Animal Horn Collection

Studies of Ram Heads, 1700s (oil on canvas)
XOS5879706 Studies of Ram Heads, 1700s (oil on canvas) by French School, (18th century); 44.8x58.1 cm; Cleveland Museum of Art, OH, USA; (add.info.: France, 18th century).

Cover of " L'Indiscret", Satirique en N & B, 1902_2_5: Adultere - Illustration by H. Gerbault (1863-1930)
ICA4937406 Cover of " L'Indiscret", Satirique en N & B, 1902_2_5: Adultere - Illustration by H. Gerbault (1863-1930); (add.info.: Cover of " L'Indiscret")

Letter Y: Forked trunk, horned goat, candlesticks with two beaks: large and small Y, 1861 (engraving)
DUV4214802 Letter Y: Forked trunk, horned goat, candlesticks with two beaks: large and small Y, 1861 (engraving); (add.info.: "ABC Trim, Alphabet enchante" Texts of "Trim")

Illustration for "Alphabet Buffon", 1911 (engraving)
DUV4210962 Illustration for "Alphabet Buffon", 1911 (engraving); 29.5x21.5 cm; Private Collection; (add.info.: Ibex. Engraving in " Alphabet Buffon")

Ceremony at a German tribal meeting. Men wearing wreaths, animal skins and antlers
FLO4704055 Ceremony at a German tribal meeting. Men wearing wreaths, animal skins and antlers. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of

Letter X and Y: Little boy making the wheel, a real phenix: an X. Forked trunk, horned goat
DUV4214797 Letter X and Y: Little boy making the wheel, a real phenix: an X. Forked trunk, horned goat, candlesticks with two beaks: big and small Y, 1861 (engraving); (add.info.: "ABC Trim)

Khakas or Khakas shamans from Saygachi, near Krasnoyarsk, Siberia. They wear helmets decorated with antlers
FLO4723184 Khakas or Khakas shamans from Saygachi, near Krasnoyarsk, Siberia. They wear helmets decorated with antlers, leather dresses covered with animal bones and hold sacred drums

Cover of " Les Crobeaux (Paris)", number 168, Satirique en Couleurs
ICA4875361 Cover of " Les Crobeaux (Paris)", number 168, Satirique en Couleurs, 1908_6_14: Les vagabonds - Anticlericalisme - Cupidite/Avarice, Eg anti Gospel - Jesus, Mary, Joseph

Cover of " Les Corbeaux (Paris)", number 92, Satirique en Couleurs, 1906_12_30: Noel
ICA4874745 Cover of " Les Corbeaux (Paris)", number 92, Satirique en Couleurs, 1906_12_30: Noel! - Anticlericalism, Modernity - New Testament - Mary, Joseph

Cover of " Les Crobeaux (Paris)", number 143, Satirique en Couleurs, 1907_12_22: Jesus, Husbands
ICA4874958 Cover of " Les Crobeaux (Paris)", number 143, Satirique en Couleurs, 1907_12_22: Jesus, Husbands, Joseph - Anticlericalism - Lust, New Testament, cocufiage/horns - Jesus, Mary

Arsinoitherium, genus eteint of paenungulata, mammal apparent to the elephant
FLO4639305 Arsinoitherium, genus eteint of paenungulata, mammal apparent to the elephant. Chromolithography by Heinrich Garden (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company)

Labantsiksa, shaman of the Khorintzi Buryats people of Siberia. She wears a helmet with antlers
FLO4723139 Labantsiksa, shaman of the Khorintzi Buryats people of Siberia. She wears a helmet with antlers, leather dress decorated with bells, a cape with three entwined serpents

The Temptation of Christ by Juan (John) of Flanders (active 1496-1519), Oil On Canvas ca
XEE5033406 The Temptation of Christ by Juan (John) of Flanders (active 1496-1519), Oil On Canvas ca. 1500/1504, National Gallery of Art, Washington; National Gallery of Art, Washington DC

La Caricature (1830) politique, number 58, Satirique en N & B, 1831_5_19: LABORATORY INFERNAL - Science
ICA4930356 La Caricature (1830) politique, number 58, Satirique en N & B, 1831_5_19: LABORATORY INFERNAL - Science, Medaille - Marianne, Diable; (add.info.: La Caricature (1830) politique, number 58

Cover of " Les Corbeaux (Paris)", number 39, Satirique en N & B, 1905_12_24: Noel
ICA4874407 Cover of " Les Corbeaux (Paris)", number 39, Satirique en N & B, 1905_12_24: Noel! - Anticlericalism - Old Testament, cocufiage/horns - Jesus, Mary, Joseph

Chandelier made of deer antlers with female figures holding heraldic shields, Germany, mid 16th century
FLO4644093 Chandelier made of deer antlers with female figures holding heraldic shields, Germany, mid 16th century. Chromolithograph from Hefner-Alteneck's Costumes

History. France. Death of Roland in Ronceveaux (778). Roland blowing his horn
3434629 History. France. Death of Roland in Ronceveaux (778). Roland blowing his horn. Illustration in: Belles Images d'Histoire (History Schoolbook), by H

Vignette XXI. The Elkhorn Pyramid (on the Upper Missouri), Bodmer's America
7429490 Vignette XXI. The Elkhorn Pyramid (on the Upper Missouri), Bodmer's America, c.1836-43 (copperplate engraving on paper) by Bodmer, Karl (1809-93); 53x41 cm; Alecto Historical Editions

Saint Jean Baptiste. Peinture baroque de Michelangelo Merisi detto il Caravaggio (Le Caravage), 17eme siecle
4823570 Saint Jean Baptiste. Peinture baroque de Michelangelo Merisi detto il Caravaggio (Le Caravage), 17eme siecle. Musees du Capitole, Rome

The goat lends its horns to unroll the yarn. " L'Echeveau", 1936 (illustration)
7309641 The goat lends its horns to unroll the yarn." L'Echeveau", 1936 (illustration) by Rabier, Benjamin (1869-1939); 7 x 10

Portrait of a French soldier. At the Abbey of Septfontaines, Bourmont (Haute Marne)
LSE4316246 Portrait of a French soldier. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)

Le genie du mal (sculpture)
JEB4870622 Le genie du mal (sculpture) by Amy, Jean Barnabe (1839-1907); 46x19x31 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Cover of "L Indiscret", Satirique en N & B, 1904_1_13: Combes Emile (1835-1921)
ICA4939559 Cover of " L Indiscret", Satirique en N & B, 1904_1_13: Combes Emile (1835-1921), Pelletan Andre (1848-1910) - Illustration by Lourdey (1860-1934) by Lourdey (1860-1934)

Over the Heath "The Horn, the Horn, the Lusty, Lusty Horn", 1873 (oil on canvas)
6436357 Over the Heath " The Horn, the Horn, the Lusty, Lusty Horn", 1873 (oil on canvas) by Linnell, William (1826-1906); 104x159 cm; Private Collection

Der Gott, 1921 (colour pencil on paper)
7083835 Der Gott, 1921 (colour pencil on paper) by Wolfli, Adolf (1864-1930); Private Collection; Swiss, out of copyright

Cover of "Le Grelot", number 1009, Satirique en Couleurs
ICA4924522 Cover of " Le Grelot", number 1009, Satirique en Couleurs, 1890_8_10: L impot sur les celibataires - Social, Impots

The Ears of the Hare, from Fables by Jean de La Fontaine (1621-95
PER190881 The Ears of the Hare, from Fables by Jean de La Fontaine (1621-95) (colour engraving) by Gelibert, Gaston (1850-1931); Private Collection; French, out of copyright

Minoan Art. Fragment of plaster relief fresco showing a hunted bull
FBU4250117 Minoan Art. Fragment of plaster relief fresco showing a hunted bull. From Minoan palace at Knossos. 1600 - 1450 BC. Archeological museum, Herakleion, Crete

Minoan art. Bull s-head rhyton. This rhyton was found in the small palace of Knossos
FBU4250083 Minoan art. Bull s-head rhyton. This rhyton was found in the small palace of Knossos. It is a characteristic example of Minoan stone carving of the early Neopalatial period

Ink dealer - Flemish engraving
XEE4152979 Ink dealer - Flemish engraving by Flemish School; Private Collection; (add.info.: Ink dealer - Flemish engraving); Stefano Bianchetti; Flemish, out of copyright

Life of Saint Benedict of Nursie (ca. 480-547): "
LRI4694799 Life of Saint Benedict of Nursie (ca. 480-547): " Benedict admonishes the brother of monk Valerian who has broken his fast"

Illustration of Bezoar Ibex (Capra aegagrus aegagrus) head of wild goat in profile showing curved hors

Vergognosi 1590 (engraving)
XJF867961 Vergognosi 1590 (engraving) by Vecellio, Cesare (c.1521-1601) (attr. to); Private Collection; (add.info.: from De gli habiti antichi et moderni di diverse parti del mondo)

Paleolithic reindeer horn with carvings representing deers and salmons, dating back to Upper Magdalenian, from Lortet
Prehistory, France, Paleolithic. Reindeer horn with carvings representing deers and salmons, dating back to Upper Magdalenian. From Lortet, Midi-Pyrenees

Paleolithic reindeer horn carved into shapes of man, horse heads and snake, dating back to Magdalenian
Prehistory, France, Paleolithic. Reindeer horn carved into the shapes of man, horse heads and snake, dating back to Magdalenian. From La Madeleine in the surroundings of Tursac (Aquitaine)

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"Unveiling the Mystique: The Fascinating World of Animal Horns" Step into a journey through time and art as we explore the captivating allure of animal horns. From ancient masterpieces to modern illustrations, these enigmatic structures have left an indelible mark on human culture. In Michelangelo Merisi's iconic 17th-century painting "Saint Jean Baptiste, " the horned goat takes center stage, lending its majestic horns to unroll the yarn of this biblical tale. A symbol of strength and power, it embodies both divinity and earthly existence. Moving forward in time, Hokusai's "Laughing Demoness" mesmerizes with her mischievous charm. Adorned with intricately carved horns, she represents one of many supernatural beings that populate Japanese folklore – a reminder that even darkness can possess a sense of humor. Meanwhile, Paul Emile Theodore Ducos captures the essence of valor in his portrait titled "French Soldier. " With his resolute gaze and helmet adorned with antlers, he personifies courage amidst adversity during uncertain times. The sculpture "Le genie du mal" delves deeper into the duality embodied by animal horns. Crafted by an unknown artist, it portrays a malevolent force lurking within humanity – a constant reminder that evil can manifest itself in various forms. As we delve into satirical works like Lourdey's illustration for "L'Indiscret, " Combes Emile and Pelletan Andre's biting commentary comes alive through cleverly depicted horned figures. Satire becomes a powerful tool to critique societal norms while showcasing the complexity hidden beneath their seemingly innocent exteriors. "The Horn, the Horn, the Lusty Lusty Horn" by an anonymous painter transports us over vast heaths where nature reigns supreme. Through vibrant brushstrokes capturing wild beauty at its finest, we witness how animals utilize their magnificent horns as symbols of dominance or courtship.