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B Clayton Collection

"B Clayton: A Piper's Journey through 19th Century India" Step into the captivating world of B Clayton

Background imageB Clayton Collection: Piper, 42nd Royal Highlanders, c19th century, (1909)

Piper, 42nd Royal Highlanders, c19th century, (1909). After B. Clayton (born c1805). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageB Clayton Collection: Piper, 93rd Sutherland Highlanders, c19th century (1909)

Piper, 93rd Sutherland Highlanders, c19th century (1909). After B. Clayton (born c1805). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageB Clayton Collection: Fort of Gwalior, India, 1847. Artist: Robinson

Fort of Gwalior, India, 1847. Artist: Robinson
Fort of Gwalior, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Benares, India, 1847. Artist: Kirchner

Benares, India, 1847. Artist: Kirchner
Benares, India, 1847. The city of Varanasi on the River Ganges. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Bazaar in Bombay, India, 1847. Artist: Kirchner

Bazaar in Bombay, India, 1847. Artist: Kirchner
Bazaar in Bombay, India, 1847. Market in Mumbai, with canopied balconies above. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Bazaar at Cabul, in the fruit season, 1847

Bazaar at Cabul, in the fruit season, 1847. Market in Kabul, Afghanistan. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Chittapore road, Calcutta, 1847

Chittapore road, Calcutta, 1847. The Indian city of Calcutta during the British Empire period. Some Europeans can just be seen in the centre of the street

Background imageB Clayton Collection: Palace of Allahabad, India, 1847. Artist: Bonner

Palace of Allahabad, India, 1847. Artist: Bonner
Palace of Allahabad, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Calcutta, India, 1847

Calcutta, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Town and fort of Agra, 1847. Artist: Robinson

Town and fort of Agra, 1847. Artist: Robinson
Town and fort of Agra, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: The last effort of Tippoo Saib at Seringapatam, 1799, (1847)

The last effort of Tippoo Saib at Seringapatam, 1799, (1847). The death of Tippoo Sahib (1753-1799), Sultan of Mysore at his stronghold, Seringapatam, India

Background imageB Clayton Collection: A street in Bombay, 1847

A street in Bombay, 1847. View of Mumbai during the British Empire period. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Grand Temple of the Bull, Tanjore, India, 1847. Artist: Kirchner

Grand Temple of the Bull, Tanjore, India, 1847. Artist: Kirchner
Grand Temple of the Bull, Tanjore, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Chalees Satoon, or the Pavilion of the Forty Pillars, 1847. Artist: Giles

Chalees Satoon, or the Pavilion of the Forty Pillars, 1847. Artist: Giles
Chalees Satoon, or the Pavilion of the Forty Pillars, 1847. Pavilion in Allahabad, Uttar Pradesh, India. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: View of Cabul, 1847. Artist: Giles

View of Cabul, 1847. Artist: Giles
View of Cabul, 1847. The town of Kabul in Afghanistan. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: The tomb of the favourite Sultan of Akbar Khan at Agra, 1847

The tomb of the favourite Sultan of Akbar Khan at Agra, 1847. The Taj Mahal in India, the great marble mausoleum built by Shah Jahan (1592-1666), Mughal emperor

Background imageB Clayton Collection: Khan Lodi overpowered, 15th century, (1847). Artist: Robinson

Khan Lodi overpowered, 15th century, (1847). Artist: Robinson
Khan Lodi overpowered, 15th century, (1847). Indian sultan Bahlul Khan Lodhi (died 1489) was the first Sultan of the Lodhi Dynasty

Background imageB Clayton Collection: The Gate of Akbers mausoleum, India, 1847. Artist: Robinson

The Gate of Akbers mausoleum, India, 1847. Artist: Robinson
The Gate of Akbers mausoleum, India, 1847. The tomb of Akbar the Great (1542-1605) at Sikandra, near Agra. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Pilgrims at the source of the Ganges, India, 1847

Pilgrims at the source of the Ganges, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Vasco da Gamas introduction to the Zamorin, India, 1498, (1847). Artist: Robinson

Vasco da Gamas introduction to the Zamorin, India, 1498, (1847). Artist: Robinson
Vasco da Gamas introduction to the Zamorin, India, 1498, (1847). Portuguese explorer Vasco da Gama (1469-1524) is received by Manavikraman Raja, the Saamoothiri (or Zamorin) of Kozhikode

Background imageB Clayton Collection: Vishnu, Shiva, and Brahma, 1847. Artist: Robinson

Vishnu, Shiva, and Brahma, 1847. Artist: Robinson
Vishnu, Shiva, and Brahma, 1847. Hindu deities. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Victoria Town, Hong Kong Island, 1847

Victoria Town, Hong Kong Island, 1847. Victoria City, one of the first urban settlements after Hong Kong became a British colony in 1842, was often said to be the capital of Hong Kong

Background imageB Clayton Collection: House at Ningbo, China, 1847. Artist: Armstrong

House at Ningbo, China, 1847. Artist: Armstrong
House at Ningbo, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Approach of the Emperor of China, to receive the British ambassador, 1847. Artist: JW Giles

Approach of the Emperor of China, to receive the British ambassador, 1847. Artist: JW Giles
Approach of the Emperor of China, to receive the British ambassador, 1847. Drawn by B Clayton, from a painting by W Alexander

Background imageB Clayton Collection: Mandarins house, China, 1847. Artist: Armstrong

Mandarins house, China, 1847. Artist: Armstrong
Mandarins house, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: View of Macao, 1847. Artist: Giles

View of Macao, 1847. Artist: Giles
View of Macao, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Dramatic performance in the open air, 1847. Artist: B Clayton

Dramatic performance in the open air, 1847. Artist: B Clayton
Dramatic performance in the open air, 1847. People watching a show in China. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: The annual festival celebrating the emperors birthday, revived by Kublai-Khan, 1847

The annual festival celebrating the emperors birthday, revived by Kublai-Khan, 1847. Artist: B Clayton
The annual festival celebrating the emperors birthday, revived by Kublai-Khan, 1847. Scene in the Chinese imperial court. Illustration from The History of China and India, by Miss Corner

Background imageB Clayton Collection: Street and shops in Pekin, 1847. Artist: Walmsley

Street and shops in Pekin, 1847. Artist: Walmsley
Street and shops in Pekin, 1847. Scene in what is now known as Beijing, China. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: The Emperor Weit-Soong and his court, taken prisoners by the Tartars, 1847. Artist: JW Giles

The Emperor Weit-Soong and his court, taken prisoners by the Tartars, 1847. Artist: JW Giles
The Emperor Weit-Soong and his court, taken prisoners by the Tartars, (1847). Episode from Chinese history. Drawn by B Clayton, from a painting by Fo Shang

Background imageB Clayton Collection: Chinese summer villa, 1847. Artist: Evans

Chinese summer villa, 1847. Artist: Evans
Chinese summer villa, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageB Clayton Collection: Confucius and his disciples, 5th century BC, (1847). Artist: Giles

Confucius and his disciples, 5th century BC, (1847). Artist: Giles
Confucius and his disciples, 5th century BC, (1847). The Chinese philosopher and thinker Confucius or K ung-fu-tzu (551 BC-479 BC)

Background imageB Clayton Collection: The empress and her attendants proceeding to the temple from the mulberry grove, 1847

The empress and her attendants proceeding to the temple from the mulberry grove, 1847. Artist: JW Giles
The empress and her attendants proceeding to the temple from the mulberry grove, 1847. Chinese empress and retinue. Drawn by B Clayton, from a painting by Fo Shang


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"B Clayton: A Piper's Journey through 19th Century India" Step into the captivating world of B Clayton, a skilled piper who served in two renowned Highland regiments during the late 19th century. In 1909, he was part of the esteemed 42nd Royal Highlanders, also known as the Black Watch. Their resounding bagpipe melodies echoed across battlefields and brought solace to weary soldiers. Before that, in another chapter of his life, Clayton had been a proud member of the legendary 93rd Sutherland Highlanders. This regiment boasted an illustrious history and fought valiantly in various conflicts throughout India during the same period. One can only imagine what sights Clayton witnessed during his time stationed at Fort Gwalior in 1847. The detailed artwork by Robinson captures this majestic fortress rising against the Indian sky with its formidable presence. Venturing further into India's vibrant tapestry, we find ourselves transported to Benares. Here, Kirchner's artistry paints a vivid picture of bustling streets adorned with colorful saris and ornate temples dedicated to Hindu deities. The enchantment continues as we explore Bombay's lively bazaar through Kirchner's brushstrokes. The aroma of exotic spices fills our senses while merchants skillfully negotiate their wares amidst a sea of eager customers. Moving northward towards Kabul, we catch a glimpse of life during fruit season within its vibrant bazaar. The air is filled with laughter and chatter as locals indulge in succulent fruits from nearby orchards. Our journey takes us next to Ghazni where Kirchner beautifully depicts two towering minars standing guard over this ancient fortress city—an architectural marvel steeped in rich history and tales untold. Lucknow beckons us forth with Robinson's portrayal capturing both grandeur and resilience amidst turbulent times. The city stands tall despite past conflicts—a testament to its enduring spirit. Calcutta reveals itself through Chittapore Road, a bustling artery pulsating with life.