Antonio Del Pollaiolo Collection

Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydr... ca
Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky, ca. 1500-1520

The Martyrdom of Saint Sebastian, with three archers, ca. 1480-90. ca. 1480-90. Creator: Anon
The Martyrdom of Saint Sebastian, with three archers, ca. 1480-90

Battle of the Nudes by Antonio del Pollaiolo, c. 1470-90 (b / w engraving)
3036413 Battle of the Nudes by Antonio del Pollaiolo, c.1470-90 (b/w engraving) by Pollaiuolo, Antonio (1432/3-98); (add.info.: Battle of the Nudes by Antonio del Pollaiolo (Italian)

Battle of the Naked Men, ca. 1470-90. ca. 1470-90. Creator: Antonio del Pollaiuolo
Battle of the Naked Men, ca. 1470-90

Silver-handled knife, c1470?, (1881). Creator: Js Dominy
Silver-handled knife, c1470?, (1881). Etching of a knife ascribed to Pollaiuolo, decorated with scenes including the Judgment of Paris and the Judgment of Solomon

The Martyrdom of St. Sebastian, 1475, (1909). Artist: Antonio del Pollaiuolo
The Martyrdom of St. Sebastian, 1475, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Martyrdom of St Sebastian, 1473-1475 (1870). Artist: Hotelin
Martyrdom of St Sebastian, 1473-1475 (1870). After the painting by Antonio Pollaiolo in the collection of the National Gallery, London

Pollaiuolos Combat of Centaurs, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Christ and the Chalice, 1913. Artist: Antonio del Pollaiuolo
Christ and the Chalice, 1913. Antonio del Pollaiolo (1429/1433-1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiolo, was an Italian painter, sculptor

Portrait of a Lady, c1453-1498. Artist: Antonio del Pollaiuolo
Portrait of a Lady, c1453-1498. Found in the collection of the Galleria degli Uffizi, Florence, Italy

An Etruscan statue, The Capitoline Wolf
The Capitoline Wolf, an Etruscan bronze of the wolf with Romulus and Remus. from the Capitoline Museums collection in Rome

Antonio del Pollaiolo (aka Antonio del Pollaiuolo, Italian, 1431 / 1432 - 1498)
Antonio del Pollaiolo (aka Antonio del Pollaiuolo, Italian, 1431/1432 - 1498). The Battle of the Nudes, ca. 1465-1470. Engraving. Sheet: 401 mm x 578 mm (15.79 in. x 22.76 in.). Second of two states

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Antonio del Pollaiolo: Master of Dynamic Artistry Known for his exceptional talent and innovative techniques, Antonio del Pollaiolo was a prominent Italian artist during the Renaissance. His diverse body of work showcases his mastery in various artistic mediums, from painting to engraving and sculpture. One of his most celebrated works is "Hercules and the Hydra, " a captivating depiction of the mythical hero battling a fearsome multi-headed beast. With great skill, Pollaiolo captures Hercules' strength as he wields a torch to attack the winged creature. The intensity and dynamism conveyed in this artwork are truly awe-inspiring. In another masterpiece titled "The Martyrdom of Saint Sebastian, " Pollaiolo portrays the saint's suffering with remarkable precision. This composition features three archers aiming their arrows at Sebastian, showcasing the artist's ability to capture human emotion amidst tragedy. The attention to detail and meticulous execution make this piece an enduring symbol of devotion and martyrdom. Pollaiolo's fascination with battle scenes is evident in works such as "Battle of the Nudes" and "Battle of the Naked Men. " These powerful engravings depict fierce clashes between muscular figures engaged in combat. Through intricate lines and shading, Pollaiolo brings these intense confrontations to life, highlighting both physical prowess and emotional turmoil. Beyond his renowned paintings, Pollaiolo also showcased his craftsmanship through other art forms. A silver-handled knife attributed to him demonstrates his attention to intricate details even on functional objects. Additionally, he created sculptures like "Christ and the Chalice, " which exemplify his ability to infuse religious subjects with gracefulness and spiritual depth. Amongst all these remarkable creations lies one notable portrait - that of a Lady whose identity remains unknown but captivates viewers with her enigmatic gaze. Painted by Pollaiuolo himself, this portrait reflects not only technical brilliance but also an understanding of capturing individuality through art.