Atticus Collection

Atticus Ridden By O.Doleuze 29 June 1995 Date: 29 June 1995

Michaelmas daisy, Aster amellus, and self-heal, Prunella vulgaris. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicers Krauterbuch, or Herbal, Frankfurt, 1557

A young gentleman, clasping a hand from a cloud, 1588 (w / c on vellum)
1163253 A young gentleman, clasping a hand from a cloud, 1588 (w/c on vellum) by Hilliard, Nicholas (1547-1619) (studio of); height: 6 cm; Private Collection; (add.info)

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Greece, Attica, Athens, Stone seating in Odeon of Herodes Atticus, located on southwest slope of the Acropolis

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Greece, Attica, Athens, Odeon of Herodes Atticus, located on southwest slope of the Acropolis

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Greece, Attica, Athens, Odeon of Herodes Atticus, located on southwest slope of the Acropolis

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Greece, Attica, Athens, tourists on rocks below the Acropolis overlooking Odeon of Herodes Atticus and city

ODEON OF HERODES ATTICUS. Theater located on the southern slope of the Acropolis in Athens, Greece. It was built by Herodes Atticus, a wealthy Greek patron of the arts, in 161 A.D

Exedra des Herodes Atticus Schatzhaus von Sikyon
Exedra des Herodes Atticus, Schatzhaus von Sikyon, Altis von Olympia: Heraion, Exedra des Herodes Atticus, Schatzhaus von Sikyon

Discussion of Latin philosophers. From right to left: Cato the Elder, Scipio, Livy and Atticus. Miniature. Codex. 15th century. Chateau of Chantilly. France

LAELIUS, Gaius (ca. 235-170 BC). Roman consul
" LAELIUS, Gaius (ca. 235-170 BC). Roman consul. He accompanied Scipio Africanus in the campaigns of Spain, Sicily and Africa.; CATO The Elder or The Censor, Marcus Porcius (234-149 BC)

Herodes Atticus (101-177). Bust. Marble. 2nd century AD
Herodes Atticus (101-177). Greek aristocrat and consul. Bust. Marble. 177-180 AD. Probably from Alexandria. British Museum. London. England. United Kingdom

Greek Art. Nymphaeum of Herodes Atticus. Greece
Greek Art. Nymphaeum of Herodes Atticus. Built around the year 160. Altis. Sanctuary of Olympia. Greece

Greek Art. Nymphaeum of Herodes Atticus. Doric column. Greec
Greek Art. Nymphaeum of Herodes Atticus. Built around the year 160. Doric column. Altis. Sanctuary of Olympia. Greece

Roman Art. Greece. 2nd century. Bull with a votive inscripti
Roman Art. Greece. 2nd century. Marble sculpture depicting a bull with a votive inscription of Regilla, wife of Herodes Atticus, offered to Zeus. Dated between 147-150 A.D

Title page of a report by Atticus (pen name of DeWitt Clinton) on the proposed canal connecting Lake Erie to the Hudson
ERIE CANAL REPORT, 1816. Title page of a report by Atticus (pen name of DeWitt Clinton) on the proposed canal connecting Lake Erie to the Hudson River, printed in New York, 1816

Odeon of Herodus Atticus. ca. 161 BC. GREECE. ATTICA. Athens. Acropolis. Classical Greek art. Architecture

Greece - Athens - Odeon of Herodes Atticus
The Odeon of Herodes Atticus is a stone theatre structure located on the south slope of the Acropolis of Athens. It was built in 161 AD by Herodes Atticus in memory of his wife, Aspasia Annia Regilla

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"Atticus: A Journey Through Time and Wisdom" In this captivating image, we are transported to a realm where the past intertwines with the present. The discussion of Latin philosophers takes center stage, as their profound teachings echo through the ages. From right to left, we witness Cato, a stoic philosopher known for his unwavering principles. Amidst this intellectual discourse stands Atticus, an enigmatic figure who seems to embody wisdom itself. His presence is juxtaposed against vibrant blooms of Michaelmas daisies, Aster amellus, and self-heal - symbols of resilience and healing that remind us of life's constant renewal. A young gentleman clasps a hand descending from a cloud above him; it is as if he seeks guidance or receives enlightenment from realms unseen. This exquisite watercolor on vellum painting transports us back to 1588 when art was used as a conduit for exploring deeper truths. As our gaze shifts towards other images captured by EyeUbiquitous_20109866-65-64-54, we encounter glimpses into ancient Greece and Rome. Herodes Atticus emerges in marble form before us - an influential figure whose bust speaks volumes about his impact on society during the 2nd century AD. Greek Art reveals more wonders at the Nymphaeum of Herodes Atticus - an architectural masterpiece adorned with Doric columns that exude timeless elegance. These remnants from antiquity serve as testaments to human ingenuity and artistic prowess. Lastly, Roman Art presents us with a mesmerizing sight - a bull bearing a votive inscription dating back centuries ago in Greece. It serves as evidence of devotion and gratitude offered by individuals seeking solace or favor from higher powers. Through these diverse hints intertwined within "Atticus, " we embark on an immersive journey through time and wisdom. We are reminded that knowledge transcends eras while nature's beauty remains eternal.