Antonio Del Pollaiuolo Collection

Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydr... ca
Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky, ca. 1500-1520

The Martyrdom of Saint Sebastian, with three archers, ca. 1480-90. ca. 1480-90. Creator: Anon
The Martyrdom of Saint Sebastian, with three archers, ca. 1480-90

Portrait of Antonio del Pollaiuolo, Italian painter, sculptor, engraver and goldsmith of the Renaissance from Florence
6338832 Portrait of Antonio del Pollaiuolo, Italian painter, sculptor, engraver and goldsmith of the Renaissance from Florence, circa 1429-1498 by Italian School

Battle of the Naked Men, ca. 1470-90. ca. 1470-90. Creator: Antonio del Pollaiuolo
Battle of the Naked Men, ca. 1470-90

Battle of the Nudes, 1470s-80s. Creator: Antonio del Pollaiuolo (Italian, 1431 / 32-1498)
Battle of the Nudes, 1470s-80s. This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Pollaiuolos grimacing warriors appear like clones in different poses

Silver-handled knife, c1470?, (1881). Creator: Js Dominy
Silver-handled knife, c1470?, (1881). Etching of a knife ascribed to Pollaiuolo, decorated with scenes including the Judgment of Paris and the Judgment of Solomon

The Martyrdom of St. Sebastian, 1475, (1909). Artist: Antonio del Pollaiuolo
The Martyrdom of St. Sebastian, 1475, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Martyrdom of St Sebastian, 1473-1475 (1870). Artist: Hotelin
Martyrdom of St Sebastian, 1473-1475 (1870). After the painting by Antonio Pollaiolo in the collection of the National Gallery, London

Pollaiuolos Combat of Centaurs, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Christ and the Chalice, 1913. Artist: Antonio del Pollaiuolo
Christ and the Chalice, 1913. Antonio del Pollaiolo (1429/1433-1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiolo, was an Italian painter, sculptor

Portrait of a Lady, c1453-1498. Artist: Antonio del Pollaiuolo
Portrait of a Lady, c1453-1498. Found in the collection of the Galleria degli Uffizi, Florence, Italy

An Etruscan statue, The Capitoline Wolf
The Capitoline Wolf, an Etruscan bronze of the wolf with Romulus and Remus. from the Capitoline Museums collection in Rome

Fight Eleven Warriors Allaert Claesz Netherlandish
Fight between Eleven Warriors. Allaert Claesz (Netherlandish, fl. 1508-1534), after Antonio del Pollaiuolo (Italian, 1431/32-1498). Engraving; sheet: 4.6 x 15.8 cm (1 13/16 x 6 1/4 in.)

Battle Nudes 1470s-1480s Antonio del Pollaiuolo
Battle of the Nudes, 1470s-1480s. Antonio del Pollaiuolo (Italian, 1431/32-1498). Engraving; sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.); platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.)

Antonio del Pollaiolo (aka Antonio del Pollaiuolo, Italian, 1431 / 1432 - 1498)
Antonio del Pollaiolo (aka Antonio del Pollaiuolo, Italian, 1431/1432 - 1498). The Battle of the Nudes, ca. 1465-1470. Engraving. Sheet: 401 mm x 578 mm (15.79 in. x 22.76 in.). Second of two states

Antonio del Pollaiuolo (Italian, c. 1431-1498), Battle of the Nudes, 1470-1475, engraving

Thurible, drawing 15th century, Antonio del Pollaiuolo (also known as Antonio Benci, 1431-1498), Galleria Degli Uffizi (Uffizi Gallery)

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Antonio del Pollaiuolo: Master of Renaissance Art Antonio del Pollaiuolo, an Italian painter, sculptor, engraver, and goldsmith of the Renaissance from Florence, was a true master of his craft. Born around 1429 in Florence and passing away in 1498, he left behind a remarkable body of work that continues to captivate art enthusiasts today. One of his most famous works is "Hercules and the Hydra. " In this masterpiece, we see Hercules wielding a torch as he fearlessly attacks the winged, multi-headed Hydra. Del Pollaiuolo's attention to detail is evident in every stroke; each muscle on Hercules' powerful body seems to come alive before our eyes. "The Martyrdom of Saint Sebastian" is another notable piece by del Pollaiuolo. Painted around 1480-90 by an anonymous artist influenced by him, it depicts three archers shooting arrows at the saint tied to a tree. The intensity captured in their faces reveals the brutality faced by Sebastian during his martyrdom. Delving into battle scenes was one of del Pollaiuolo's specialties. His "Battle of the Naked Men" showcases muscular warriors engaged in fierce combat with weapons raised high. Similarly, "Battle of the Nudes, " created in the 1470s-80s solely by Antonio himself, portrays an epic clash between armored fighters displaying incredible anatomical accuracy. Beyond painting and sculpture, del Pollaiuolo also ventured into other artistic realms like goldsmithing. A silver-handled knife dating back to around 1470 bears witness to his exceptional craftsmanship and attention to detail. Returning once again to St. Sebastian as subject matter for inspiration shows how deeply this theme resonated with del Pollaiuolo throughout his career. From "The Martyrdom of St. Sebastian" painted in 1475 (1909) or (1911) to "Martyrdom of St.