Anonymous Collection (page 6)

Italian Landscape 1700s Anonymous Pen brown ink
Italian Landscape, 1700s. Anonymous. Pen and brown ink, brown and gray wash, with graphite; sheet: 24.5 x 38.3 cm (9 5/8 x 15 1/16 in.)

Ford 1700s Anonymous Brush brown ink heightened
The Ford, 1700s. Anonymous. Brush and brown ink heightened with white; sheet: 19.1 x 14.2 cm (7 1/2 x 5 9/16 in.)

Interior Inn 1800s Anonymous Watercolor graphite
Interior of an Inn, 1800s. Anonymous. Watercolor and graphite

Charles Thevenin Ingres 1800s Anonymous
Charles Thevenin, after Ingres, 1800s. Anonymous, after Jean-Auguste-Dominique Ingres (French, 1780-1867). Graphite; sheet: 30.2 x 25.4 cm (11 7/8 x 10 in.)

Harem Women 1800s Anonymous Graphite white heightening
Harem Women, 1800s. Anonymous. Graphite with white heightening and orange pastel; sheet: 35.2 x 24.5 cm (13 7/8 x 9 5/8 in.)

Interior View 1805-1810 Anonymous Watercolor
Interior View, c. 1805-1810. Anonymous. Watercolor and pen and black ink heightened with white, shell gold, and touches of other opaque colors and with traces of graphite; sheet

Copy Cornelis Cort Christ Giving Key Church Saint Peter
Copy of Cornelis Cort: Christ Giving the Key of the Church to Saint Peter, c. 1567. Anonymous, after Girolamo Muziano (Italian, 1528/32-1592)

Bridgenorth Shropshire 1790 Anonymous Watercolor
Bridgenorth, Shropshire, c. 1790. Anonymous. Watercolor over graphite; sheet: 35.5 x 51.7 cm (14 x 20 3/8 in.); secondary support: 43 x 57.2 cm (16 15/16 x 22 1/2 in.)

Cloud Study 1800s Anonymous
Cloud Study, 1800s. Anonymous

Cloud Study 1800s Anonymous Watercolor
Cloud Study, 1800s. Anonymous. Watercolor;

Apocalypse page Locusts Angel Abyss Sixth Trumpet
Apocalypse: page from the Apocalypse (The Locusts with the Angel of the Abyss and The Sixth Trumpet), 1400s. Anonymous. Woodcut (blockbook)

Third Oriental Head 1635 Rembrandt van Rijn Dutch
The Third Oriental Head, 1635. Rembrandt van Rijn (Dutch, 1606-1669), and Anonymous, copy after Jan Lievens (Dutch, 1607-1674). Etching; sheet: 15.8 x 13.7 cm (6 1/4 x 5 3/8 in.)

Holy Family 17th century Anonymous Pen brown ink
Holy Family, 17th century. Anonymous. Pen and brown ink and brush and brown wash over traces of black chalk or charcoal; sheet: 10.3 x 8 cm (4 1/16 x 3 1/8 in.)

Old Grist Mill 19th century Anonymous Haskell & Allen
The Old Grist Mill, 19th century. Anonymous, Haskell & Allen (American). Lithograph

Parade Horse 1619 Anonymous Pen brown ink brush
Parade Horse, 1619?. Anonymous. Pen and brown ink and brush and brown wash over graphite; sheet: 27.2 x 32.2 cm (10 11/16 x 12 11/16 in.); secondary support

Facsimile Of An Anonymous Engraving Satirising The Pre-Raphaelite Painting Sir Isumbras At The Ford By Sir John Everett Millais Printed London 1857 From A Catalogue Of A Collection Of Engravings

Silhouette Of A Man Walking Towards The Water Under A Starry Sky At Night; South Shields, Tyne And Wear, England

Romanesque Art. Catalonia. Espinelves. Frontal altar from Saint Vincent. Anonymous. Around 1187. Tempera on wood. The Adoration of the Magi: Melchior, Caspar and Balthasar. Episcopal Museum. VIc

Romanesque. Spain. Catalonia. Puigbo. Altar frontal from St
Romanesque art. Catalonia. Puigbo. Altar frontal from St. Martins church. Anonymous. Christ the Saviour and scenes from the life of Saint Martin, bishop of Tours. Last quarter of 12th century

Abbey of Port-Royal des Champs. Anonymous, 18th century. Aft
Abbey of Port-Royal des Champs. Female Cistercian Monastery diffuser of Jansenism. Gouache on parchment glued wood. Anonymous, 18th century. After an engraving of Magdeleine Horthemels (1686-1767)

The Aachen Passion Altar. 1505-1510. By the Master of the Altars of Aachen, Late Gothic anonymous painter. Detail. Calvary. Central panel. Treasury Museum of the Cathedral of Aachen. Germany

Elizabeth I (1533-1603). Queen of England and Ireland (1558-1603). Portrait (1558). Anonymous. National Portrait Gallery. Washington DC. United States

Brotherhood of the Misericordia of Florence, Italy, a charitable institution dating back to the Middle Ages. Seen here transporting a sick man. Masks are worn to preserve anonymity

Church Saints Peter Paul Schelle Antwerp North
Artokoloro

HINE: BOOTBLACK, 1924. A 12-year-old bootblack shining shoes in Bowling Green, New York City, New York. Photograph by Lewis Wickes, Hine, 1924

NEW MEXICO: MINING, 1940. Gold miners with drilling equipment at the gold mine in Mogollon, New Mexico. Photograph by Russell Lee, 1940

HINE: READING, c1924. A boy reading. Photograph by Lewis Wickes Hine, c1924

HINE: SILK MILL, 1924. A boy and a girl working a loom at the Cheney Silk Mills in South Manchester, Connecticut. Photograph by Lewis Wickes Hine, 1924

NEW YORK: SLUM, 1896. A family in their home on the Lower East Side of New York City. Photograph, 1896

TWO MEN, 19th CENTURY. Two men photographed by Joseph Collier in Central City, Colorado, 1870s or 1880s

FAMILY, 19th CENTURY. A portrait of woman and a boy. Photograph of a daguerreotype, mid 19th century

Evenings entertainment of a couple Jock and Jean in Glasgow, Scotland

Two women tourists visiting Pompeii in Italy in the 1950s

John The Fearless (1371-1419). Duke of Burgundy (1414-1419). Anonymous author (16th c.). Oil on wood. FRANCE. Versailles. National Museum of Versailles

Santa Cruz, Alvaro de Bazan, Marques de (1526-1588). Spanish sailor. Anonymous. Oil on canvas. SPAIN. Madrid. Navy Museum

JOHN I of Aragon (1350-1396). King of Aragon (1387-1396), son of Peter IV of Aragon. Anonymous. Oil on canvas

Piazza di Spagna (Spain Square) in 18th c Italian
Piazza di Spagna (Spain Square) in 18th c.. Italian anonymous. Oil on canvas. ITALY. Rome. Rome Museum and Roman Art Gallery

James II the Just (1267-1327). King of Aragon

GRASSI, Cristoforo (16th c. ). Port of Genoa
GRASSI, Cristoforo (16th c.). Port of Genoa. 1597. Right detail. Inspired on an anonymous painting of 1842. Oil on canvas. ITALY. Genoa. Pegli. Navy Museum

Ecuador. Process of Independence (1822). Battle of Pichincha. Death of Abd alder󮮠 Anonymous painting. Oil on canvas. ECUADOR. Quito. Eloy Alfaro Military School

Canon of Medicine. Illuminated page from Canon of medicine of Avicenna with a Pharmacy scene. Anonymous illustration

All Professionally Made to Order for Quick Shipping

"Unveiling the Enigma: Exploring the Anonymous Footprints of History" From the haunting melodies of Collegium Musicum to the captivating verses penned by Michel de Montaigne, anonymous creators have left their mark on our collective consciousness. In a world where names often fade into oblivion, these enigmatic figures continue to intrigue and inspire. In 16th-century Italy, Ana Mendoza de la Cerda, known as Princess Eboli, wielded her influence with grace and cunning. Her intricate web of power rivaled even that of Pope Pius V himself. As we delve into her mysterious life, we uncover a woman who defied societal norms and challenged authority. Meanwhile, in Germany's vibrant city of Jena, an anonymous group known as Concert of Collegium Musicum enchanted audiences with their harmonious symphonies. Their melodies transcended time and space, leaving listeners spellbound in awe. Across borders and centuries alike, another nameless artist captured the essence of Damascus through brushstrokes on canvas. With each stroke depicting the bustling streets and majestic architecture, this Syrian unknown gifted us a glimpse into a world long gone but not forgotten. The Protestant Reformation brought forth voices that shook Europe's foundations; one such voice was John Calvin. This French theologian dared to challenge established doctrines while inspiring countless souls along his path towards religious enlightenment. As we shift our gaze from Europe to America's towering skyline in 1931, steelworkers perched upon girders high above New York City epitomized bravery and resilience during construction of the Empire State Building. These faceless heroes shaped an iconic symbol that still stands tall today. Traveling further westward brings us to Alaska where Tlingit Native American women wove baskets with meticulous skill passed down through generations - their artistry reflecting both tradition and innovation. Cricket enthusiasts found solace within sketches capturing India's beloved sport in 1890.