Antonio More Collection
"Antonio More: A Master of Capturing the Essence of his Subjects" Step into the world of Antonio More, a renowned portrait artist whose works have stood the test of time
All Professionally Made to Order for Quick Shipping
"Antonio More: A Master of Capturing the Essence of his Subjects" Step into the world of Antonio More, a renowned portrait artist whose works have stood the test of time. With each stroke of his brush, he brought to life individuals from various walks of life, leaving behind a legacy that continues to captivate art enthusiasts. In "Portrait of a Court Lady, " created between 1560 and 1570 by an unknown artist, we catch a glimpse of the elegance and grace that defined women during this era. The intricate details in her attire and delicate features reveal More's ability to capture the essence of femininity. Moving on to "Portrait of a Man" from 1565-1570, we witness Antonis Mor's own artistic prowess. The subject exudes confidence and intelligence through his piercing gaze and regal attire, and is evident that Mor had an innate talent for capturing not only physical appearances but also inner strength. Another masterpiece by Mor is "Portrait of a Seated Woman, " dating back to 1560-1565. This painting showcases his versatility as an artist as he effortlessly portrays different emotions through subtle facial expressions. The woman's contemplative pose invites viewers into her world, provoking curiosity about her thoughts and aspirations. In "Portrait of a Young Man" painted in 1558 by an anonymous creator, we see how even without knowing the artist's name, their work still stands out among others. This young man emanates youthful energy with his vibrant eyes and confident smile—a testament to More's influence on other artists who sought inspiration from his techniques. The year 1569 brings us "Portrait of a Gentleman, " another striking piece attributed directly to Antonis Mor himself. This gentleman exudes power with every line etched onto canvas; it is clear why Mor was highly sought after by nobility during this period. Stepping away momentarily from portraits but staying within historical figures, we have "Sir Thomas Gresham" from 1844.