Anger Collection (page 7)

Two Herens cows lock horns during the qualification round of the annual Battle of the
Two Herens cows lock horns during the qualification round of the annual " Battle of the Queens", a traditional Swiss cow-fighting competition where cows test their strength

The village of Anger with the Catholic parish church of the Assumption of Mary, Rupertiwinkel, Berchtesgadener Land district, Upper Bavaria, Germany

Montagues & Capulets Fight In Romeo And Juliet
Members of the Montague and Capulet clans battle with swords in an illustrated scene from the William Shakespeare play, Romeo and Juliet. (Kean Collection/Getty Images)

Lion of İmfolozi
Selim Kaya

Athene repressing the fury of Achilles
Athene (or Athena) repressing the fury of Achilles. From "Stories From Homer" by the Rev. Alfred J. Church, M.A.; illustrations from designs by John Flaxman

OH!
PAUL GOMEZ

Anger
Ali Bader

The Kamchatka brown bear, Ursus arctos beringianus catches salmons at Kuril Lake in Kamchatka, in the water. Petr Simon

Mexica Warrior
Ali Khataw

The Angry Face
Faisal ALnomas

Brotherly Humor
Amro

Happy lion
Judy Tseng

Fight for the fish
Yuan Su

Legend of the Moor's Last Sigh. After the conquest of the Nasrid Kingdom of Granada, the Muslim king Boabdil and his entourage were exiled from the city in 1492

Vietnamese Patriotic Poster - Vent your Red Hot Anger (on the enemy) Date: circa mid-1970s

Animals at the Zoo
Angry animals at the zoo which were being studied. Two brown bears fighting with their claws and teeth. A secretary bird after a sparrow had eluded its waiting jaws

The Colonel and the Carols
Cartoon depicting the enlivening effect of carol singing upon a snoozing colonel. Date: 1940

Hanging the Kaiser at Brackley
After the signing of the Armistace on November 11th 1918 effiges of The German Kaiser and Little Willie were hung at Brackley Northants in front of a large crowd illustrating the anger felt by

Lancelot Driven Mad
Lancelot is driven mad by Guinevere's anger (the result of an enchantment to make her believe that he was a traitor) & lives in a wild wood surviving on fruit

Interior of a barn with two peasants fighting, 1658 (oil on panel)
MAN368391 Interior of a barn with two peasants fighting, 1658 (oil on panel) by Ostade, Adriaen Jansz. van (1610-85) (attr. to); 22.4x27.2 cm; Manchester Art Gallery, UK

Portrait of the Actor Iwai Hanshiro IV as Akita Jonosuke Yoshikage in a "Shibaraku" Role, c
5859865 Portrait of the Actor Iwai Hanshiro IV as Akita Jonosuke Yoshikage in a "Shibaraku" Role, c.1791 (colour woodblock print: aiban) by Shunei

Lady Macbeth, Act, 5 scene One, why then tis time to do't. painted after H. Fuseli
2598950 Lady Macbeth, Act, 5 scene One, why then tis time to do't. painted after H. Fuseli by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) (after); (add.info.: Lady Macbeth, Act)

Moses breaks the tablets of law, Illustration from the Dore Bible, 1866
3665608 Moses breaks the tablets of law, Illustration from the Dore Bible, 1866 by Dore, Gustave (1832-83); (add.info.: Moses breaks the tablets of law containing the ten commandments after his)

Heliodorus, attempting to take treasure from Temple at Jerusalem, is attacked by terrible horse and his rider
534344 Heliodorus, attempting to take treasure from Temple at Jerusalem, is attacked by terrible horse and his rider, while angels attack his bodyguard. 2 Maccabees 3

"Wishing you a Jolly Christmas", Victorian card, c. 1880 (chromolitho)
BAL12671 "Wishing you a Jolly Christmas", Victorian card, c.1880 (chromolitho) by English School, (19th century); Private Collection; (add.info)

Actor's Face in Mirror (colour woodcut)
1068024 Actor's Face in Mirror (colour woodcut) by Osaka School (late 18th early 19th century); 36.5126x23.495x0 cm; Dallas Museum of Art, Texas, USA; (add.info.: by Osaka School)

Shivering Birds
Four birds with wooly hats and scarfs sitting on a branch. It's cold and snowing and one of them even has small icicles on its frozen blue foot

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4927069 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 148x106 cm; Chateau d'Angers

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926998 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 151x247 cm; Chateau d'Angers

The Strike, 1899 (oil on canvas)
XIR165154 The Strike, 1899 (oil on canvas) by Adler, Jules (1865-1952); 231x302 cm; Ecomusee de la Communaute le Creusot Montceau, France

illustration for El principe de los ingenios, Miguel de Cervantes Saavedra (The Prince of Wits)
CUL4893226 illustration for El principe de los ingenios, Miguel de Cervantes Saavedra (The Prince of Wits, Miguel de Cervantes Saavedra), 1876 (engraving) by Planas

Southern Ocean, South Georgia, southern elephant seal. An elephant seal bull bellows. Date: 18-01-2008

The Sorcerer traps Aladdin in the magic cave Illustration by Albert Robida (1848-1926)
ELD4868206 The Sorcerer traps Aladdin in the magic cave Illustration by Albert Robida (1848-1926) for the tale "Aladin and the wonderful lamp" in "The Arabian Nights"

Rioting women breaking into a fashionable restaurant in Berlin, World War I, 1916 (colour litho)
6000374 Rioting women breaking into a fashionable restaurant in Berlin, World War I, 1916 (colour litho) by Damblans, Eugene (1865-1945); Private Collection; (add.info)

Brawl at the Pavillon d'Armenonville, Paris (colour litho)
2819054 Brawl at the Pavillon d'Armenonville, Paris (colour litho) by Damblans, Eugene (1865-1945); Private Collection; (add.info)

The Fool Who Is Angry At The Punishments Of God, 1660-86 (brush and Indian ink on paper)
7308504 The Fool Who Is Angry At The Punishments Of God, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Angry Fool, 1660-86 (brush and Indian ink on paper)
7308400 The Angry Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Riots in Paris (colour litho)
2819080 Riots in Paris (colour litho) by Damblans, Eugene (1865-1945); Private Collection; (add.info.: Riots in Paris. A senior police officer is badly injured)

"La petite fille sur un cube"Peinture de Leonid Terentievich Chupyatov (Chupiatov) (1890-1941)
FIA5345398 " La petite fille sur un cube" Peinture de Leonid Terentievich Chupyatov (Chupiatov) (1890-1941) 1920 environ Collection privee by Chupyatov

Christ expelling merchants from the Temple, 18th century (oil on canvas)
7299002 Christ expelling merchants from the Temple, 18th century (oil on canvas) by Gamelin, Jacques (1738-1803); Musee des Beaux-Arts, Carcassonne

Letter Y: "Yatagan", in L'ABC du Pepetit Poucet, 1928 (engraving)
DUV4205104 Letter Y: " Yatagan", in L ABC du Pepetit Poucet, 1928 (engraving) by Quatrefages, Armand de (1810-1892); 18 x 27.5 cm; Private Collection; (add.info.: Letter Y: " Yatagan)

Bad luck, the handle on the basket with the wine bottles has snapped and the bottles are broken
7279051 Bad luck, the handle on the basket with the wine bottles has snapped and the bottles are broken by Unknown Artist, (19th century); Private Collection; (add.info.: Bad luck)

Our good sailors. Illustration for Le Rire (colour litho)
2786584 Our good sailors. Illustration for Le Rire (colour litho) by Pourriol, Charles (1873-1910); Private Collection; (add.info.: Our good sailors)

The Resentment of Queen Catherine (Paul de Rapin, History of England), 1790. Creator: John Ogborne
The Resentment of Queen Catherine (Paul de Rapin, History of England), 1790

The Husband-Beater, c. 1633 (etching & engraving)
3610584 The Husband-Beater, c.1633 (etching & engraving) by Bosse, Abraham (1602-76); 25.7--33 cm; Metropolitan Museum of Art, New York, USA

Bluebeard (Bluebeard), Conte by Charles Perrault (1628-1703). Illustration of Vaccari
XEE4181511 Bluebeard (Bluebeard), Conte by Charles Perrault (1628-1703). Illustration of Vaccari and Carrey in " Les beaux tales" collection " Nos loisirs" around 1910

Insurrection in the Caucasus (colour litho)
3097530 Insurrection in the Caucasus (colour litho) by French School, (20th century); Private Collection; (add.info.: Insurrection in the Caucasus)

Ira, engraved by H. Cock, 1558 (wood engraving)
3834067 Ira, engraved by H. Cock, 1558 (wood engraving) by Bruegel, Pieter the Elder (c.1525-69); Private Collection; (add.info.: the Vital Defects, 1558); Fototeca Gilardi

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"Unleashing the Beast Within: Exploring the Depths of Anger" In a world filled with diverse expressions, anger takes center stage. From H. M. Bateman's comical depiction of "The Car That Touched a Policeman, " to the haunting image of a police dog attacking a young black man during the Youth Mass Demonstration in Birmingham, Alabama, spring 1963 - anger knows no boundaries. Sometimes anger is as light-hearted as a man smashing cake on another man's face or as trivial as "The Man Who Lit His Cigar Before The Royal Toast. " Yet, it can also be as colossal and destructive as King Kong wreaking havoc in New York City back in 1933. Artists have long captured this intense emotion; from engravings like "Anger (Ira)" from The Seven Deadly Sins series to Wilmot Lunt's powerful painting titled "Grit. " These works remind us that they are consume us if left unchecked. Even everyday situations can ignite fury within us all. Whether it be an angry man pointing his finger or witnessing the majestic Jaguar walking fiercely through Pantanal, Brazil - these moments serve as reminders that anger resides within each one of us. H. M. Bateman further explores this theme with his illustrations such as "The Shop Assistant who Lost his Temper" and "The Man Who Broke The Tube, " showcasing how even mundane occurrences can trigger our wrath. But amidst all this rage lies an opportunity for growth and change. As depicted in H. M. Bateman's piece titled "Reprisal. , " we see two individuals engaged in conflict, yet there remains hope for resolution and understanding. Anger is both universal and deeply personal; it has the power to divide but also to unite when channeled constructively. Let us navigate its treacherous waters with caution, seeking empathy and compassion along the way – for only then can we truly tame the beast within.