American Native Indians Collection

An Eskimo muskrat hunter paddling through the marsh, Kotzebue, Alaska, c. 1929 (b/w photo)
7315335 An Eskimo muskrat hunter paddling through the marsh, Kotzebue, Alaska, c.1929 (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info)

Winter count on buffalo robe (colour litho)
980466 Winter count on buffalo robe (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Winter count on buffalo robe)

Crossing the Divide or Thirsty Trappers Making a Rush for the River, c. 1837 (w / c on paper)
5310546 Crossing the Divide or Thirsty Trappers Making a Rush for the River, c.1837 (w/c on paper) by Miller, Alfred Jacob (1810-74); 21.6x29.3 cm; Joslyn Museum, Omaha, Nebraska

Tarascos Indians, inhabitants of the state of Michoacan. Mexico, 19th century, Chromolithography
AIS5388724 Tarascos Indians, inhabitants of the state of Michoacan. Mexico, 19th century, Chromolithography.

Unidentified Seminole 1831 (Oil on canvas)
8766613 Unidentified Seminole 1831 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Timpoochee Barnard (Creek) 1831 (Oil on canvas)
8766612 Timpoochee Barnard (Creek) 1831 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Fort Rupert, Beaver Harbour, Vancouver's Island, July 23rd 1851 [Canada], 1851 (watercolour)
7295636 'Fort Rupert, Beaver Harbour, Vancouver's Island, July 23rd 1851 [Canada]', 1851 (watercolour) by Fanshawe

A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture
7295423 A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture., 1827 (corn husk, cotton, wool, glass beads, deer skin); 4x27x12 cm; National Maritime Museum, London

George Catlin's North American Indian Portfolio
7301606 George Catlin's North American Indian Portfolio; Private Collection; (add.info.: Attacking the Grizzly Bear. Mounted Indians attack a bear with lances and an axe)

Captain Nathaniel Portlock (1747?-1817), c.1788 (oil on canvas)
7338023 Captain Nathaniel Portlock (1747?-1817), c.1788 (oil on canvas) by British School, (18th Century); 76.2x63.5 cm; National Maritime Museum, London

Osage tribe members in France. (print)
7419893 Osage tribe members in France. (print); (add.info.: In 1827 six members of the Osage tribe journeyed to France. The three shown in this 1827 print by L)

North America Red skin Indian, 1861 (engraving)
6947879 North America Red skin Indian, 1861 (engraving); Private Collection; (add.info.: North America Red skin Indian. Human races)

The Spanish in America burning an Indian village (litho)
PNP344509 The Spanish in America burning an Indian village (litho) by American School; Private Collection; Peter Newark American Pictures.

War Shirt, 1830-40 (deer hide, ermine tails, glass pony beads, hair, porcupine quills, and trade cloth)
5862026 War Shirt, 1830-40 (deer hide, ermine tails, glass pony beads, hair, porcupine quills, and trade cloth) by Native American, (19th century); The Art Institute of Chicago, IL

Hunter and Indian Guide, 1869 (oil on canvas)
XOS5882164 Hunter and Indian Guide, 1869 (oil on canvas) by Woodhouse, C.L. (19th century); 64.5x78.1 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by C. L. Woodhouse).

Sioux warriors in flight (engraving)
8631225 Sioux warriors in flight (engraving) by Feller, Frank (1848-1908) (after); Private Collection; (add.info.: Sioux warriors in flight during a Native American uprising)

Illustration for Hiawatha by Longfellow (colour litho)
8648516 Illustration for Hiawatha by Longfellow (colour litho) by Kirk, Maria Louise (1860-1938); Private Collection; (add.info.: " 'Take my bait, O King of Fishes)

Illustration for Hiawatha by Longfellow (colour litho)
8648514 Illustration for Hiawatha by Longfellow (colour litho) by Kirk, Maria Louise (1860-1938); Private Collection; (add.info)

Illustration for Hiawatha by Longfellow (colour litho)
8648511 Illustration for Hiawatha by Longfellow (colour litho) by Kirk, Maria Louise (1860-1938); Private Collection; (add.info.: "Westward, westward)

Illustration for Hiawatha by Longfellow (colour litho)
8648509 Illustration for Hiawatha by Longfellow (colour litho) by Kirk, Maria Louise (1860-1938); Private Collection; (add.info)

Gold prospectors, New Granada, Colombia (litho)
8663750 Gold prospectors, New Granada, Colombia (litho) by French School, (19th century) (after); Private Collection; (add.info.: Gold prospectors, New Granada, Colombia)

Coffee, tea and cocoa (engraving)
8663837 Coffee, tea and cocoa (engraving) by French School, (17th century) (after); Private Collection; (add.info.: Coffee, tea and cocoa and their countries of origin)

Initiation Rites of young warriors of the Mandan tribe, 1850
3479503 Initiation Rites of young warriors of the Mandan tribe, 1850; (add.info.: Initiation Rites of young warriors of the Mandan tribe Ohio and Mississippi)

Couplets in indigenous Copan language of Indians in Guatemala. 1540's (manuscript)
3521796 Couplets in indigenous Copan language of Indians in Guatemala. 1540's (manuscript); (add.info.: Couplets in indigenous Copan language of Indians in Guatemala. 1540's)

hilkat woman weaving blanket, Alaska 1910 (photo)
682811 hilkat woman weaving blanket, Alaska 1910 (photo); (add.info.: The pattern, a painted board, was designed by the men and represented clan or lineage crests)

Coosa-Tustunnuggee (Creek) 1831 (Oil on canvas)
8766623 Coosa-Tustunnuggee (Creek) 1831 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

Push-Ma-Ta-Ha (Choctaw) 1831 (Oil on canvas)
8766610 Push-Ma-Ta-Ha (Choctaw) 1831 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

Yaha Hajo, Mad Wolf (Creek) 1836 (Oil on canvas)
8766605 Yaha Hajo, Mad Wolf (Creek) 1836 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

Encampment of Native Americans, a family seated near a teepee, 19th century (engraving)
AIS5336606 Encampment of Native Americans, a family seated near a teepee, 19th century (engraving); (add.info.: A family settled near a teepee)

Cherokkee indian warrior, 1861 (engraving)
6947878 Cherokkee indian warrior, 1861 (engraving); Private Collection; (add.info.: Cherokkee indian warrior. North America.Human races.From the artwork by Chenu " Encyclopedie d Histoire)

Native indian from California, 1861 (engraving)
6947875 Native indian from California, 1861 (engraving); Private Collection; (add.info.: Native indian from California.Human races. Artwork " Encyclopedie d Histoire Naturelle by Chenu)

Vincent de Valverde, and the Inca emperor Atahualpa, 1880 (engraving)
7241695 Vincent de Valverde, and the Inca emperor Atahualpa, 1880 (engraving); Private Collection; (add.info.: Spanish Dominican and missionary Vincent de Valverde (1498-1541)

Clay balls, c.1910 (print)
7293346 Clay balls, c.1910 (print); (add.info.: Food and beverage. Indian people of South America (Otomanguean people?) eating cooked clay from the Orinoco river

Indians at Fort Rupert, Vancouver's Island, July 1851 [Canada], 1851 (watercolour)
7295633 Indians at Fort Rupert, Vancouver's Island, July 1851 [Canada], 1851 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 12.6x17.8 cm; National Maritime Museum, London

A view of the Indians of Terra del Fuego in their hut (without title), 1760-69 (engraving & etching)
7295777 A view of the Indians of Terra del Fuego in their hut (without title), 1760-69 (engraving & etching) by Bartolozzi, Francesco (1727-1815); 23.6x30.5 cm; National Maritime Museum, London

Image series Conquest of Mexico, The Night of Affliction, 1 July 1520, Liebig painting
7277895 Image series Conquest of Mexico, The Night of Affliction, 1 July 1520, Liebig painting; Private Collection; (add.info.: Image series Conquest of Mexico, The Night of Affliction, 1 July 1520)

Zapotec Indians converting to Christianity, Mexico, 16th century (woodcut)
3521794 Zapotec Indians converting to Christianity, Mexico, 16th century (woodcut); (add.info.: Spanish woodcut); Universal History Archive/UIG

Native american shaman, c.1850 (illustration)
8698416 Native american shaman, c.1850 (illustration) by Eastman, Seth (1808-1875); (add.info.: Paranormal. Native american shaman)

William Penn, c.1820 (engraving)
8698407 William Penn, c.1820 (engraving) by Italian School, (19th century); (add.info.: History. USA. The quaker William Penn with native americans, Pennsylvania)

Portrait of an Osage Chief. (print)
7419895 Portrait of an Osage Chief. (print); (add.info.: Portrait of an Osage Chief. After a print published in 1838.); Photo © Ken Welsh. All rights reserved 2024

Pocahontas saves John Smith (print)
7419971 Pocahontas saves John Smith (print); Photo © Ken Welsh. All rights reserved 2024

Osage tribe members in France. (print)
7419892 Osage tribe members in France. (print); (add.info.: In 1827 six members of the Osage tribe journeyed to France. Identified by the letter beneath their names, they were A Kihegashugah)

Engraving depicting a North American Indian using a bow drill, a prehistoric form of drilling tool
UIG5425959 Engraving depicting a North American Indian using a bow drill, a prehistoric form of drilling tool, which was used to produce fire. Dated 19th Century; UIG

The Medicine Teepee, 1903 (oil on canvas)
1767645 The Medicine Teepee, 1903 (oil on canvas) by Sharp, Joseph Henry (1859-1953); 55.9x101.6 cm; Private Collection; (add.info.: The Medicine Teepee. Joseph Henry Sharp (1859-1953)

Californian Aborigines (engraving)
8632412 Californian Aborigines (engraving) by English School, (19th century); Private Collection; (add.info.: Californian Aborigines)

Walter Trier's crazy costumes: Arizona, USA (colour litho)
8646573 Walter Trier's crazy costumes: Arizona, USA (colour litho) by Trier, Walter (1890-1951); Private Collection; (add.info.: Arizona, USA)

Victoria, cigar box label (chromolitho)
8677713 Victoria, cigar box label (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: Victoria, cigar box label.); Look and Learn / Barbara Loe Collection

Wallflowers, Quechua, distaff and quay (chromolitho)
8677353 Wallflowers, Quechua, distaff and quay (chromolitho) by French School, (20th century); Private Collection; (add.info.: Q for quarantaine (wallflowers), Quechua, quenouille (distaff) and quay

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"Exploring the Rich Cultural Heritage of American Native Indians" Step into the captivating world through a collection of stunning artworks and photographs that offer glimpses into their diverse lives and traditions. In Kotzebue, Alaska, circa 1929, an Eskimo muskrat hunter gracefully paddles through the marsh, showcasing the harmonious relationship between man and nature. The black-and-white photo captures a moment frozen in time. Traveling back to 1837, we witness "Crossing the Divide or Thirsty Trappers Making a Rush for the River, " depicted on paper with vibrant watercolors. This artwork portrays the resilience and determination of trappers as they navigate challenging terrains in pursuit of survival. A buffalo robe adorned with a Winter count serves as a colorful testament to storytelling among indigenous communities. Each symbol on this lithograph represents significant events within their history—a visual narrative passed down from generation to generation. Delve further into Mesoamerican culture with Waldeck's original artwork showcased in boxes one, five, nine, and ten out of twenty-two from 1831. These prints provide invaluable insights into ancient civilizations' artistry and way of life—an artistic treasure trove waiting to be explored. The portrait capturing Black Hawk alongside Na-Be-Ghi-Zeik offers a glimpse into leadership figures who played pivotal roles in shaping Native Indian societies—symbols of strength and resilience etched onto canvas. Fast forward to 1911 when young individuals left home for the Carlisle Indian School—a chromolitho print that encapsulates both hope for education opportunities but also highlights historical challenges faced by indigenous youth seeking assimilation while preserving their cultural heritage. Marvel at goddess Teoyaomqui standing beside a porphyry sacrificial stone—an exquisite watercolor masterpiece dating back to c. 1843-50—showcasing religious beliefs intertwined with nature worship among native tribes.