Ambrogio Spinola Collection

Ambrogio Spinola, 1569-1630. Creator: Anon
Ambrogio Spinola, 1569-1630, unknown date

Portrait of Ambrogio Spinola, 1609. Creator: Michiel van Mierevelt
Portrait of Ambrogio Spinola, 1609. Other Title(s): Portrait of Ambrogio Spinola (1569-1630)

Portrait of Ambrogio Spinola (1569-1630), c.1609-c.1633. Creator: Workshop of Michiel Jansz van Mierevelt
Portrait of Ambrogio Spinola (1569-1630), c.1609-c.1633

Satirical Show on Dutch Politics around 1619, c.1619-c.1620. Creator: Follower of Adriaen Pietersz van de Venne
Satirical Show on Dutch Politics around 1619, c.1619-c.1620. Follower of Adriaen Pietersz van de Venne

Ambrosius Spinola. Creator: Christoffel van Sichem I
Ambrosius Spinola

Three Horsemen (red chalk on paper)
CTS449188 Three Horsemen (red chalk on paper) by Callot, Jacques (1592-1635); 16.1x24.5 cm; eThe Devonshire Collections, Chatsworth; (add.info)

Portrait of Ambrosio Spinola (1569-1630), 1630. Private Collection

The Surrender of Julich, 1634-5 (oil on canvas)
3247830 The Surrender of JAOElich, 1634-5 (oil on canvas) by Leonardo, Jusepe or Jose (de Chavier)(c.1605-1656); 307x381 cm; Prado, Madrid

Isabel Clara Eugenia on the site of Breda (oil on canvas)
3247827 Isabel Clara Eugenia on the site of Breda (oil on canvas) by Snayers, Peeter (1592-1667); 200x265 cm; Prado, Madrid

Portrait of Ambrosio Spinola (1569-1630). Found in the Collection of Nationalmuseum Stockholm

Ambrogio Spinola, Genoese soldier in the service of Spain, mid to late 17th century (1894). Artist: Jan Muller
Ambrogio Spinola (1569-1630), Marques de los Balbases, Genoese soldier in the service of Spain, mid to late 17th century (1894)

Surrender of Breda (Las Lanzas), 1634-1635. Artist: Diego Velazquez
Surrender of Breda (Las Lanzas), 1634-1635

The Surrender of Breda, June 2nd, 1625, (c1635). Artist: Diego Velazquez
The Surrender of Breda, June 2nd, 1625, (c1635). During the Dutch War of Independence, Justin of Nassau hands the keys of the city of Breda to Ambrogio Spinola, commander of the Spanish troops

Portrait Ambrogio Spinola commander-in-chief
Portrait of Ambrogio Spinola, Portrait of Ambrogio Spinola. Commander-in-chief of the Spanish troops in the Southern Netherlands. Around the neck the chain with the Golden Fleece

Portrait Ambrogio Spinola Bust right Marquis de los Balbases
Portrait of Ambrogio Spinola, Bust to the right of Ambrogio Spinola, Marquis de los Balbases, dressed in armor, in an oval

Portrait Ambrogio Spinola Ferdinandus II III
Portrait of Ambrogio Spinola Ferdinandus II [us] and III [us] Imperatorum Domus Austriacae (series title), Portrait of Ambrogio Spinola, Marquis de los Balbases

Portrait of Ambrogio Spinola, workshop of Michiel Jansz van Mierevelt, c. 1609 - c. 1633

Portrait of Ambrogio Spinola, Michiel Jansz van Mierevelt, 1609

Portrait of Ambrogio Spinola, marquis de los Balbases, Jan Harmensz. Muller, Michiel Jansz van Mierevelt, 1615

Portrait of Ambrogio Spinola, Jacob Houbraken, 1749 - 1759

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Ambrogio Spinola, a prominent figure in the 17th century, was a Genoese soldier who served Spain with great valor and distinction. His legacy is captured through various artistic depictions, showcasing his military prowess and leadership. In "Three Horsemen, " rendered in red chalk on paper, we witness Spinola's equestrian skills as he commands his troops with precision and grace. The intensity of the scene reflects his unwavering determination on the battlefield. "Portrait of Ambrosio Spinola (1569-1630)" immortalizes him in regal attire, exuding confidence and authority. This painting captures the essence of his noble character and strategic brilliance that propelled him to become one of Spain's most revered military commanders. "The Surrender of Julich" portrays a significant victory for Spinola's forces. Painted in oil on canvas, this masterpiece showcases his tactical genius as he secures triumph against all odds. The composition radiates power and triumph while highlighting Spinola's ability to outmaneuver adversaries. Another notable artwork is "Isabel Clara Eugenia on the site of Breda. " Here we see Spinola alongside Isabel Clara Eugenia after their successful siege of Breda. Their expressions reveal pride and accomplishment as they stand amidst conquered territory—a testament to their joint efforts. Throughout history, many artists have sought to capture Spinola's likeness. In "Portrait Ambrogio Spinola commander-in-chief, " we witness an intimate portrayal that emphasizes both strength and vulnerability—an insight into the complexities beneath his formidable exterior. Diego Velazquez masterfully depicts another pivotal moment in "Surrender of Breda (Las Lanzas). " This iconic painting showcases not only Spinola but also highlights Velazquez's exceptional talent for capturing human emotion amidst conflict—Spinola portrayed as a compassionate conqueror rather than a ruthless victor.