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Avarice Collection

"Avarice: The All-Consuming Greed" In the depths of human nature lies a cavernous pit, reminiscent of the Cave of Plato

Background imageAvarice Collection: Cave of Plato, Jan Saenredam, Cornelis Cornelisz. van Haarlem, 1604

Cave of Plato, Jan Saenredam, Cornelis Cornelisz. van Haarlem, 1604

Background imageAvarice Collection: HELL

HELL
Those who were guilty of avarice during their lifetimes are punished by being boiled in cauldrons of burning oil and molten lead

Background imageAvarice Collection: Henry Lord Jermyn

Henry Lord Jermyn
HENRY lord JERMYN, earl of St Albans courtier, in exile during the commonwealth, chiefly known for his greed and avarice with his autograph

Background imageAvarice Collection: Cover of ' Les Corbeaux (Paris)', number 164, Satirique en Couleurs

Cover of " Les Corbeaux (Paris)", number 164, Satirique en Couleurs
ICA4875303 Cover of " Les Corbeaux (Paris)", number 164, Satirique en Couleurs, 1908_5_17: Les peches clericaux: l'avarice - Anticlericalism - Cupidite/Avarice, Eg opposee au peuple

Background imageAvarice Collection: In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry

In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry
PCT4265339 In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger

Background imageAvarice Collection: Cover of ' Les Crobeaux (Paris)', number 148, Satirique en Couleurs

Cover of " Les Crobeaux (Paris)", number 148, Satirique en Couleurs
ICA4875035 Cover of " Les Crobeaux (Paris)", number 148, Satirique en Couleurs, 1908_1_26: Cover drawing - Anticlericalism - Cupidite/Avarice, Eg social parasite

Background imageAvarice Collection: Cover of ' Les Crobeaux (Paris)', number 168, Satirique en Couleurs

Cover of " Les Crobeaux (Paris)", number 168, Satirique en Couleurs
ICA4875361 Cover of " Les Crobeaux (Paris)", number 168, Satirique en Couleurs, 1908_6_14: Les vagabonds - Anticlericalisme - Cupidite/Avarice, Eg anti Gospel - Jesus, Mary, Joseph

Background imageAvarice Collection: Stingy. Death broke into the vault, where the Stingy sits among his coffers and bags of gold

Stingy. Death broke into the vault, where the Stingy sits among his coffers and bags of gold
FLO4675742 Stingy. Death broke into the vault, where the Stingy sits among his coffers and bags of gold. Death on a stool

Background imageAvarice Collection: Scale used to weigh coins used by a religious in Middletown, Connecticut, USA, 1777-1797

Scale used to weigh coins used by a religious in Middletown, Connecticut, USA, 1777-1797
NWI4827160 Scale used to weigh coins used by a religious in Middletown, Connecticut, USA, 1777-1797. Colour engraving of the 19th century.; (add.info)

Background imageAvarice Collection: Duties towards oneself: the body. Avarice - Prodigalite. The misery and the wealth of the misery

Duties towards oneself: the body. Avarice - Prodigalite. The misery and the wealth of the misery
DUV4212732 Duties towards oneself: the body. Avarice - Prodigalite. The misery and the wealth of the misery. Engraving in " The unique book of morality and civic instruction

Background imageAvarice Collection: Good priests

Good priests
3479522 Good priests; (add.info.: Good priests and people, not tainted by vice and avarice. From John Foxe Actes and Monuments (The book of Martyrs) 1576.); Universal History Archive/UIG.

Background imageAvarice Collection: The Death of a Stingy - Cover of 'The Eye of the Police', 1911 (engraving)

The Death of a Stingy - Cover of "The Eye of the Police", 1911 (engraving)
ICA4949984 The Death of a Stingy - Cover of "The Eye of the Police", 1911 (engraving); Private Collection; Photo © Caricadoc.

Background imageAvarice Collection: Cover of ' Les Corbeaux (Paris)', number 18, Satirique en N & B

Cover of " Les Corbeaux (Paris)", number 18, Satirique en N & B
ICA4874229 Cover of " Les Corbeaux (Paris)", number 18, Satirique en N & B, 1905_7_30: La galette de la bonne peire - Anticlericalism - Cupidite/Avarice - Devot/Paroissien, Pear

Background imageAvarice Collection: Cartoon of a miser Screwby being duped by a bankrupt aristocrat with a parcel of fake parchments

Cartoon of a miser Screwby being duped by a bankrupt aristocrat with a parcel of fake parchments
FLO4717935 Cartoon of a miser Screwby being duped by a bankrupt aristocrat with a parcel of fake parchments. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier)

Background imageAvarice Collection: A woman accused of venality by her disappointed lover is judged by Queen Eleanor of Aquitaine

A woman accused of venality by her disappointed lover is judged by Queen Eleanor of Aquitaine
FLO4623265 A woman accused of venality by her disappointed lover is judged by Queen Eleanor of Aquitaine (Alienor d'Aquitaine or Eleonore de Guyenne, ca. 1122-1204)

Background imageAvarice Collection: Disabled soldier begging charity from a rich parson and receiving nothing

Disabled soldier begging charity from a rich parson and receiving nothing. The Pluralist and the Soldier
FLO4718155 Disabled soldier begging charity from a rich parson and receiving nothing. The Pluralist and the Soldier. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy

Background imageAvarice Collection: I sette vizi capitale (The seven main sins). Creator: Fabbi, Fabio (1861-1946)

I sette vizi capitale (The seven main sins). Creator: Fabbi, Fabio (1861-1946)
I sette vizi capitale (The seven main sins). Found in the Collection of the Museo Ottocento Bologna.

Background imageAvarice Collection: Avarice, c1587. Creator: Jacob Matham

Avarice, c1587. Creator: Jacob Matham
Avarice, c1587. From The Vices, pl. 6

Background imageAvarice Collection: The Haywain or Tribulations of human life (Tapestry), ca 1550-1565

The Haywain or Tribulations of human life (Tapestry), ca 1550-1565. Creator: Brussels Manufactory (1515-1525)
The Haywain or Tribulations of human life (Tapestry), ca 1550-1565. Found in the collection of the Patrimonio Nacional, Madrid

Background imageAvarice Collection: Avarice, c. 1587. Creator: Jacob Matham

Avarice, c. 1587. Creator: Jacob Matham
Avarice, c. 1587

Background imageAvarice Collection: Avarice, 1590. Creator: Jacopo Ligozzi

Avarice, 1590. Creator: Jacopo Ligozzi
Avarice, 1590

Background imageAvarice Collection: Allegory of Virtues, ca 1529. Creator: Correggio (1489-1534)

Allegory of Virtues, ca 1529. Creator: Correggio (1489-1534)
Allegory of Virtues, ca 1529. Found in the collection of the Musee du Louvre, Paris

Background imageAvarice Collection: The Seven Deadly Sins: Greed, c. 1570. Creator: Backer, Jacob, de (1540/45-ca. 1600)

The Seven Deadly Sins: Greed, c. 1570. Creator: Backer, Jacob, de (1540/45-ca. 1600)
The Seven Deadly Sins: Greed, c. 1570. Found in the Collection of the Museo di Capodimonte, Naples

Background imageAvarice Collection: Allegory of Avarice, 1507. Creator: Dürer, Albrecht (1471-1528)

Allegory of Avarice, 1507. Creator: Dürer, Albrecht (1471-1528)
Allegory of Avarice, 1507. Found in the Collection of the Art History Museum, Vienne

Background imageAvarice Collection: Moses with the Ten Commandments, c. 1650-1660

Moses with the Ten Commandments, c. 1650-1660. Found in the Collection of Musee de Picardie, Amiens

Background imageAvarice Collection: Illustration of Albert Robida (1848-1926) for the Cover of La Caricature (1880)

Illustration of Albert Robida (1848-1926) for the Cover of La Caricature (1880)
ICA4885091 Illustration of Albert Robida (1848-1926) for the Cover of La Caricature (1880), 1881-6-5 - 12 capital fishing - Press/Media, Religion Faith - Capital fishing by Robida

Background imageAvarice Collection: Envy or Avarice at the right being driven from the temple of the Muses by Hercules who

Envy or Avarice at the right being driven from the temple of the Muses by Hercules who raises a club, the muses watching from the left, 1530-60

Background imageAvarice Collection: The Fool makes money when the wise man begs

The Fool makes money when the wise man begs
Vintage engraving of a victorian satirical cartoon, 19th Century. The Satires of Cynicus. The Fool makes money when the wise man begs; Just so - It was a goose that laid the golden eggs

Background imageAvarice Collection: Moses with the Ten Commandments, 1841

Moses with the Ten Commandments, 1841. Found in the Collection of Musee d Art Thomas Henry, Cherbourg

Background imageAvarice Collection: Minerva Expelling the Vices from the Garden of Virtue. Artist: Mantegna, Andrea (1431-1506)

Minerva Expelling the Vices from the Garden of Virtue. Artist: Mantegna, Andrea (1431-1506)
Minerva Expelling the Vices from the Garden of Virtue. Found in the collection of Louvre, Paris

Background imageAvarice Collection: Avarice. A miniature with scenes of banking. Artist: Master of the Cocharelli Codex (active ca 1330)

Avarice. A miniature with scenes of banking. Artist: Master of the Cocharelli Codex (active ca 1330)
Avarice. A miniature with scenes of banking. Found in the collection of British Library

Background imageAvarice Collection: The Seven Virtues, c. 1450. Artist: Pesellino, Francesco di Stefano (1422-1457)

The Seven Virtues, c. 1450. Artist: Pesellino, Francesco di Stefano (1422-1457)
The Seven Virtues, c. 1450. Found in the collection of the Birmingham Museum of Art, Birmingham, Alabama

Background imageAvarice Collection: Moses with the Ten Commandments, 1659. Artist: Rembrandt van Rhijn (1606-1669)

Moses with the Ten Commandments, 1659. Artist: Rembrandt van Rhijn (1606-1669)
Moses with the Ten Commandments, 1659. Found in the collection of the Staatliche Museen, Berlin

Background imageAvarice Collection: Man Having to Choose between the Virtues and Vices, 1635. Artist: Francken, Frans

Man Having to Choose between the Virtues and Vices, 1635. Artist: Francken, Frans, the Younger (1581-1642)
Man Having to Choose between the Virtues and Vices, 1635. From a private collection

Background imageAvarice Collection: Allegoric Capricho, 1852, by Eugenio Lucas Velazquez

Allegoric Capricho, 1852, by Eugenio Lucas Velazquez
Eugenio Lucas Velazquez (1817-1870). Spanish painter. Allegoric Capricho, 1852. Lazaro Galdiano Museum. Madrid. Spain

Background imageAvarice Collection: The Prague Astronomical Clock or Prague Orloj. AStronomical

The Prague Astronomical Clock or Prague Orloj. AStronomical
The Prague Astronomical Clock or Prague Orloj mounted on the southern wall of Old Town City Hall in the Old Town Square. Astronomical dial. Czech Republic

Background imageAvarice Collection: 15th Century Allegorical Allegory Apostle Astrolabe

15th Century Allegorical Allegory Apostle Astrolabe
15th, century, allegorical, allegory, apostle, astrolabe, astronomer, astronomical, clock, dial, astronomy, avarice, bag, circle, circular, circumference, city, council, hall, tower, Czech, Republic

Background imageAvarice Collection: Sic itur ad astra scilicet 1681

Sic itur ad astra scilicet 1681
1575338 Sic itur ad astra scilicet 1681 by Hooghe, Romeyn de (1636-97) (after); (add.info.: Sic itur ad astra scilicet 1681. By Romeyn de Hooghe, 1645-1708, artist)

Background imageAvarice Collection: The sobriete, the gluttonry (represented by a man vomiting after eating too much)

The sobriete, the gluttonry (represented by a man vomiting after eating too much)
JLJ4670487 The sobriete, the gluttonry (represented by a man vomiting after eating too much) and the greed Miniature from the manuscript ms

Background imageAvarice Collection: Story of Gideon, late 16th century (silk and wool)

Story of Gideon, late 16th century (silk and wool)
CUL4904205 Story of Gideon, late 16th century (silk and wool) by Heemskerck, Maerten van (1498-1574); 371x406 cm; Museo Diocesano, Albarracin, Teruel

Background imageAvarice Collection: Story of Gideon, Judge and warrior of the Hebrews, late 16th century (tapestry)

Story of Gideon, Judge and warrior of the Hebrews, late 16th century (tapestry)
CUL4905553 Story of Gideon, Judge and warrior of the Hebrews, late 16th century (tapestry) by Heemskerck, Maerten van (1498-1574); 371x406 cm; Museo Diocesano, Albarracin, Teruel

Background imageAvarice Collection: Story of Gideon, Judge and warrior of the Hebrews, late 16th century (tapestry)

Story of Gideon, Judge and warrior of the Hebrews, late 16th century (tapestry)
CUL4905664 Story of Gideon, Judge and warrior of the Hebrews, late 16th century (tapestry) by Heemskerck, Maerten van (1498-1574); 371x406 cm; Museo Diocesano, Albarracin, Teruel

Background imageAvarice Collection: The Last Supper, 1548 (oil on panel)

The Last Supper, 1548 (oil on panel)
489970 The Last Supper, 1548 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); 46.5x63 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageAvarice Collection: In a pawnshop. 'The old Jew stretched out his hand': an illustration showing in a caricature

In a pawnshop. "The old Jew stretched out his hand": an illustration showing in a caricature the activity of
PCT4268155 In a pawnshop. " The old Jew stretched out his hand" : an illustration showing in a caricature the activity of a Jewish loan sharper eager for money. This engraving by A

Background imageAvarice Collection: Allegorical representation of the earths city, human sin, pride, anger, lust, envy, laziness

Allegorical representation of the earths city, human sin, pride, anger, lust, envy, laziness
JLJ4648317 Allegorical representation of the earths city, human sin, pride, anger, lust, envy, laziness, exces and their opposing virtues, piete, nuance, sobriete... Miniature from manuscript ms

Background imageAvarice Collection: 193-0082130 Why hide them?, plate 30 of Los caprichos, pub. 1799 (etching)

193-0082130 Why hide them?, plate 30 of Los caprichos, pub. 1799 (etching)
IND81649 193-0082130 Why hide them?, plate 30 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.3 cm; Private Collection; Index Fototeca

Background imageAvarice Collection: How they pluck her!, plate 21 of Los caprichos, pub. 1799 (etching & burnished aquatint)

How they pluck her!, plate 21 of Los caprichos, pub. 1799 (etching & burnished aquatint)
IND81640 How they pluck her!, plate 21 of Los caprichos, pub. 1799 (etching & burnished aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x14.9 cm; Private Collection; Index Fototeca

Background imageAvarice Collection: 193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching)

193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching)
IND81668 193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca



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"Avarice: The All-Consuming Greed" In the depths of human nature lies a cavernous pit, reminiscent of the Cave of Plato. Within this abyss, Jan Saenredam and Cornelis Cornelisz. Van Haarlem painted a vivid depiction in 1604 - an allegory that exposes mankind's insatiable desire for wealth and power. Venturing further into this infernal realm, we encounter HELL itself, where Henry Lord Jermyn succumbs to his unquenchable thirst for material possessions. Eugenio Lucas Velazquez's Allegoric Capricho from 1852 serves as a haunting reminder of the consequences that await those consumed by greed. Yet amidst this darkness, hope flickers like stars on an Astronomical Clock - Prague Orloj. This celestial timepiece reminds us that even in our pursuit of riches, we must not lose sight of higher aspirations and noble virtues. The echoes of history resonate through time with symbols such as the 15th Century Allegorical Apostle Astrolabe. It urges us to seek enlightenment beyond mere accumulation; for true wealth lies not in gold but in wisdom and understanding. Sic itur ad astra scilicet 1681 - thus one ascends to the stars indeed. These words echo through generations as a call to rise above base desires and embrace loftier ideals. Within "La somme le Roy" or Book of vices and virtues, depicted is humanity's struggle against its own vices - sobriety battling gluttony while greed lurks nearby. In these miniature illustrations from ms. 0870 emerges a stark contrast between self-indulgence and moderation. As we navigate life's intricate tapestry, let us remember that wisdom eludes those who prioritize material gain over spiritual growth. For even Moses himself bore witness to divine commandments etched upon stone tablets in both 1841 and c.