Apparel Collection (page 3)

The Park in Winter, (pastel on artist's board)
984884 The Park in Winter, (pastel on artist's board) by Shinn, Everett (1876-1953); 54.6x69.5 cm; Private Collection; (add.info.: The Park in Winter. Everett Shinn (1876-1953)

In the Piazza San Marco, (gouache, chalk and pen and brown ink)
827280 In the Piazza San Marco, (gouache, chalk and pen and brown ink) by Dulac, Edmund (1882-1953); 30.5x24.2 cm; Private Collection; (add.info.: In the Piazza San Marco. Edmund Dulac (1882-1953)

The Ballet, 1943 (oil on canvas)
823004 The Ballet, 1943 (oil on canvas) by Shinn, Everett (1876-1953); 40.8x50.8 cm; Private Collection; (add.info.: The Ballet. Everett Shinn (1876-1953). Oil on canvas. Signed and dated 1943

A Moment of Reflection, 1927 (oil on canvas)
659922 A Moment of Reflection, 1927 (oil on canvas) by Bennett, Frank Moss (1874-1953); 36x51 cm; Private Collection; (add.info.: A Moment of Reflection. Frank Moss Bennett (1874-1953)

Scene from The Tempest, (watercolour on paper laid on board)
657756 Scene from The Tempest, (watercolour on paper laid on board) by Dulac, Edmund (1882-1953); Private Collection; (add.info.: Scene from The Tempest. Edmond Dulac (1882-1953)

At the Piano, (oil on canvas)
651477 At the Piano, (oil on canvas) by Priechenfried, Alois Heinrich (1867-1953); 75x100 cm; Private Collection; (add.info.: At the Piano. Alois Heinrich Priechenfried (1867-1953). Oil on canvas

Snow Storm, Madison Square, New York, (pastel and pencil on gray paper)
650909 Snow Storm, Madison Square, New York, (pastel and pencil on gray paper) by Shinn, Everett (1876-1953); 57.8x65.7 cm; Private Collection; (add.info.: Snow Storm, Madison Square, New York)

Mughal Infantryman, 1850 (engraving)
2902938 Mughal Infantryman, 1850 (engraving); Buyenlarge Archive/UIG.

Worst Comes to Worst-We'll Look at His Etchings, 1934 (pastel and pencil on board)
822782 Worst Comes to Worst-We'll Look at His Etchings, 1934 (pastel and pencil on board) by Shinn, Everett (1876-1953); 57x42 cm; Private Collection; (add.info)

Returning Home from Work; Retour du Travail - Terugkeer na het Werk, 1929 (oil on canvas)
653482 Returning Home from Work; Retour du Travail - Terugkeer na het Werk, 1929 (oil on canvas) by Brusselmans, Jean (1884-1953); 115.6x110.2 cm; Private Collection; (add.info)

Firelight, (oil on canvas)
650906 Firelight, (oil on canvas) by Sharp, Joseph Henry (1859-1953); 76.2x92.1 cm; Private Collection; (add.info.: Firelight. Joseph Henry Sharp (1859-1953). Oil on canvas

The Ship Model, (oil on canvas)
989465 The Ship Model, (oil on canvas) by Waite, James Clarke (fl.1863-85); 61x50.8 cm; Private Collection; (add.info.: The Ship Model. James Clarke Waite (1832-1920). Oil on canvas

A Near Eastern gentleman's linen nightcap embroidered in red and green, with silver gilt thread and sequins
1767224 A Near Eastern gentleman's linen nightcap embroidered in red and green, with silver gilt thread and sequins, trimmed with gold lace

Queen Isabella of Bavaria, (gouache over traces of pencil on whatman board)
827464 Queen Isabella of Bavaria, (gouache over traces of pencil on whatman board) by Dulac, Edmund (1882-1953); 33.4x30.7 cm; Private Collection; (add.info.: Queen Isabella of Bavaria)

The Ghost of Christmas Yet to Come: Ebeneezer Scrooge, 1938 (pen and black and blue ink wash on board)
823342 The Ghost of Christmas Yet to Come: Ebeneezer Scrooge, 1938 (pen and black and blue ink wash on board) by Shinn, Everett (1876-1953); 43.5x38.2 cm; Private Collection; (add.info)

The Ghost of Christmas Past: Scrooge at the Schoolhouse, 1938 (watercolour, pen and black ink and pencil on board)
823341 The Ghost of Christmas Past: Scrooge at the Schoolhouse, 1938 (watercolour, pen and black ink and pencil on board) by Shinn

Feeding the Pheasants, (pencil, pen and black ink and watercolour heightened with bodyco)
651423 Feeding the Pheasants, (pencil, pen and black ink and watercolour heightened with bodyco) by Sonrel, Elisabeth (1874-1953); 31.7x49.5 cm; Private Collection; (add.info.: Feeding the Pheasants)

A finely lacquered group of seven netsuke
1766580 A finely lacquered group of seven netsuke; Private Collection; (add.info.: A finely lacquered group of seven netsuke. 19th Century.); Photo © Christie's Images.

They Overran the House Without Loss of Time, 1910 (pen, black ink and watercolour)
986004 They Overran the House Without Loss of Time, 1910 (pen, black ink and watercolour) by Dulac, Edmund (1882-1953); 31.12x25.4 cm; Private Collection; (add.info)

Indians by the Fire, (oil on canvas)
985489 Indians by the Fire, (oil on canvas) by Sharp, Joseph Henry (1859-1953); 50.8x76.2 cm; Private Collection; (add.info.: Indians by the Fire. Joseph Henry Sharp (1859-1953). Oil on canvas

Take off your glasses
Jan Slotboom

In Vintage Outfit
Jan Slotboom

A Lady Playing the Piano in an Interior, (oil on canvas)
651510 A Lady Playing the Piano in an Interior, (oil on canvas) by Madrazo y Garreta, Raimundo de (1841-1920); Private Collection; (add.info.: A Lady Playing the Piano in an Interior)

Three Nude Women on a Chaise Lounge, c. 1850 (albumen print, mounted within ruled borders)
991435 Three Nude Women on a Chaise Lounge, c.1850 (albumen print, mounted within ruled borders) by Belloc, Auguste (1801-98); 20.95x16.51 (approx) cm; Private Collection; (add.info)

The Immaculate Conception with the Fifteen Mysteries of the Rosary (oil on canvas)
1767241 The Immaculate Conception with the Fifteen Mysteries of the Rosary (oil on canvas) by Cabrera, Miguel (1695-1768) (circle of); 78x65.8 cm; Private Collection; (add.info)

Jailor and Two Sexy Women in a Jail Cell

Sexy Teacher

Wait till I finish!
David I. Flint

Fashion plate illustration by Barclay. Creation: Martial et Armand; Creation: Jenny; Creation Martial et Armand; Creation: Jean Patou

Women's Fashion, 1967 Antonio Lopez (February 11, 1943 - March 17, 1987) was a fashion illustrator whose work appeared in such publications as Vogue, Harper's Bazaar, Elle

Fashion Plate (Promenade Dress), 1816

Children's clothing 1890. Fashion plate No. 972 in Le Salon de la Mode et du Costume Paris, 1890

Entitled: "Paquin dress illustration by George Barbier, 1912." Jeanne Paquin (1869 - 1936) was a leading French fashion designer, known for her resolutely modern and innovative designs

Entitled: "Man's suit and overcoat by Lus and Befve. Gazette du Bon Genre. Fashion plate by Pierre Mourgue, 1922." La Gazette du Bon Ton was a small but influential fashion magazine

Fashion Plate (Evening Half Dress), 1814

Entitled: "Fumme (Ablaze) fashion plate by Barbier, 1920. George Barbier (October 10, 1882 - March 16)
Entitled: "Fumme (Ablaze) fashion plate by Barbier, 1920. George Barbier (October 10, 1882 - March 16, 1932) was one of the great French illustrators of the early 20th century

Fashion Plate (Opera Dress), 1809

Fashion Plate (Parisian Carriage Dress), 1819

Entitled: "Le Soulier de Satin (The Satin Slipper)" 1937. Jeanne-Marie Lanvin (January 1, 1867, July 6)
Entitled: "Le Soulier de Satin (The Satin Slipper)" 1937. Jeanne-Marie Lanvin (January 1, 1867, July 6, 1946) was a French fashion designer

A Good Day for Skating, 1923 (oil on canvas)
823279 A Good Day for Skating, 1923 (oil on canvas) by Christy, Howard Chandler (1873-1952); 93.9x71.1 cm; Private Collection; (add.info.: A Good Day for Skating. Howard Chandler Christy (1873-1952)

The Motorist, 1922 (oil on canvas)
822806 The Motorist, 1922 (oil on canvas) by Christy, Howard Chandler (1873-1952); 99x74 cm; Private Collection; (add.info.: The Motorist. Howard Chandler Christy (1873-1952). Oil on canvas

Bill of Rights, 1942 (oil on canvas)
823225 Bill of Rights, 1942 (oil on canvas) by Christy, Howard Chandler (1873-1952); 52.3x101 cm; Private Collection; (add.info.: Bill of Rights. Howard Chandler Christy (1873-1952). Oil on canvas

Portrait of Mrs Austin, (oil on canvas)
823238 Portrait of Mrs Austin, (oil on canvas) by Christy, Howard Chandler (1873-1952); 152.5x101.5 cm; Private Collection; (add.info.: Portrait of Mrs Austin. Howard Chandler Christy (1873-1952)

The Same Old Yarn, 1918 (watercolour, gouache and pencil on board)
823237 The Same Old Yarn, 1918 (watercolour, gouache and pencil on board) by Christy, Howard Chandler (1873-1952); 88.9x64.1 cm; Private Collection; (add.info.: The Same Old Yarn)

Far Away Thoughts, 1912 (oil on canvas)
650638 Far Away Thoughts, 1912 (oil on canvas) by Christy, Howard Chandler (1873-1952); 153x114 cm; Private Collection; (add.info.: Far Away Thoughts. Howard Chandler Christy (1873-1952)

A New Hat, (oil on canvas)
823236 A New Hat, (oil on canvas) by Christy, Howard Chandler (1873-1952); 83.5x68.5 cm; Private Collection; (add.info.: A New Hat. Howard Chandler Christy (1873-1952). Oil on canvas

The Boating Party, (oil on canvas)
989926 The Boating Party, (oil on canvas) by Miralles Galaup, Francesco (1848-1901); 73x91.5 cm; Private Collection; (add.info.: The Boating Party. Francisco Miralles y Galup (1848-1901)

In a Village at El Biar, Algiers, (oil on canvas)
989912 In a Village at El Biar, Algiers, (oil on canvas) by Bridgman, Frederick Arthur (1847-1928); 83.2x116.8 cm; Private Collection; (add.info.: In a Village at El Biar, Algiers)

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"Apparel: A Timeless Reflection of Art and Life" Step into the world of apparel, where artistry and self-expression intertwine. Just like Titian's masterpiece "Noli Me Tangere, " clothing has the power to captivate and allure. It tells a story, evoking emotions that transcend time. In Sigmund Freud's sepia photograph, we see the evolution of fashion as a reflection of society. Attire becomes a window into our innermost thoughts and desires. Similarly, Paolo Uccello's depiction of "The Battle of San Romano" reminds us that even in times of conflict, garments can symbolize strength and resilience. Dorothea Lange's photographs transport us to Malheur County in 1939. Mrs. Cleaver bravely raises her five sons on their new farm while George Cleaver endeavors to tame raw land. Their attire speaks volumes about their determination and perseverance. Just as the Milky Way illuminates the night sky with its ethereal beauty, so too does fashion illuminate our lives with its endless possibilities for self-expression. Whether it be a lady walking in a garden or Sam Templeman atop Bloomsbury—a chestnut racehorse—apparel adds color to our existence. From India comes "A Peep at the Train, " showcasing how clothing transcends borders and cultures—uniting humanity through shared experiences. Meanwhile, Maria gazes at fishes in Granja; her dress mirroring nature’s vibrant palette—an artistic fusion between womanhood and aquatic wonders. As we journey through time, we encounter a woman on a train in 1950—a snapshot frozen forever—her ensemble capturing an era filled with elegance and gracefulness. Lastly, Leon Bakst's costume design for Nijinsky embodies fantasy brought to life—the Faun dances across stages adorned by breathtaking attire—an ode to creativity unbound by convention. In this vast tapestry woven by artists throughout history, apparel emerges as a testament to our desire for beauty and self-expression.