Anna Maria Collection

Nancy Woodforde, late 18th-early 19th century, (1943). Creator: Samuel Woodforde
Nancy Woodforde, late 18th-early 19th century, (1943). Portrait of English diarist Anna Maria Woodforde (1757-1830) who was housekeeper for her uncle, James Woodforde

"My Lady's Chair", at Corby Castle, formerly belonging to the Countess of Derwentwater, 1862. Engraving of...an old oak chair preserved in the "Ratcliffe Room" of Corby

Figuier colossal dans la baie Anna-Maria, a Nouka-Hiva, Oceanie (engraving)
3645526 Figuier colossal dans la baie Anna-Maria, a Nouka-Hiva, Oceanie (engraving) by French School, (19th century); Private Collection; (add.info.: Figuier colossal dans la baie Anna-Maria)

Anna Maria, Marchioness of Tavistock (engraving)
6007568 Anna Maria, Marchioness of Tavistock (engraving) by English School, (19th century); Private Collection; (add.info.: Anna Maria, Marchioness of Tavistock)

Anna Maria Vaiani, 1624-36. Creator: Claude Mellan
Anna Maria Vaiani, 1624-36

The carriage which was to convey the travellers drew up at the door, (1907). Creator: Unknown
The carriage which was to convey the travellers drew up at the door, (1907). The young Mozart and his mother leave Salzburg in Austria:early in the morning of September 23, 1777

Anna Maria Talbot Countess of Shrewsbury, c1670. Artist: Peter Lely
Anna Maria Talbot Countess of Shrewsbury, c1670. Painting held at the National Portrait Gallery, London. From The Connoisseur Vol. LXXVI. [The Connoisseur, London, 1926]

Anna Maria Talbot (nee Anna Maria Brudenell) (1642-1702), Countess of Shrewsbury, 1912
Anna Maria Talbot (nee Anna Maria Brudenell) (1642-1702), Countess of Shrewsbury from 1659 to 1668, c1670. The Countess was married to Francis Talbot, 11th Earl of Shrewsbury (1623-1667/1668)

The Mozart Family, 1780-1781. Artist: Johann Nepomuk Della Croce
The Mozart Family, 1780-1781. Leopold (1719-1787), leaning, holding his violin with his daughter Maria-Anna (Nannerl) (1751-1829) and son Wolfgang Amadaeus (1756-1791) at the keyboard

Judith head Holofernes 1744 reverse glass painting
Judith with the head of Holofernes, 1744, reverse glass painting, 32.5 x 39 cm, signed and dated at the bottom of the picture: Anna Maria From Esch pinxit Surlaci in Helvetia 1744

Eric Utterhielm Johan Georg I Magdalena Sibylla
Eric Utterhielm, Johan Georg I, Magdalena Sibylla, Frederick III, Maria Elisabeth, Adolf, King Christian III, Queen Dorotea, King Frederick II, Johan Adolf, Queen Hedvig Eleonora, King Kristian I

Una statua di Minerva vestits... con serpe piedi
Una statua di Minerva vestits...con un serpe a piedi, Galleria givstiniana del marchese Vincenzo Givstiniani, Vaiani, Anna Maria, Engraving, between 1631 and 1637

Alexandre le grand Recueil des marbres antiques
Alexandre le grand, Recueil des marbres antiques qui se trouvent dans la galerie du roy de Pologne, Lindemann, Christian Philipp, 1700-ca

Group Five Male Figures Half-length 1640-50
Artokoloro

Black Skimmer Bird Flying close to photographer on beach in Florida

Elisa Bonaparte (1777-1820) Princess Bacciochi (oil on canvas)
XAL212993 Elisa Bonaparte (1777-1820) Princess Bacciochi (oil on canvas) by Benoist, Marie Guilhelmine (1768-1826); Museo di Palazzo Mansi, Lucca, Italy; French, out of copyright

Couples strolling along the pathway on the beach
Anna Maria, Florida: 1926. Couples strolling along the pathway on the beach in Florida

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"Anna Maria: A Captivating Figure from the Late 18th-Early 19th Century" In the realm of history and art, Anna Maria emerges as a name that evokes intrigue and fascination. From Nancy Woodforde's captivating portrait in 1943 to Samuel Woodforde's engraving of the colossal Figuier dans la baie Anna-Maria, we catch glimpses of her enigmatic presence. One cannot overlook the enchanting depiction of Anna Maria, Marchioness of Tavistock, captured in an exquisite engraving. Her elegance and grace are immortalized by an unknown artist who skillfully portrays her allure. Travel back further in time to encounter another Anna Maria - Vaiani - whose existence spanned from 1624 to 1636. Claude Mellan masterfully etched her likeness, leaving us with a mesmerizing image that transcends centuries. Step into a scene where a carriage awaits at the door; it is destined to carry travelers on an unknown adventure. This snapshot from 1907 leaves us wondering about Anna Maria's role in this tale woven by an anonymous creator. Delve deeper into history and discover Anna Maria Talbot, Countess of Shrewsbury. Peter Lely captures her essence around c1670 while another portrayal from 1912 showcases her beauty for posterity. The countess finds herself entangled in political turmoil as she pleads for her husband's life during uncertain times in England (1715-1716). The anguish on her face speaks volumes about love and loyalty amidst chaos. Beyond historical figures lies a glimpse into family life through Johann Nepomuk Della Croce's painting depicting The Mozart Family (1780-1781). Among them stands young Anna Maria, perhaps harboring musical talents like those displayed by Wolfgang Amadeus Mozart himself. Nature too holds its own version of an "Anna Maria moment.