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Ambrogio Collection (page 2)

Ambrogio Lorenzetti, a renowned artist of the 14th century

Background imageAmbrogio Collection: Portrait of Ambrogio Spinola, marquis de los Balbases, Jan Harmensz

Portrait of Ambrogio Spinola, marquis de los Balbases, Jan Harmensz. Muller, Michiel Jansz van Mierevelt, 1615

Background imageAmbrogio Collection: Portrait of Ambrogio Spinola, Jacob Houbraken, 1749 - 1759

Portrait of Ambrogio Spinola, Jacob Houbraken, 1749 - 1759

Background imageAmbrogio Collection: LORENZETTI: TOWN, c1340. View of a town. Tempera on wood

LORENZETTI: TOWN, c1340. View of a town. Tempera on wood

Background imageAmbrogio Collection: LORENZETTI: GOOD GOV T. Effects of Good Government in the city, detail

LORENZETTI: GOOD GOV T. Effects of Good Government in the city, detail. Fresco by Ambrogio Lorenzetti, 1337-1340

Background imageAmbrogio Collection: Saint Ambrose

Saint Ambrose
circa 1770: The tomb of St Ambrose, patron saint of Milan, in the Basilica di Sant Ambrogio (the church of St Ambrose), Milan, Italy

Background imageAmbrogio Collection: The Virgin and Child with Saints, c1490. Oil on poplar. Ambrogio Bergognone (active 1481

The Virgin and Child with Saints, c1490. Oil on poplar. Ambrogio Bergognone (active 1481: dc1523) Italian painter. Virgin in blue robe, enthroned, holding hand of Catherine of Siena with lily

Background imageAmbrogio Collection: LORENZETTI, Ambrogio (1285-1348). Allegory f

LORENZETTI, Ambrogio (1285-1348). Allegory f the Good Government: Effects of Good Government on the City Life. 1338-1340. ITALY. Siena. Public Palace. Central detail. Renaissance art. Trecento. Fresco

Background imageAmbrogio Collection: LORENZETTI, Ambrogio (1285-1348). Allegory of

LORENZETTI, Ambrogio (1285-1348). Allegory of the Good Government. 1338-1340. ITALY. Siena. Public Palace. Located in the Sala dei Nove. Detail of the Magnanimity. On her feet, soldiers

Background imageAmbrogio Collection: LORENZETTI, Ambrogio (1285-1348)

LORENZETTI, Ambrogio (1285-1348). Allegory f the Good Government: Effects of Good Government on the City Life. Central detail. ITALY

Background imageAmbrogio Collection: St. Ambrosius Church (i. e. Sant Ambrogio), Milan, Italy

St. Ambrosius Church (i. e. Sant Ambrogio), Milan, Italy
St. Ambrosius Church (i.e. Sant Ambrogio), Milan, Italy. Date between ca. 1890 and ca. 1900

Background imageAmbrogio Collection: Ambrogio Martinengho

Ambrogio Martinengho
AMBROGIO MARTINENGHO (or Martinengo) Italian bishop about whom we have been unable to learn anything whatever... Date: 18TH CENTURY ?

Background imageAmbrogio Collection: Alassio, Italy - Church of St. Ambrose

Alassio, Italy - Church of St. Ambrose (Ambrogio) Date: circa 1910



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Ambrogio Lorenzetti, a renowned artist of the 14th century, left an indelible mark on the art world with his masterpiece "The Effects of Good Government in the Countryside. " Painted between 1338 and 1340, this detailed fresco captures the essence of harmonious governance. Lorenzetti's brushstrokes bring to life a utopian vision where peace and prosperity reign supreme. The countryside depicted is teeming with abundance; lush fields yield bountiful crops while livestock roam freely under clear blue skies. Villagers engage in various activities: farmers tend to their land, traders exchange goods at bustling markets, and children play joyfully amidst nature's embrace. This artwork serves as a testament to Ambrogio Lorenzetti's unparalleled talent in capturing not only physical beauty but also societal harmony. Through intricate details and vibrant colors, he conveys how good governance can transform communities into thriving havens. Beyond his artistic prowess lies another notable figure named Ambrogio Spinola. A military strategist hailing from Genoa, Spinola was revered for his tactical brilliance during battles fought across Europe. His name became synonymous with victory as he led armies to triumph against formidable foes. Meanwhile, another prominent work attributed to an the statue of Saint Barbara by Ambrogio Parisi. Crafted between 1676 and 1719, this masterpiece stands tall within Chur—a symbol of devotion and faith that transcends time. Speaking of devotion, St. Ambrose takes center stage in various artworks throughout history—his influence extending far beyond religious realms. From thrones depicting him made out of wood to figurative panels adorning domes and tambours in cathedrals like Genoa's Duomo or Milan's Basilica di Sant'Ambrogio—the legacy of St. Ambrose endures through these magnificent creations. In Milan specifically lies one such testament to St.