Italy; (add.info.: Staicase after the entrance Brescia, Teatro Grande)

Allegory of the Tragedy, 1914 (fresco)
5974004 Allegory of the Tragedy, 1914 (fresco) by Cresseri, Gaetano (1870-1933); Teatro Grande, Brescia, Italy; (add.info.: Staircase after the entrance)

Justice (or Equity), with Injustice and Contrast, 1610-20 (oil on copper)
5973984 Justice (or Equity), with Injustice and Contrast, 1610-20 (oil on copper) by Cesari, Giuseppe (Cavalier d Arpino) (1568-1640) (follower of); Pinacoteca Tosio Martinengo, Brescia

Model of the Monument to Vittorio Alfieri, 1806 (plaster)
6342995 Model of the Monument to Vittorio Alfieri, 1806 (plaster) by Canova, Antonio (1757-1822); Accademia di Belle Arti, Carrara, Tuscny, Italy; (add.info.: Above a high oval base)

Marital Concord, 1734 (fresco)
5949113 Marital Concord, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Vigilance triumphs upon Slumber, 1734 (fresco)
5949106 Vigilance triumphs upon Slumber, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Time discovers Truth, 1734 (fresco)
5949100 Time discovers Truth, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Ingenuity, 1734 (fresco)
5949097 Ingenuity, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco)
5949091 Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo
6366103 Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo by Lorenzi, Battista (1527-94) & Cioli

Strength and temperance with six ancient heros On the left self-portrait of the artist in
LRI4621677 Strength and temperance with six ancient heros On the left self-portrait of the artist in trompe-l oeil, then from left to right, Lucius Licinius Crassus (140-91 BC)

Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from
GIA745643 Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Cover page of "L art de la poesie francoise et latine
LRI557665 Cover page of " L art de la poesie francoise et latine, avec une idee de la musique sous une nouvelle methode" by Pherotee de la Croix by Italian School

"Allegory of music"Page from "Somma di tutte le scienze"
LRI557797 " Allegory of music" Page from " Somma di tutte le scienze" essay by Aurelio Marinati (16th century) by Italian School

The Allegory of Peace, or Diane de Poitiers holding a dove Portrait of the Duchess of
LRI4611402 The Allegory of Peace, or Diane de Poitiers holding a dove Portrait of the Duchess of Valentinois Diane de Poitiers (1499-1566), favorite of King Henry II of France

Allegorical representation of Venus (Fresco, 1498-1500)
LRI4609682 Allegorical representation of Venus (Fresco, 1498-1500) by Perugino, Pietro (c.1445-1523); Collegio del Cambio, Perugia

L 08291
europa, italia, toscana, viareggio, 1932

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"Unveiling the Layers of Allegoria: A Journey through Artistic Symbolism" Step into a world where art becomes a language, speaking volumes through intricate allegories. In 1734, Innocence sends away Deceit in a mesmerizing fresco that captures the eternal struggle between truth and falsehood. The Colossus, an oil on canvas masterpiece from 1808-1812, stands tall as a symbol of power and might. Venturing further into the realm of symbolism, we encounter the Allegory of Justice depicted in exquisite detail on a vault fresco. Here, justice is personified with scales held high, reminding us of its impartiality and importance within society. The Allegory of Dialectic invites contemplation as it adorns another fresco with its intellectual prowess. Intriguingly enough, even sepulchres hold allegorical secrets. Michelangelo Buonarroti's final resting place reveals Sculpture personified alongside his own bust—a poignant tribute to his artistic legacy. As we delve deeper into this captivating journey through time and artistry, Munificence (or Religion) emerges on copper canvases from 1610-20. Its presence evokes feelings of generosity and devotion towards something greater than ourselves. A plaque adorned with an allegory of death transports us to 1794 when majolica pottery became a medium for expressing mortality's grip over life—an eerie yet thought-provoking reminder to cherish every moment. The Hall of Liberal Arts and Planets beckons us next—where knowledge intertwines with celestial bodies; their symbolic dance revealing hidden truths about our universe's interconnectedness. Meditation takes center stage in an oil-on-canvas piece from 1838—a serene depiction inviting viewers to find solace within themselves amidst life's chaos. Justice stands resolute in plaster form since 1792—its unwavering gaze demanding fairness for all.