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Anthromorphic Collection

"Exploring the Enchanting World Art: From Unicorns to Wildmen" Step into a whimsical realm where imagination knows no bounds

Background imageAnthromorphic Collection: Unicorn (chalk on paper)

Unicorn (chalk on paper)
3704060 Unicorn (chalk on paper) by Dijsselhof, Gerrit Willem (1866-1924); 12.3x18 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageAnthromorphic Collection: Queen Alice and the Frog illustration from Through the Looking Glass

Queen Alice and the Frog illustration from Through the Looking Glass
2657697 Queen Alice and the Frog illustration from Through the Looking Glass by Lewis Carroll (1832 - 98), 1872 (engraving) by Tenniel

Background imageAnthromorphic Collection: The Fat Kitchen, pub. C. 1585 (engraving)

The Fat Kitchen, pub. C. 1585 (engraving)
3239919 The Fat Kitchen, pub. C. 1585 (engraving) by Borcht, Pieter van der (1545-1608); Private Collection; The Stapleton Collection; Belgian, out of copyright

Background imageAnthromorphic Collection: Human-headed Jug, Iran, early 14th century ( stone-paste with gold lustre over blue glaze

Human-headed Jug, Iran, early 14th century ( stone-paste with gold lustre over blue glaze
AME117765 Human-headed Jug, Iran, early 14th century ( stone-paste with gold lustre over blue glaze) by Persian School, (14th century); height: 21.5 cm; Ashmolean Museum, University of Oxford

Background imageAnthromorphic Collection: The Dodo presents Alice with a thimble (colour engraving)

The Dodo presents Alice with a thimble (colour engraving)
3740335 The Dodo presents Alice with a thimble (colour engraving) by Tenniel, John (1820-1914); Private Collection; (add.info)

Background imageAnthromorphic Collection: The Fox and the Goose, pub. 1833 (hand coloured engraving)

The Fox and the Goose, pub. 1833 (hand coloured engraving)
2836309 The Fox and the Goose, pub. 1833 (hand coloured engraving) by Cruikshank, George (1792-1878); Private Collection; The Stapleton Collection; English, out of copyright

Background imageAnthromorphic Collection: How Well We Go Together, c. 1614-62 (oil on panel)

How Well We Go Together, c. 1614-62 (oil on panel)
5675871 How Well We Go Together, c. 1614-62 (oil on panel) by Venne, Adriaen Pietersz. van de (1589-1662); 26.5x18 cm; Statens Museum for Kunst, Copenhagen

Background imageAnthromorphic Collection: 'So she set the little creature down', illustration for Lewis Carroll

"So she set the little creature down", illustration for Lewis Carroll
4075086 " So she set the little creature down", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageAnthromorphic Collection: 'Whats that in the window?', illustration for Lewis Carroll

"Whats that in the window?", illustration for Lewis Carroll
4075075 " Whats that in the window?", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageAnthromorphic Collection: Alice meets the Dodo, from Alices Adventures In Wonderland And Through The

Alice meets the Dodo, from Alices Adventures In Wonderland And Through The
2657678 Alice meets the Dodo, from Alices Adventures In Wonderland And Through The Looking-Glass And What Alice Found There, by Lewis Carroll (1832 - 98)

Background imageAnthromorphic Collection: Paleo-Assyrian apotropaic stone idol, from Kanesh (ancient Kultepe), Turkey

Paleo-Assyrian apotropaic stone idol, from Kanesh (ancient Kultepe), Turkey
Assyrian civilization, 19th century b.C. Paleo-assyrian apotropaic stone idol. From Kanesh (ancient Kultepe, Turkey)

Background imageAnthromorphic Collection: My Wonderful One by Lawson Wood

My Wonderful One by Lawson Wood
My Wonderful One - humourous postcard illustration by Lawson Wood


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"Exploring the Enchanting World Art: From Unicorns to Wildmen" Step into a whimsical realm where imagination knows no bounds. In this captivating collection art, we embark on a journey through time and space, encountering mythical creatures and fantastical beings that blur the lines between human and animal. Our adventure begins with a delicate chalk-on-paper rendering of a majestic Unicorn. Its graceful form dances across the page, evoking an ethereal sense of wonder. Moving forward in history, we stumble upon "Wildman on a Unicorn, " an intriguing print from 1473-77 that showcases the fusion of man and beast in medieval folklore. As we delve deeper into this enchanting world, Queen Alice takes center stage alongside her trusty companion, the Frog. The intricate illustration from "Through the Looking Glass" transports us to a land where animals possess human-like qualities, sparking our curiosity about their hidden stories. Intriguingly contrasting this magical realm is "The Fat Kitchen, " an engraving from C. 1585 that humorously depicts anthropomorphic kitchen utensils engaged in lively activities. This playful representation reminds us that even everyday objects can come alive with personality when viewed through an imaginative lens. Venturing further back in time, we encounter an extraordinary Human-headed Jug originating from Iran's early 14th century. Crafted meticulously with stone-paste adorned by gold lustre over blue glaze, it exemplifies how ancient civilizations embraced anthropomorphism as both artistic expression and cultural symbolism. No exploration would be complete without Lewis Carroll's beloved characters gracing our path. The Dodo presents Alice with a thimble in vivid color engraving while she encounters various creatures like Fox and Goose along her Wonderland adventures. These illustrations capture Carroll's talent for breathing life into his creations through their endearing blend of human traits within animal forms. Taking another leap across centuries, we uncover "How Well We Go Together, " an oil painting from c.