Antoinette Collection (page 7)

Portrait of Marie Antoinette. Queen of France (Vienna, November 2, 1755 in Paris
XEE4403689 Portrait of Marie Antoinette. Queen of France (Vienna, November 2, 1755 in Paris, October 16, 1793). after hombres y Mujeres celebres. Barcelona 1877

1610 to 1774. Marie de Medici, Louis XIII, Louis XV, Marie Antoinette and Louis XVI
LSE4110671 1610 to 1774. Marie de Medici, Louis XIII, Louis XV, Marie Antoinette and Louis XVI. Engraving of the 19th century

Portrait of Marie Antoinette - earthenware plate, 18th century
LSE4110111 Portrait of Marie Antoinette - earthenware plate, 18th century by French School, (18th century); Private Collection; (add.info.: Portrait of Marie Antoinette - earthenware plate)

Marriage of Louis XVI with Maris Antoinette, circa 1774, in Orleans
LSE4101665 Marriage of Louis XVI with Maris Antoinette, circa 1774, in Orleans. by Unknown artist, (18th century); Private Collection; (add.info.: Marriage of Louis XVI with Maris Antoinette)

Le gourmand (meal of Louis XVI and Marie Antoinette during the flight to Varennes
LSE4089913 Le gourmand (meal of Louis XVI and Marie Antoinette during the flight to Varennes) - in " Musee de la caricature" by Unknown Artist

Return of the Royal Family to Paris on June 25, 1791 after arrest in Varennes on June 20
XEE4157858 Return of the Royal Family to Paris on June 25, 1791 after arrest in Varennes on June 20 and 21, 1791 - Return of the royal family from Varenne, June 25, 1791

French Revolution - The terrible night of 5 to 6 October 1789 in Versailles - aggression
XEE4157663 French Revolution - The terrible night of 5 to 6 October 1789 in Versailles - aggression by Louis XVI and Marie Antoinette - by French School; Private Collection; (add.info)

Hubert Lathams spectacular flight over the city of Baltimore, Maryland (b / w photo)
6002602 Hubert Lathams spectacular flight over the city of Baltimore, Maryland (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info)

Portrait medallions of King Louis XVI of France (blue), Marie Antoinette (blue), Duke of Bridgewater (black), Edmund Burke (pink) and William Pitt (blue). Chromolithograph by W

Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style

Noble woman in Tricolor outfit, 1789
Noble woman wearing the colours of the Tricolor revolutionary flag, 1789. She wears a blue short redingote, short floral petticoat, and carries a red parasol

Women in hairstyles and hats of 1788
Woman in a gauze pouf hat decorated with ribbons and plumes, and woman in a gauze pouf hat decorated with artificial roses and plumes. Both in hairstyles of ringlets and curls by M

Man in fashionable suit, 1788
Man in suit of moss-green satin, white hose, tricorn hat, shoes with silver buckles and an epee. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times

Fashionable hats of 1788
Woman in large striped bonnet-hat over a gauze night cap, and woman in black felt hat with feather trim, ribbons and plumes

Woman in the fashion of 1788
Woman in jacket of Naples blue, petticoat in Naples yellow, large fichu jabot, straw hat decorated with a large violet ribbon tied to the front of her bodice

Women in fashionable hats of 1788
Woman in bonnet-hat in red, green and white, with yellow plumes and artificial roses, and woman in hat of gauze and taffeta surmounted by feathers

Fashionable armchairs of 1788: a bergere in striped silk and carved walnut, and a fauteuil in Aubusson tapestry and carved walnut

Woman in see-through muslin shirt dress, 1788
Woman in linen gauze bonnet decorated with pearls, see-through muslin shirt-dress with black belt worn over a pink taffeta corset and petticoat

Woman in yellow taffeta demi-redingote, 1788
Woman in canary-yellow taffeta demi-redingote, pink pointed bodice, white taffeta petticoat, and fichu. Her straw hat is decorated with ribbons and plumes

Woman in mourning dress of black taffeta, 1788
Woman in mourning dress of black taffeta, fichu of white Italian gauze, and bonnet-hat in white crepe. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times

Woman in dress a la turque and high priestess bonnet, 1788
Woman in dress a la turque in white linen and English lace, white petticoat with lace falbalas, fichu, blue gilet, and gold medallion with initials CD

Woman in caraco and petticoat, 1788
Woman in taffeta pierrot caraco jacket, white linen petticoat, fichu in English gauze, and headdress of artificial roses and ribbons

Women in large baigneuse cap and chapeau, 1788
Woman in pink pierrot wearing a large baigneuse bathing cap in white linen with her hair in ringlets, and woman in green pierrot with black chapeau a la maltaise decorated with feathers and ribbons

Woman dancing a minuet, 1788
Woman dancing a minuet in apple-green caraco over a white gilet, white fichu-jabot, pink satin petticoat, and green slippers

Light carriage called a diligence or voiture-coupe for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times

Womens hats and bonnets of 1787
Striped satin capot hat with ribbons and plumes, bonnet a la captif in satin nacarat, bandeau bonnet in Italian gauze, and huge morning bonnet in Italian gauze with violet ribbon

Women in large bonnet and chapeau, 1787
Woman in redingote in black wool with two collars, bonnet a la grande pretesse with artificial roses, and woman in striped taffeta robe, fichu, large yellow gauze chapeau tied with violet ribbon

Marie Antoinettes sleigh, a carriage mounted on skis. Marie Antoinette raced Madame de Lamballe around Versailles. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times

Woman in a sea-green redingote with two collars, 1787
Woman in a sea-green redingote with two collars, gauze fichu, felt hat in canary decorated with ribbons, her hair tied with a hairpin a la Cagliostro. She holds a long cane or badine

Silver salt cellar showing the arcades of the Palais Royal, designed by Grancher, jeweller at Petit-Dunkerque. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times

Woman in satin robe a la turque in violet and green stripes, canary corset, white petticoat and fichu, and a bonnet a la turque decorated with heron plumes

Woman in black and poppy-red outfit, 1787
Woman in large black felt hat with a poppy-red ribbon, caraco jacket, violet corset, and black and poppy petticoats, white fichu and falbala, 1787

Woman in traveling clothes for riding a cabriolet, 1787
Woman in traveling clothes for riding a cabriolet: she wears a jacket with three collars in Peking puce, a gilet and petticoat in Peking apple-green, and a felt hat decorated with feathers

Bonnet a l Iphigenie and chapeau a la Colette
Bonnet a l Iphigenie, a pouf in white gauze with flowers inspired by the 1779 opera by Gluck, and chapeau a la Colette, straw hat decorated with ribbons

Bonnets a la Randan and a la Bayard
Bonnet a la Randan, green taffeta band with gold insignia and white feathers and gauze, and bonnet a la Bayard, a pouf a la chinoise with gauze and feathers. Both inspired by the actress Mlle

Madame Marie Laurent as Antoinette in La Corde de Pendu by Ferdinand Laloue and Anicet Bourgeois, Theatre du Cirque Olympique, 1844

Antoinette Revilly as Fanchette in Le Trompette
French opera singer Antoinette Revilly as Fanchette in Le Trompette de M. Le Prince by Francois Bazin, Theatre Royal de l Opera Comique, 1846

Hairstyle with large curls and a straw hat
Woman in hairstyle with large curls and a straw hat decorated with flowers. Coeffure a grosses Boucles avec un Chapeau orne de fleurs

Woman in spotted Pennsylvania hat, 1783
Woman in spotted Pennsylvania hat. Chapeau tigre a la Pensilvaine. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783

Woman in hairstyle with large curls under a straw hat, 1783
Woman in hairstyle with large curls under a straw hat. Coeffure a grosse Boucles avec un Chapeau de paille. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable

Woman in English-style hat decorated with ribbons and flowers. Chapeau a l Anglaise. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783

Hedgehog hairstyle tied with a ribbon with a Nizarras diamond pin. Herisson ceint d un Ruban avec une Epingle de diamant a la Nizarras

Woman with ringlets in a polka-dotted hat, 1783
Woman in a polka-dotted hat decorated with ribbons. Hairstyle with falling curls or ringlets. Chapeau mouchete garni de Rubans, Boucles negligees

Woman in a Lyonnaise bonnet seen from the front, 1783. Bonnet a la Lionnaise vu de face. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783

Woman in a rumpled bonnet, 1783
Woman in a rumpled bonnet. Bonnet neglige. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783

Woman in hairstyle with ringlets called the Jamaican, 1783
Woman in hairstyle with ringlets called the Jamaican. Coeffure a la Jamaique. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783

Woman in straw hat tied with a ribbon called the Jeannette. Coeffeur a la Jeannette. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783

Woman in hairstyle decorated with ribbons and flowers called Childhood. Coeffure a l Engance. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783

All Professionally Made to Order for Quick Shipping

"Antoinette: A Captivating Figure in History and Art" Step back in time and immerse yourself in the life of Antoinette, a name that echoes through history. From Marie Antoinette Meytens to Vigee-Lebrun's iconic portrait of Elisabeth, this captivating figure has left an indelible mark on art and culture. One cannot mention Antoinette without conjuring images of grandeur and opulence. The sight of Louis XVI and Marie Antoinette donning their exquisite wedding costumes is enough to transport us to a bygone era of lavishness and extravagance. Yet, beyond the gilded halls of Versailles, there was another side to Antoinette's story. Her secret romance with Fersen adds a touch of forbidden love amidst the rigid protocols of courtly life. The Hameau de la Reine stands as a testament to her desire for simplicity, where she sought solace from the pressures of royalty. Artists throughout history have been captivated by Antoinette's allure. A woman adorned in a ball gown with mask exudes mystery and intrigue, while Hubert Lathams' daring flight over Blackpool showcases the spirit of adventure associated with her name. Joseph Boze immortalized her beauty in copper engraving, capturing every delicate detail that made Marie Antoinette Queen Consort of France from 1774 until 1792. Even today, we can still marvel at her bedroom at Fontainebleau Palace or step into her boudoir – spaces that reflect both elegance and intimacy. But perhaps it is the image titled "Antoinette Shepherdess" that truly encapsulates our fascination with this enigmatic figure. In one painting, we see strength intertwined with vulnerability; power juxtaposed against fragility – all embodied within the persona known simply as "Antoinette. " Whether you view her through historical lenses or admire artistic interpretations spanning centuries, Antoinette continues to captivate our imagination.