Attributed Collection

King William III 1650-1702. Wyck, Jan c. 1640-1702 (attributed to)

Elizabeth I (1533-1603) Queen of England and Ireland from 1558, last Tudor monarch. Version of the Armarda portrait attributed to George Gower c1588

Emerald Tablet, Smaragdine Table or Tabula Smaragdina

ITALY. Siena. Cathedral. Hermes Trismegistus delivers a book to two personages who represent the Orient and the Western. Work attributed to Giovanni di Maestro Stefano (1488). Renaissance art

Borthwick Castle, Midlothian. Williams, Hugh William Grecian 1773 - 1829 (attributed to)

Peninsular War, with riflemen of 95th Reg
An action during the Peninsular War, with riflemen of 95th (Rifle) Regiment acting as snipers, 1810 (c).Watercolour attributed to Denis Dighton

Elegant stone bridge on the river Minnick, Galloway, Scotland, attributed to oman engineers. Date: in 1908

Dancing Hours
Black and white. Image shows a bas relief of six ladies, each holding the hand of the ones next to her, and apparently dancing. This is a Wedgwood bas relief originally attributed to John Flaxman Jr

Stewart Banks 1725 - 1802 (c.1760-65). Lowry, Strickland 1737-c.1785 (attributed to). Date: 1760-1765 (circa)

First Calendar
THE FIRST CALENDAR attributed to Numa, king of Rome

Tres Sainte Trinosophie
Title-page of LA TRES SAINTE TRINOSOPHIE, a Cabbalistic manuscript attributed to the Comte de Saint-Germain

Mass of Saint Gregory. 15th c. Attributed to Juan de Nalda. Castilian Spanish-Flemish School. It comes from the Convent of Santa Clara (Palencia). Gothic art. Painting. SPAIN

New Worshiping of the Beast. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). New Worshiping of the Beast. 1372 - 1382

BATAILLE, Nicolas. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). he Beast out of the Earth Making Fire Come Down from Heaven. 1375 - 1382

A Visit to the Irish Pig! With reflections Physical & Moral
George III, accompanied by the Lord Chamberlain Salisbury, inspects a gigantic pig. Salisbury announces That Pig is the Tallest Fittest Properest Pig to stand before the K[ing]

Sicily - Palermo Monte Pellegrino Saint Rosalies Chapel
Black and white Victorian lantern slide of the Chapel of Saint Rosalie

Discophorus, Roman, 2nd century AD, after a Greek original attributed to the sculptor Naukydes of 390-380 B.C

Discophorus, Roman, 2nd century AD, after a Greek original attributed to the sculptor Naukydes of 390-380 B.C

Statue of Hermes. Pentelic marble, found in Troezen. The god is shown naked, with a chlamys. He wears a petassos on his head

Arched gilded ceiling, 17th century. In the ancient Hotel de Mailly, Paris, attributed to Daniel Marot. XVIIme Siecle

El Greco's family, by Jeronimo Seisdedos Lopez
Jeronimo Seisdedos Lopez (1889-1958). Spanish painter. El Greco's family, 1949. Oil on canvas. Detail

El Greco's family, by Jeronimo Seisdedos Lopez (1889-1958)
Jeronimo Seisdedos Lopez (1889-1958). Spanish painter. El Greco's family, 1949. Oil on canvas

Allegory of the Order of Saint John and the Muses
Attributed to Giuseppe Grech (1755-1787). Maltese painter. Allegory of the Order of Saint John and the Muses. Oil on canvas. National Museum of Fine Arts. Valletta. Malta

Allegory of Love. Attributed to Filippo Falciatore
Attributed to Filippo Falciatore (active between 1728 and 1768). Allegory of Love. The Goddess of love Venus, dressed in sumptuous draperies, reclines amidst a company of playful putti

View of Valletta, the Grand and Marsamxett Harbours
Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta, the Grand and Marsamxett Harbours, ca.1733

View of Valletta and the Three Cities, circa 1733
Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta and the Three Cities, ca.1733

Pedestal with reliefs depicting St Paul and St Francis
Attributed to Antonello Gagini (1478-1536). Italian sculptor. Pedestal with reliefs depicting Saint Paul and Saint Francis. Marble. Detail. National Museum of Fine Arts. Valletta. Malta

Pedestal with reliefs depicting Saint Paul and Saint Francis
Attributed to Antonello Gagini (1478-1536). Italian sculptor. Pedestal with reliefs depicting Saint Paul and Saint Francis. Marble. National Museum of Fine Arts. Valletta. Malta

Holy water stoup. Attributed to Nicola Caccialepri. Marble. National Museum of Fine Arts. Valletta. Malta

Holy water stoup. Attributed to Antonello Gagini
Attributed to Antonello Gagini (1478-1536). Italian sculptor. Holy water stoup. Marble. National Museum of Fine Arts. Valletta. Malta

Fragment, 10th century, Attributed to Yemen, Cotton; plain weave, resist-dyed (ikat), embroidered, H. 15 1/2 in

King Solomon welcoming the Queen of Sheba
532912 King Solomon welcoming the Queen of Sheba. Bible I Kings10: 2

Adoration of the Shepherds (oil on wood)
534603 Adoration of the Shepherds (oil on wood); (add.info.: riptych attributed to Flemish artist Cornelis Englebrechtsen (Engelberts 1468-1533). Right panel showing Virgin and Child

Title page of La Tres Sainte Trinosophie
533431 Title page of La Tres Sainte Trinosophie

James Plaisted Wilde, 1st Baron Penzance, 1816 - 1899
3062092 James Plaisted Wilde, 1st Baron Penzance, 1816 - 1899.; Private Collection; (add.info.: British judge)

The Hermetic Vessel, c1760. Hermetic vessel in the alchemical furnace
542162 The Hermetic Vessel, c1760. Hermetic vessel in the alchemical furnace. The serpent within the vase symbolises the earthy substances of which the Philosopher's Stone is made

Adoration of the Shepherds (oil on wood)
534600 Adoration of the Shepherds (oil on wood); (add.info.: triptych attributed to Flemish artist Cornelis Englebrechtsen (Engelberts 1468-1533)

Old woman (witch or fairy) spinning, 1547 (engraving)
532886 Old woman (witch or fairy) spinning, 1547 (engraving) by Holbein the Younger

Wartime Vimaltol Advertisement
A wartime advertisement promoting Vimaltol, a delicious vitamin food for children. The photographs portray a young child in various positions around his cot, with comical quotes attributed

Embellishment of Platerias Street, Charles III enters Madrid
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Platerias Street (Main Street) on the occasion of the entry of Charles III in Madrid, circa 1760. Detail

Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor (Main Street), circa 1760. History Museum. Madrid. Spain

Embellishment of Plaza Mayor, Charles III enters Madrid
Embellishment of the Puerta del Sol on the occasion of the entry into Madrid of Charles III, circa 1760. Attributed to Lorenzo de Quiros (1717-1789). History Museum. Madrid. Spain

Arthur Wellesley (1769-1852), circa 1820-1825
Arthur Wellesley (1769-1852). 1st Duke of Wellington. British military and Prime Minister. Portrait attributed to John Jackson (1778-1831), circa 1820-1825. Lazaro Galdiano Museum. Madrid. Spain

Felix Lope de Vega y Carpio (1562-1635). Spanish writer. Portrait attributed to Eugenio Cajes (1574-1634). First third of 17th century. Lazaro Galdiano Museum. Madrid. Spain

A La Suite d'un Article Signe: Boulimy
This sketch shows a group of four gentlemen interacting, visually representing the following caption, translated in English. Mr

Tink
A portrait oil painting of a standing girl, wearing a white dress with a pink sash, fastened at the back with a bow, her name is Miss Joan Claudia Johnson

Willingham House, Market Rasen
An oil painting of Willingham House, a country house near Market Rasen in Lincolnshire

St. Francis
A painting of Saint Francis of Assisi, an Italian catholic friar, deacon and mystic. He is one of the most venerated figures in Christianity who founded the men's Order of Friars Minor

Advert, Pyotts Marie Biscuits that Children Love! Date: 1937

Categoriae Decem (Fragment)
Single quarto sized leaf, parchment, with text from the Categoriae Decem, a summary of the categories of Aristotle, originally attributed to St Augustine. Text in a minuscule script in dark brown

Apostles Andrew and Peter attributed to Master of Ventosilla
Apostles Andrew and Peter. Attributed to Master of Ventosilla. Early 16th century. Oil on board. Museum of Pilgrimage and Santiago. Santiago de Compostela, La Coruna province, Galicia, Spain

Apostles James and John. Attributed to Master of Ventosilla. Early 16th century. Oil on board. Museum of Pilgrimage and Santiago. Santiago de Compostela, Galicia, Spain. Date: 2019

Military parade in front of the Congress of the Deputies
Painting attributed to Joaquin Siguenza Chavarrieta (1825-1902). Spanish painter

Ferdinand VII. Attributed to Francisco Lacoma y Fontanet
Ferdinand VII (1784-1833). King of Spain (1808-1833). Portrait attributed to Francisco Lacoma y Fontanet (1784-1849). Museum of Romanticism. Madrid. Spain. Date: 2019

Elizabeth at the Age of Seventeen
A portrait miniature painting of Elizabeth I, at the age of seventeen, when she was a Princess, part of the Royal collection at Windsor Castle

John Churchill, 1st Duke of Marlborough (1650-1722), Captain-General of the English forces and Master-General of the Ordnance, 1702 (c)

BATAILLE, Nicolas. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). Rejoicing of Men before the dead Witnesses. 1375 - 1382

JAPANESE FIREBALL
A fire-ball is seen from time to time on Lake Biwa, at Zeze, and is attributed to the spirit of a dead daimio (prince) Date: 1908

Document attributed to Dreyfus which caused a false charge of treason to be brought against him
878581 Document attributed to Dreyfus which caused a false charge of treason to be brought against him. Alfred Dreyfus, 1859 - 1935

Apocalyptic Virgin of Quito, c. 1775 (oil on canvas)
988078 Apocalyptic Virgin of Quito, c.1775 (oil on canvas) by Alcocer, Jose Cortez de (fl.18th century); 105.4x81 cm; Private Collection; (add.info.: Apocalyptic Virgin of Quito)

Valet, England, 16th century, attributed to Holbein
5855340 Valet, England, 16th century, attributed to Holbein. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Valet, England, 16th century, attributed to Holbein)

Portrait of Platon, Metropolitan of Moscow and Kolomna (oil on canvas)
1195701 Portrait of Platon, Metropolitan of Moscow and Kolomna (oil on canvas) by Borovikovsky, Vladimir Lukich (1757-1825); 103.5x86.4 cm; Private Collection; (add.info.: Borovikovskii)

Portrait of a Courtier, c. 1590-1605 (w / c & gold paint on paper)
1196809 Portrait of a Courtier, c.1590-1605 (w/c & gold paint on paper) by Manohar (fl.1580-1620) (attr. to); 38.9x25.3 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Fountain in the Grotto at the Villa Reale, Castello, near Florence, Italy (b / w photo)
6016686 Fountain in the Grotto at the Villa Reale, Castello, near Florence

Kraak bowl, Ming Dynasty (porcelain with underglaze)
2629032 Kraak bowl, Ming Dynasty (porcelain with underglaze) by Chinese School (17th century); Leeds Museums and Galleries (Lotherton Hall) U.K.; eLeeds Museums and Galleries; Chinese

Lucretia, 1548 (oil on panel)
1197631 Lucretia, 1548 (oil on panel) by Cranach, Lucas, the Elder (1472-1553) (attr. to); 74.9x50.8 cm; Private Collection; Photo eChristies Images; German, out of copyright

Saint Jerome, (oil on panel)
827956 Saint Jerome, (oil on panel) by Cleve, Joos van (c.1485-1541) (attr. to); 52.5x46 cm; Private Collection; (add.info.: Saint Jerome. Attributed to Joos van Cleve (c.1485-1541). Oil on panel

Portrait of a Man Wearing a Cap, (black, red and blue chalk)
827587 Portrait of a Man Wearing a Cap, (black, red and blue chalk) by Dumonstier, Daniel (1574-1646) (attr. to); 33.2x21.6 cm; Private Collection; (add.info.: Portrait of a Man Wearing a Cap)

The Death of the Virgin (oil on panel)
659382 The Death of the Virgin (oil on panel) by Multscher, Hans (c.1400-67) (attr.to); 69.2x48.3 cm; Private Collection; Photo eChristies Images; German, out of copyright

Portrait of a Young Lady, Half Length, Wearing a Red Dress with Bows
659261 Portrait of a Young Lady, Half Length, Wearing a Red Dress with Bows, in a Park (oil on canvas) by Vestier, Antoine (1740-1824) (attr)

Personification of Literature, (oil on canvas)
990310 Personification of Literature, (oil on canvas) by Cambodian School, (10th century); 82x105 cm; Private Collection; (add.info.: Personification of Literature)

Globe, 1579 (gilt metal)
986450 Globe, 1579 (gilt metal) by Gerhard Mercator of Duisburg (15th century) (workshop of) (attr.to); 29.6x40 cm; Private Collection; (add.info.: Globe)

Flowers in a Sculpted Urn on a Draped Stone Pedestal, (oil on canvas)
990260 Flowers in a Sculpted Urn on a Draped Stone Pedestal, (oil on canvas) by Scacciati

Portrait of a Lady as Sappho, (oil on canvas)
990117 Portrait of a Lady as Sappho, (oil on canvas) by Vigee-Lebrun, Elisabeth Louise (1755-1842) (attr. to); 76.2x63.5 cm; Private Collection; (add.info.: Portrait of a Lady as Sappho)

The Chess-Players (chromolitho)
668406 The Chess-Players (chromolitho) by French School, (19th century); Private Collection; (add.info.: The Chess-Players, after a miniature of " The Three Ages of Man", a ms)

Altarpiece
3499640 Altarpiece by VergAos, Jaume, the elder (1399-1460) (attr.to); Museo Diocesano de Barcelona, Spain; (add.info.: Gothic period. 15th Century)

The Exhibition of Ancient and Mediaeval Art (engraving)
1612108 The Exhibition of Ancient and Mediaeval Art (engraving) by English School, (19th century); Private Collection; (add.info.: The Exhibition of Ancient and Mediaeval Art)

Shield attributed to Benvenuto Cellini (engraving)
965737 Shield attributed to Benvenuto Cellini (engraving) by English School, (19th century); Private Collection; (add.info.: Shield attributed to Benvenuto Cellini, Royal Armoury, Turin)

Portrait of a Man, Bust Length, Wearing a Black Hat (black, white & red chalk
659204 Portrait of a Man, Bust Length, Wearing a Black Hat (black, white & red chalk, on brown prepared paper) by Ostendorfer, Michael (1490-1559) (attr)

Erasmus, medallion attributed to Quentin Massys (engraving)
672383 Erasmus, medallion attributed to Quentin Massys (engraving) by Massys or Matsys, Quentin (c.1466-1530); Private Collection; (add.info.: Erasmus, medallion attributed to Quentin Massys)

Calvary, detail, c. 1530 (painted wood)
CLG279608 Calvary, detail, c.1530 (painted wood) by Richier, Ligier (c.1500-67); Eglise St

Fire King; Monsieur Chabert (engraving)
585987 Fire King; Monsieur Chabert (engraving) by English School, (19th century); Private Collection; (add.info.: Fire King; Monsieur Chabert, a French entertainer, exhibited at the Argyll Rooms)

Fireplace: Musee Du Louvre, Salle De Jean Goujon (b / w photo)
6018438 Fireplace: Musee Du Louvre, Salle De Jean Goujon (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info.: Musee Du Louvre, Salle De Jean Goujon)

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"Unveiling the Enigmatic: Exploring the Attributed Mysteries" Delving into the depths of history, we uncover a tapestry of enigmas and attributed wonders. From the ancient Emerald Tablet to the Smaragdine Table or Tabula Smaragdina, whispers of hidden knowledge beckon us. In Italy's Siena Cathedral, Hermes Trismegistus stands as a symbol of wisdom and alchemy. A testament to King William III's reign, his legacy intertwines with tales from Peninsular War riflemen of 95th Reg. Borthwick Castle in Midlothian echoes with stories untold. Within its walls, one can almost hear the hoofbeats of a Chestnut Horse held by a groom - perhaps Old Partner himself? Elizabeth I, Queen of England and Ireland during turbulent times, leaves an indelible mark on history as the last Tudor monarch. Her strength and resilience shine through portraits that capture her regal essence. The Mass of Saint Gregory transports us back to 15th-century Spain, attributed to Juan's masterful brushstrokes. Meanwhile, in Apocalypse Angers' New Worshiping scene emerges an eerie depiction that lingers in our minds. Amidst these artistic marvels stand The Dancing Hours – ethereal beings twirling gracefully through time itself. Their presence reminds us that beauty transcends eras and cultures. Stewart Banks takes us on A Visit to the Irish Pig. With reflections Physical & Moral - an amusing journey filled with unexpected insights into human nature. As we explore these attributed treasures from different corners of history, let us embrace their mysteries while seeking understanding within their depths. For it is through such journeys that we unravel secrets long forgotten and connect ourselves to those who came before us.