Apparition Collection (page 19)

Illustration of a bible scene, Luke 1, Angel Gabriel visits Mary and tells her God wishes her to be mother of his child

The Dream of Pope Sergius, c. 1430 (oil on panel)
XOS996675 The Dream of Pope Sergius, c.1430 (oil on panel) by Weyden, Rogier van der (1399-1464) (attr. to); 88.9x80.01 cm; J. Paul Getty Museum, Los Angeles, USA; Flemish, out of copyright

Portrait with Flowers (pastel on paper)
XIR897746 Portrait with Flowers (pastel on paper) by Redon, Odilon (1840-1916); 62x49 cm; Von der Heydt Museum, Wuppertal, Germany; (add.info.: Portrait avec des fleurs); French, out of copyright

The Annunciation to the Shepherds, c. 1555 / 1560 (oil on canvas)
XOS877600 The Annunciation to the Shepherds, c.1555/1560 (oil on canvas) by Bassano, Jacopo (Jacopo da Ponte) (1510-92); 106.1x82.6 cm; National Gallery of Art, Washington DC, USA; Italian

Didos Dream, 1697
XAM70700 Didos Dream, 1697 by Sole, Giovanni Gioseffo da (1654-1719); 124.5x125 cm; Kunsthistorisches Museum, Vienna, Austria; Italian, out of copyright

The Vision of Eliphaz, 1825 (pen, w / c and pencil)
XND70238 The Vision of Eliphaz, 1825 (pen, w/c and pencil) by Blake, William (1757-1827); 19.8x15.2 cm; Private Collection; English, out of copyright

Mitsukini Defying the Skeleton Spectre, c. 1845 (hand coloured woodcut print)
XTD68818 Mitsukini Defying the Skeleton Spectre, c.1845 (hand coloured woodcut print) by Kuniyoshi, Utagawa (1798-1861); 36.8x76 cm; Victoria & Albert Museum, London, UK; Japanese, out of copyright

The Angels Kitchen, 1646 (oil on canvas)
XIR67746 The Angels Kitchen, 1646 (oil on canvas) by Murillo, Bartolome Esteban (1618-82); 180x450 cm; Louvre, Paris, France; Spanish, out of copyright

The Ecstasy of St. Francis, 1297-99 (fresco)
XIR63347 The Ecstasy of St. Francis, 1297-99 (fresco) by Giotto di Bondone (c.1266-1337); San Francesco, Upper Church, Assisi, Italy; Italian, out of copyright

The Vision of Pope Gregory IX (1170-1241) 1297-99 (fresco)
XIR63356 The Vision of Pope Gregory IX (1170-1241) 1297-99 (fresco) by Giotto di Bondone (c.1266-1337); 270x230 cm; San Francesco, Upper Church, Assisi, Italy; Italian, out of copyright

The Vision of the Thrones, 1297-99 (fresco)
XIR63345 The Vision of the Thrones, 1297-99 (fresco) by Giotto di Bondone (c.1266-1337); San Francesco, Upper Church, Assisi, Italy; (add.info.: Friar Leo sees in a dream the seat reserved for St)

St. Francis Dreams of a Palace full of Weapons, 1297-99 (fresco)
XIR63340 St. Francis Dreams of a Palace full of Weapons, 1297-99 (fresco) by Giotto di Bondone (c.1266-1337); San Francesco, Upper Church, Assisi, Italy; Italian, out of copyright

Maesta: The Three Maries at Christs Tomb, 1308-11
XJL62415 Maesta: The Three Maries at Christs Tomb, 1308-11 by Duccio di Buoninsegna, (c.1278-1318); 51x53 cm; Museo dell Opera del Duomo, Siena, Italy; Italian, out of copyright

Vision of St. Peter Nolasco, 1629 (oil on canvas)
XIR62339 Vision of St. Peter Nolasco, 1629 (oil on canvas) by Zurbaran, Francisco de (1598-1664); 179x223 cm; Prado, Madrid, Spain; (add.info.: vision de Saint Pierre Nolasque)

The Virgin of the Annunciation, from the Portinari Triptych, c. 1479 (oil on panel)
XIR62321 The Virgin of the Annunciation, from the Portinari Triptych, c.1479 (oil on panel) by Goes, Hugo van der (c.1440-82); 253x141 cm; Galleria degli Uffizi, Florence, Italy; Netherlandish

The Angel of the Annunciation, from the Portinari Triptych, c. 1479 (oil on panel)
XIR62320 The Angel of the Annunciation, from the Portinari Triptych, c.1479 (oil on panel) by Goes, Hugo van der (c.1440-82); 253x141 cm; Galleria degli Uffizi, Florence, Italy; Netherlandish

St. Francis Receiving the Stigmata, 1297-99 (fresco)
XIR62299 St. Francis Receiving the Stigmata, 1297-99 (fresco) by Giotto di Bondone (c.1266-1337); San Francesco, Upper Church, Assisi, Italy; Italian, out of copyright

Les Pretendants, 1862-98 (oil on canvas)
XIR50550 Les Pretendants, 1862-98 (oil on canvas) by Moreau, Gustave (1826-98); 343x385 cm; Musee Gustave Moreau, Paris, France; French, out of copyright

The Supper at Emmaus, 1525 (oil on panel)
XAL50327 The Supper at Emmaus, 1525 (oil on panel) by Pontormo, Jacopo (1494-1557); 230x175 cm; Galleria degli Uffizi, Florence, Italy; Italian, out of copyright

The Mass of Saint Gregory the Great and the apparition of Jesus Christ as The Man of Sorrows
KW478242 The Mass of Saint Gregory the Great and the apparition of Jesus Christ as The Man of Sorrows, from Military and Religious Life in the Middle Ages by Paul Lacroix

The Angel of Tobias, c. 1865 (oil on canvas)
XIR473643 The Angel of Tobias, c.1865 (oil on canvas) by Dore, Gustave (1832-83); 93 x 73 cm; Musee d Unterlinden, Colmar, France; (add.info.: L Ange de Tobie; ); French, out of copyright

Saint Francis Receiving the Stigmata, 1482 (oil on panel)
XIR404572 Saint Francis Receiving the Stigmata, 1482 (oil on panel) by Master Z. R. (fl.c.1482); 123x96 cm; Narodni Galerie, Prague

The sailors see in the distance a ghostly ship, scene from The Rime of the Ancient
XJF393836 The sailors see in the distance a ghostly ship, scene from The Rime of the Ancient Mariner by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving) by Dore

The Virgin appearing to St Ildephonsus and giving him a robe (oil on canvas)
XIR387321 The Virgin appearing to St Ildephonsus and giving him a robe (oil on canvas) by Velazquez, Diego Rodriguez de Silva y (1599-1660); Museo de Bellas Artes, Seville

Boswell and the Ghost of Samuel Johnson, published in 1803 (engraving) (b / w photo)
XJF368489 Boswell and the Ghost of Samuel Johnson, published in 1803 (engraving) (b/w photo) by English School, (19th century); Private Collection; (add.info.: James Boswell (1740-95)

The Ghost, from The Ingoldsby Legends by Thomas Ingoldsby, published by
KW341486 The Ghost, from The Ingoldsby Legends by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho) by Leech

The Dead Drummer, from The Ingoldsby Legends by Thomas Ingoldsby, published
KW341493 The Dead Drummer, from The Ingoldsby Legends by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho) by Cruikshank

The Spectre of Tappington, from The Ingoldsby Legends by Thomas Ingoldsby
KW341485 The Spectre of Tappington, from The Ingoldsby Legends by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho) by English School

The Black Mousquetaire, from The Ingoldsby Legends by Thomas Ingoldsby
KW341490 The Black Mousquetaire, from The Ingoldsby Legends by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho) by Leech

Hamlet, Act I, Scene IV, by William Shakespeare (1564-1616) engraved by Robert Thew
KW315687 Hamlet, Act I, Scene IV, by William Shakespeare (1564-1616) engraved by Robert Thew (1758-1802) (litho) by Fuseli, Henry (Fussli)

The Appearance of the Angel to St. Joseph, also known as The Dream of St
XIR3126 The Appearance of the Angel to St. Joseph, also known as The Dream of St. Joseph, , 1652 (oil on canvas) (see 197670-197671 for details) by Tour

The Resurrection of Christ, Florentine School, 1560
XAM65668 The Resurrection of Christ, Florentine School, 1560 by Italian School, (16th century); 60x84 cm; Kunsthistorisches Museum, Vienna, Austria; Italian, out of copyright

The Vision of St. Bernard, c. 1485-87 (tempera & oil on panel) (for detail see 82733)
XAL80050 The Vision of St. Bernard, c.1485-87 (tempera & oil on panel) (for detail see 82733) by Lippi, Filippino (c.1457-1504); 210x195 cm; Church of the Badia, Florence

The Dream, 1888 (oil on canvas)
XIR78296 The Dream, 1888 (oil on canvas) by Detaille, Jean-Baptiste Edouard (1848-1912); 300x400 cm; Musee d Orsay, Paris, France; French, out of copyright

The Dream: In his sleep he saw Love, Glory and Wealth appear to him"
XIR78295 The Dream: " In his sleep he saw Love, Glory and Wealth appear to him", 1883 oil on canvas) by Puvis de Chavannes, Pierre (1824-98); 82x102 cm; Musee d Orsay, Paris

Don Giovanni and the statue of the Commandantore that has come to life, Act II scene iv
XPH73652 Don Giovanni and the statue of the Commandantore that has come to life, Act II scene iv, from Don Giovanni by Wolfgang Amadeus Mozart (1756-91) (engraving) by Austrian School

The spirit of the book -or anticipation of the year 1813, a satire on the pending publication of The Book part of a campaign to attack the Regent through his wife, showing a figure, draped in white

Hamlet sees the Ghost, the spirit of his father, from The Illustrated Library Shakespeare
KW469548 Hamlet sees the Ghost, the spirit of his father, from The Illustrated Library Shakespeare, published London 1890 (litho) by English School

Hamlet, Horatio and Marcellus see the Ghost, from The Illustrated Library Shakespeare
KW469547 Hamlet, Horatio and Marcellus see the Ghost, from The Illustrated Library Shakespeare, published London 1890 (litho) by English School

Illustration of the witches around their cauldron in Macbeth, from The Illustrated
KW469537 Illustration of the witches around their cauldron in Macbeth, from The Illustrated Library Shakespeare, published London 1890 (colour litho) by English School

Macbeth (oil on canvas)
XIR27897 Macbeth (oil on canvas) by Chasseriau, Theodore (1819-56); Musee des Beaux-Arts, Valenciennes, France; French, out of copyright

Macbeth and the Armed Head (pen and wash on paper) (b / w photo)
XJF275524 Macbeth and the Armed Head (pen and wash on paper) (b/w photo) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); Private Collection; (add.info)

Vision of a Knight, c. 1504 (oil on poplar)
XCF285197 Vision of a Knight, c.1504 (oil on poplar) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 17.1x17.3 cm; National Gallery, London, UK; (add.info.: An allegory; ); Italian

A Vision, 1868 (engraving) (b / w photo)
XJF275693 A Vision, 1868 (engraving) (b/w photo) by English School, (19th century); Private Collection; (add.info.: Satirical cartoon in which the ghost of Elizabeth I Queen of England (1533-1603)

The Goblin and the Sexton, illustration from The Pickwick Papers by Charles Dickens
KW259110 The Goblin and the Sexton, illustration from The Pickwick Papers by Charles Dickens (1812-70) published 1837 (litho) by Browne

Abraham and the Three Angels, illustration from Dores The Holy Bible
KW259197 Abraham and the Three Angels, illustration from Dores The Holy Bible, engraved by Ligny, 1866 (engraving) by Dore

Allegorical engraving of Victory, from the title page of Volume 3 of The Great Civil War
KW254690 Allegorical engraving of Victory, from the title page of Volume 3 of The Great Civil War: A History of the Late Rebellion by R.Thomas and B.G.Smith, published by R.Worthington

The Glory of the Saints, 1645-47 (oil on canvas)
XIR245121 The Glory of the Saints, 1645-47 (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 364x208 cm; Musee des Augustins, Toulouse

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"Captivating Apparitions: From Divine Visions to Haunting Encounters" Apparition at Knock, County Mayo, Ireland: A mystical encounter that left believers in awe and questioning the boundaries of the physical and spiritual realms. The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors, and Sir Percival: Through a divine apparition, these noble knights were granted a glimpse into the sacred quest for the legendary Holy Grail. Saint John of the Cross (1542-1591). Engraving. Colored: This haunting depiction captures the spiritual journey of Saint John as he experienced profound apparitions during his pursuit of divine enlightenment. Dickens / Christmas Carol: Charles Dickens' timeless tale unfolds with ghostly apparitions guiding Ebenezer Scrooge towards redemption and self-discovery on one fateful Christmas Eve night. Scene from A Christmas Carol by Charles Dickens, 1843. Artist: John Leech: Illustrating Scrooge's transformative encounters with spectral visitors who reveal past mistakes, present realities, and future possibilities. Garabandal Apparition: In this remote Spanish village, four young girls claimed to witness heavenly beings through numerous apparitions that captivated both skeptics and faithful alike. Apparition / Queens Hse: An eerie presence lingers within Queen's House as witnesses recount spine-chilling sightings along its infamous Tulip Staircase—a ghostly reminder of history's mysteries yet unsolved. Hall at Borley Rectory: Known as "the most haunted house in England, " this chilling location witnessed countless paranormal occurrences including phantom figures appearing before startled eyes—an enigma still debated today. Detail of Aparición Cristo a San Ignacio : This mesmerizing artwork immortalizes an ethereal moment when Christ appeared before Saint Ignatius Loyola, inspiring him to establish the influential Society of Jesus.