Armhigh Renaissance Collection

Study of a hand with closed fist, sanguine drawing on red paper by Leonardo da Vinci, preserved at the Royal Library of Windsor

The arm of the Virgin for the composition of St. Anne with the Madonna and Child, drawing by Leonardo Da Vinci, pencil on red paper, preserved in the Royal Library of Windsor

Study of a naked child, drawing on gray paper with black sanguine sketches and traced with ink, by Leonardo da Vinci and preserved at the Royal Library of Windsor

Study of the arm and the hand of an angle of the Virgin of the Rocks. Charcoal and pen drawing and lighted with white lead by Leonardo da Vinci, preserved at the Royal Library of Windsor

Study for the arm of the Archangel Gabriel in the Annunciation today housed in the Uffizi; pen drawing on white paper by Leonardo da Vinci

Study of an arm with a cloth handle. Pencil drawing by Andrea del Sarto preserved in the Department of Drawings and Prints, Uffizi Gallery, Florence

Study of different hand positions. Drawing by Andrea del Sarto, in the Gabinetto dei Disegni e delle Stampe, at the Uffizi Gallery in Florence Florence Uffizi Gallery

Study of male arm, drawing by Andrea del Sarto, in the Gabinetto dei Disegni e delle Stampe, at the Uffizi Gallery in Florence Florence Uffizi Gallery

Arms. Study by Andrea del Sarto, in the Gabinetto dei Disegni e delle Stampe, at the Uffizi Gallery in Florence Florence Uffizi Gallery, Gabinetto dei Disegni e delle Stampe Drawing High Renaissance

Person running to the left with his arms crossed over his chest. Drawing by Andrea del Sarto preserved in the Room of Drawings and Prints in the Museum of the Uffizi

Study of a male nude; drawing by Michelangelo Buonarroti, in the Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence Florence Uffizi Gallery

Study for the statue of David; drawing by Michelangelo. The Louvre, Paris Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Study of an arm, drawing by Leonardo da Vinci. Gallerie dell'Accademi, Venice
Study of an arm, drawing by Leonardo da Vinci. Gallerie dell'Accademia, Venice Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Study of a male torso and arm. Drawing by Michelangelo, in the museum of Casa Buonarroti in Florence Florence Galleria Buonarroti Drawing High Renaissance, Renaissance

Study by Cesare da Sesto depicting an arm and two hands, preserved in the Galleries of Academy, Venice Venice Galleries of the Academy Drawing High Renaissance, Renaissance

Drawing by Michelangelo with architectural decorations and studies of arms and hands, preserved in the British Museum, London Great Britain London, British Museum Drawing High Renaissance

Drawing of a disc depicting Christ in limbo. Work by Raffaello preserved in the Room of Drawings and Prints in the Gallery of the Uffizi

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The Armhigh Renaissance, a term coined to describe the artistic brilliance of Leonardo da Vinci, Andrea del Sarto, and Michelangelo Buonarroti during the High Renaissance period. Their meticulous studies of arms and hands showcased their unparalleled mastery of anatomy and form. Leonardo da Vinci's fascination with hands is evident in his study of a hand with a closed fist. The sanguine drawing on red paper captures the intricate details, preserved at the Royal Library of Windsor. Similarly, his pencil drawing on red paper depicts the arm of the Virgin for St. Anne with the Madonna and Child composition. In another remarkable piece held at the Royal Library of Windsor, Leonardo's study showcases a naked child on gray paper adorned with black sanguine sketches traced with ink. His attention to detail is awe-inspiring. Moving beyond Leonardo's works, Andrea del Sarto's contributions cannot be overlooked. His drawings in Florence's Uffizi Gallery include studies of arms and hands in various positions. From cloth handles to different hand gestures, each sketch reveals his keen observation skills. One striking example from Del Sarto is his portrayal of a person running to the left with crossed arms over their chest—a dynamic depiction that exudes energy and movement. Lastly, we delve into Michelangelo Buonarroti's genius as seen in his drawings housed at Gabinetto dei Disegni e delle Stampe in Florence's Uffizi Gallery. A study for David statue stands out among them—the sheer power captured within every line demonstrates Michelangelo's unrivaled ability to convey strength through art. The Armhigh Renaissance artists revolutionized how limbs were depicted by meticulously studying anatomy while infusing their creations with emotion and vitality. These masterpieces continue to inspire generations as testaments to human creativity reaching its zenith during this extraordinary era.